Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 9

Harry Orlyk
At the Slurry Pit: Impressionist En Plein Air Landscape of Hay Field at Sunset

2020

About the Item

Impressionist style en plein air landscape painting of rural country hay field at sunset with robin egg's blue sky and yellow clouds #5790 At the Slurry Pit, painted by Harry Orlyk in 2020 oil on linen, ready to hang as is 14" X 16 3/4" inches unframed Signed lower right corner Excellent condition Harry Orlyk is celebrated for his ability to capture rural country landscapes with impressionistic brushstrokes and bright color palettes. Painting daily, the artist drives throughout the upstate New York, stopping to observe and paint 'en plain air' whenever and wherever a landscape strikes him. Orlyk prefers to leave his canvases unframed to reveal the exposed linen mounted to a sturdy homasote board, which can be easily nailed into a wall. This painting is a perfect example of Orlyk's impressionistic aesthetic. Here, the artist captures a peaceful, everyday, country landscape in a range of warm, golden tones. The soft robin's egg blue sky contrasts against the vibrant yellow clouds, illuminated by the setting sun. The scene is made with gestural strokes of paint that culminate onto a textured, impasto surface. The artist's signature is located in the lower right corner. The artist prefers to leave his paintings unframed. The painting can be installed with one nail, hammered behind the linen and through the homasote board. About the artist: Harry Orlyk was born in Troy, New York in 1947. In 1971 after graduating college, he went on to graduate school at the University of Nebraska at Lincoln . Over the next nine years, he was influenced by several Nebraskan artists. "Still-life painter Robin Smith taught me how to use paint without turpentine - to paint from the tube." He also admits the influence of photographer Lawrence McFarland who taught him what spiritual space was, and how to emphasize it. Lastly he credits well-known Lincoln painter Keith Jacobshagen with having impressed on him the importance of routine. He currently resides with his family in Salem, New York, near the Vermont border. About the work: For anyone raised in the country, Harry Orlyk’s impressionist oil paintings spark a sense memory that is at once shared and deeply personal. His work evokes a return to days spent as a kid when you played behind “Old Hap’s Barn”, or played hide-and-seek in the cornfield. If raised in the city, Orlyk’s paintings illustrate what you fantasized living in the country would be like. With each changing day and season, Orlyk reminds us of the simplistic beauty inherent in rural, small town America. Statement from the artist: "The Frame, what exactly is the frame? Is it a decorative note of separation between art and life, a box to hold an image? Whatever it is, it is a useful studio tool to making artistic work more approachable. Yet, with no disrespect for the power of a frame to make a person buy a painting, or even like a painting, I often choose to exhibit without it. Twenty seven years ago I set out to paint ten thousand, on-site landscape paintings. To achieve this I adopted a daily habit of morning preparations and afternoon painting sorties into surrounding land. After a dozen years of this, I realized how my painting expressed more of the relationship a human has with the land and less about what products the land can produce. My painting, sketching and drawing go on month after month, season after season, without stopping to duck the storms and bitter weather. In this, a spiral has begun to pull me through time as it pulled the centuries of farmers and hunters who have come this way. I am the hunter, always seeking the right place, the farmer, aware of the weather, of plant and animal life. It is the process, the relationship to a cyclic world that interests me more than the products, more than nicely framed paintings. Beyond this, I hope my paintings can be seen as portraits of days. Each day is a model who will not return tomorrow. To paint even the same place on a second day is to a paint a sitter who wasn¹t the one who was there yesterday. The Northeast and Great Plains, where I have spent most of my life is much visually effected by weather and climate. Skies are as different from day to day as people's faces. As they pass I try to know them personally. In years of living with fairly large bodies of recent work there has evolved a way of grouping it in my studio. Paintings, often fifty to sixty, unframed, but stretched to the surface of homosote boards line most of the studio’s wall space. These are often in rows of five paintings, from tight sequences of days, stacked one row above another. The main wall of the studio usually contains fifteen images. I often refer to this as a ‘wall’ of paintings. Often the relationship between work is cinema graphic, instantly telling a story of landscape painting progressing through endless variation. Frequently, clusters of work surround a painting of special meaning: anniversaries or deaths of people known personally or otherwise. Now a wall of paintings hanging at the Nebraska Weslyan University Elder Gallery is titled "Days Surrounding September 11, 2001". Another group of fifteen images in this same show is titled "Requiem for the Disenchanted Farmer". Paintings of days made in the recent summer surrounding a farmer’s death, are of the farmers land and the land surrounding it. Most recently, I have assembled a wall of paintings surrounding the start of a war where the farmer and his animals and their subsistence are destroyed before the fighters are found. I might call this wall "must safely graze". The advantages to staging work this way are numerous to both the painter and the audience and the framer ultimately gets to frame the work. The painter can focus resources on feeding the material needs of the painting. With long practice, an artist can learn to begin a painting nearly everyday and a visual journal unfolds unlike that of conventionally framed victories in landscape painting that blow our socks off one at a time. The journal points to change, continuity, flow, process. It is in this, perhaps, that I am a more conceptual artist rather than a landscape painter."
  • Creator:
    Harry Orlyk (1947, American)
  • Creation Year:
    2020
  • Dimensions:
    Height: 14 in (35.56 cm)Width: 16.75 in (42.55 cm)Depth: 1 in (2.54 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Hudson, NY
  • Reference Number:
    1stDibs: LU2276912282

More From This Seller

View All
Braymer Hill: Impressionist En Plein Air Landscape Painting of Green Country
By Harry Orlyk
Located in Hudson, NY
Impressionist style en plein air landscape painting on linen of a rural country farm with green fields and bright blue sky "Braymer Hill," an upstate New York landscape, painted plei...
Category

2010s Impressionist Landscape Paintings

Materials

Linen, Board, Oil

#5712 Gardenworks: Impressionistic En Plein Air Landscape Painting of Rural Farm
By Harry Orlyk
Located in Hudson, NY
Impressionistic, en plein air summer landscape of a rural country field overlooking a barn and silo Bright, sunny palette of green, blue and beige #5712 Gardenworks, painted by Harr...
Category

2010s Impressionist Landscape Paintings

Materials

Oil, Linen, Board

#5715 Overgrown Barn: Impressionist En Plein Air Landscape Painting on Linen
By Harry Orlyk
Located in Hudson, NY
#5715 Overgrown Barn, 2019 by Harry Orlyk (Impressionistic, en plein air autumn landscape of a sunlit barn in a field) oil on linen mounted on homasote board, ready to hang as is 14.5 x 14.5 inches unframed Signed lower right corner Harry Orlyk is celebrated for his ability to capture rural country landscapes with impressionistic brushstrokes and bright color palettes. Painting daily, the artist drives throughout the upstate New York, stopping to observe and paint 'en plain air' whenever and wherever a landscape strikes him. Orlyk prefers to leave his canvases unframed to reveal the exposed linen which are nailed to sturdy homasote boards for easy installation. This painting is a perfect example of Orlyk's impressionistic aesthetic. Here, the artist captures a quaint country landscape in a range of warm, golden tones. Orlyk's signature use of soft yellows creates a gently luminous atmosphere. The scene is made with gestural strokes of paint that culminate onto a textured, impasto surface. The artist's signature is located in the lower right corner. The artist prefers to leave his paintings unframed. The painting can be installed with one nail, hammered behind the linen and through the homasote board. About the artist: Harry Orlyk was born in Troy, New York in 1947. In 1971 after graduating college, he went on to graduate school at the University of Nebraska at Lincoln . Over the next nine years, he was influenced by several Nebraskan artists. "Still-life painter Robin Smith taught me how to use paint without turpentine - to paint from the tube." He also admits the influence of photographer Lawrence McFarland who taught him what spiritual space was, and how to emphasize it. Lastly he credits well-known Lincoln painter Keith Jacobshagen...
Category

2010s Impressionist Landscape Paintings

Materials

Oil, Board, Linen

5540 New Year's Day: Impressionist En Plein Air Landscape Painting on Linen
By Harry Orlyk
Located in Hudson, NY
Impressionistic, en plein air landscape oil painting on linen with a bright yellow palette of a rural country farm during a winter sunset #5540 New Year's Day, in Late Day Light, 201...
Category

2010s Impressionist Landscape Paintings

Materials

Linen, Oil, Board

#5511 The Old Walker House: Modern Impressionist Landscape Oil Painting on Linen
By Harry Orlyk
Located in Hudson, NY
landscape oil painting on linen on homasote board, unframed 13.75 x 18.25 inches Harry Orlyk is celebrated for his ability to capture an rural country landscape with impressionistic...
Category

2010s Impressionist Landscape Paintings

Materials

Linen, Oil

#5418 Washington County Vineyard (Impressionistic Green Country Landscape)
By Harry Orlyk
Located in Hudson, NY
oil on linen on homasote board, unframed 14.5 x 19 inches Harry Orlyk is celebrated for his ability to capture a rural country landscape with impressionistic brushstrokes and a bright color palette. Painting daily, the artist drives throughout the upstate New York, stopping to observe and paint 'en plain air' whenever and wherever a landscape strikes him. Orlyk prefers to leave his canvases unframed to reveal the exposed linen which are nailed to sturdy homasote boards for easy installation. '#5418 A Washington County Vineyard' is a perfect example of Orlyk's impressionistic aesthetic. Here, the artist captures a lush green field towards the end of summer. Orange leaves begin to appear atop green trees, creating a bright contrast with the blue mountains lining the horizon. Thick layers of paint are applied with expressive brushstrokes and culminate onto a textured surface. About the artist: Harry Orlyk was born in Troy, New York in 1947. In 1971 after graduating college, he went on to graduate school at the University of Nebraska at Lincoln . Over the next nine years, he was influenced by several Nebraskan artists. "Still-life painter Robin Smith taught me how to use paint without turpentine - to paint from the tube." He also admits the influence of photographer Lawrence McFarland who taught him what spiritual space was, and how to emphasize it. Lastly he credits well-known Lincoln painter Keith Jacobshagen...
Category

2010s Impressionist Landscape Paintings

Materials

Linen, Oil

You May Also Like

"At Sunrise in the Mountains" Oil Painting
By Ulrich Gleiter
Located in Denver, CO
Ulrich Gleiter's (EUR based) "At Sunrise in the Mountains" is an oil painting that depicts the textural hillside of a mountain landscape with blue skies overhead. Bio/Artist Statement: German-born artist Ulrich Gleiter (b. 1977) is noted for his landscapes. His style is sometimes reminiscent of German expressionism and the Russian impressionists. He first studied at the Dresden Academy of Arts and later at the Repin Academy in Saint Petersburg, Russia. His work has been recognized with awards in the USA and in Russia and been featured in books and magazines. "Ulrich Gleiter is a citizen of the world. Born in Saarbrücken, Germany, he pursued his undergraduate studies at Dresden’s Academy of Fine Arts, where he learned to paint with the bold, colorful strokes handed down from the early 20th-century German expressionists. Students there prioritized their individuality — no one but you could have made this picture, they were told. Gleiter then absorbed a different view of artistry during his exchange year at Moscow’s Surikov Institute, followed by six more years at the Repin Institute in St. Petersburg. Today Gleiter divides time between Germany, Russia, and the United States, where he has become much admired among plein-airists in such scenic places as Colorado, California, and Wyoming. In our era of diplomatic tensions, when Crimea and Russia appear regularly in the headlines, Gleiter feels a renewed appreciation for nature’s timelessness — for its inspiring capacity to rise above the ins-and-outs of man-made problems. Today, he says, “I often think about the history of an area where I am painting, about how many troubles and beautiful things may have happened there. Most importantly, I am humbled to observe how natural forces never stop moving.” Gleiter turns his searching eye not only to wilderness, but also to the banalities of urban life — to parked cars, the glinting sprawl of an automobile dealer’s lot, retail stores, and even cargo ships. There, too — as in his portraits, nudes, and still lifes — he manages to find abstracted beauty and emotional significance in the interactions of light, color, and air." ( by Peter Trippi, Fine Art Connoisseur Magazine, 01/2017) SOLO- AND TWO-PERSON EXHIBITIONS 2018: SANDAU&LEO Gallery, Berlin. 2017: Gallery 1261...
Category

2010s Impressionist Landscape Paintings

Materials

Linen, Oil

"Cortijo in the Sierra Alhamilla" Oil Painting
By Ulrich Gleiter
Located in Denver, CO
Ulrich Gleiter's (EUR based) "Cortijo in the Sierra Alhamilla" is an oil painting that depicts the textural hillside of a desert landscape and a adobe-like structure in the foregroun...
Category

2010s Impressionist Landscape Paintings

Materials

Linen, Oil

"Midnight Sun on the Karelian Lakes" Oil Painting
By Ulrich Gleiter
Located in Denver, CO
Ulrich Gleiter's (EUR based) "Midnight Sun on the Karelian Lakes" is an oil painting that depicts the view looking out from a wooden porch into the sunset. Bio/Artist Statement: German-born artist Ulrich Gleiter (b. 1977) is noted for his landscapes. His style is sometimes reminiscent of German expressionism and the Russian impressionists. He first studied at the Dresden Academy of Arts and later at the Repin Academy in Saint Petersburg, Russia. His work has been recognized with awards in the USA and in Russia and been featured in books and magazines. "Ulrich Gleiter is a citizen of the world. Born in Saarbrücken, Germany, he pursued his undergraduate studies at Dresden’s Academy of Fine Arts, where he learned to paint with the bold, colorful strokes handed down from the early 20th-century German expressionists. Students there prioritized their individuality — no one but you could have made this picture, they were told. Gleiter then absorbed a different view of artistry during his exchange year at Moscow’s Surikov Institute, followed by six more years at the Repin Institute in St. Petersburg. Today Gleiter divides time between Germany, Russia, and the United States, where he has become much admired among plein-airists in such scenic places as Colorado, California, and Wyoming. In our era of diplomatic tensions, when Crimea and Russia appear regularly in the headlines, Gleiter feels a renewed appreciation for nature’s timelessness — for its inspiring capacity to rise above the ins-and-outs of man-made problems. Today, he says, “I often think about the history of an area where I am painting, about how many troubles and beautiful things may have happened there. Most importantly, I am humbled to observe how natural forces never stop moving.” Gleiter turns his searching eye not only to wilderness, but also to the banalities of urban life — to parked cars, the glinting sprawl of an automobile dealer’s lot, retail stores, and even cargo ships. There, too — as in his portraits, nudes, and still lifes — he manages to find abstracted beauty and emotional significance in the interactions of light, color, and air." ( by Peter Trippi, Fine Art Connoisseur Magazine, 01/2017) SOLO- AND TWO-PERSON EXHIBITIONS 2018: SANDAU&LEO Gallery, Berlin. 2017: Gallery 1261...
Category

2010s Impressionist Landscape Paintings

Materials

Linen, Oil

"Early Spring in Burgundy" Oil Painting
By Ulrich Gleiter
Located in Denver, CO
Ulrich Gleiter's (EUR based) "Early Spring in Burgundy" is an oil painting that depicts lush greenery growing with a grey overcast sky swirling with weather. Bio/Artist Statement: ...
Category

2010s Impressionist Landscape Paintings

Materials

Oil, Linen

"Afternoon in Tabernas" Oil Painting
By Ulrich Gleiter
Located in Denver, CO
Ulrich Gleiter's (EUR based) "Afternoon in Tabernas" is an oil painting that depicts European architecture as blue sky colors surging overhead. Bio/Artist Statement: German-born artist Ulrich Gleiter (b. 1977) is noted for his landscapes. His style is sometimes reminiscent of German expressionism and the Russian impressionists. He first studied at the Dresden Academy of Arts and later at the Repin Academy in Saint Petersburg, Russia. His work has been recognized with awards in the USA and in Russia and been featured in books and magazines. "Ulrich Gleiter is a citizen of the world. Born in Saarbrücken, Germany, he pursued his undergraduate studies at Dresden’s Academy of Fine Arts, where he learned to paint with the bold, colorful strokes handed down from the early 20th-century German expressionists. Students there prioritized their individuality — no one but you could have made this picture, they were told. Gleiter then absorbed a different view of artistry during his exchange year at Moscow’s Surikov Institute, followed by six more years at the Repin Institute in St. Petersburg. Today Gleiter divides time between Germany, Russia, and the United States, where he has become much admired among plein-airists in such scenic places as Colorado, California, and Wyoming. In our era of diplomatic tensions, when Crimea and Russia appear regularly in the headlines, Gleiter feels a renewed appreciation for nature’s timelessness — for its inspiring capacity to rise above the ins-and-outs of man-made problems. Today, he says, “I often think about the history of an area where I am painting, about how many troubles and beautiful things may have happened there. Most importantly, I am humbled to observe how natural forces never stop moving.” Gleiter turns his searching eye not only to wilderness, but also to the banalities of urban life — to parked cars, the glinting sprawl of an automobile dealer’s lot, retail stores, and even cargo ships. There, too — as in his portraits, nudes, and still lifes — he manages to find abstracted beauty and emotional significance in the interactions of light, color, and air." ( by Peter Trippi, Fine Art Connoisseur Magazine, 01/2017) SOLO- AND TWO-PERSON EXHIBITIONS 2018: SANDAU&LEO Gallery, Berlin. 2017: Gallery 1261...
Category

2010s Impressionist Landscape Paintings

Materials

Linen, Oil

"Melting Snow Swedish Lapland" Oil Painting
By Ulrich Gleiter
Located in Denver, CO
Ulrich Gleiter's (EUR based) "Melting Snow Swedish Lapland" is an oil painting that depicts a snow covered landscape surrounded with barren mid-winter trees and long cast shadows as ...
Category

2010s Impressionist Landscape Paintings

Materials

Linen, Oil

Recently Viewed

View All