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Guglielmo Tato Sansoni"Airplanes Dive Over Enemy Skies" Italian Futurism Futurist Transportation Plane1930s
1930s
About the Item
"Airplanes Dive Over Enemy Skies" Italian Futurism Futurist Transportation Plane
Guglielmo “Tato” Sansoni (Italian, 1896 – 1974) "Airplanes Dive Over Enemy Skies (Aerei in Picchiata su Stabilimenti Nemici)," 20 x 28 inches. Oil on canvas. Circa 1930s. Signed lower right. Titled and signed verso.
Guglielmo Sansoni, known as Tato, was one of the primary Italian Futurist artist and one of the leading figures in plane painting. In 1920 he organized a fake funeral to "die" like Guglielmo Sansoni and be reborn as Tato Futurist. He met Filippo Tommaso Marinetti for the first time in Bologna in 1922 and became his friend.
In 1929, together with other futurists, he published the Manifesto of Aeropittura in the Gazzetta del Popolo. In September 1930 he and Marinetti organized the first national photographic competition, and between that year and the following year they proposed the Futurist Photography Manifesto. He was a painter, sculptor, writer, essayist, fresco painter, ceramist, interior decorator, set designer, and futurist photographer.
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Located in New York, NY
NYC 1939 World's Fair Mural Study American Scene WPA Modern Mid 20th Century
Eugene Savage (1883 – 1978)
1939 World’s Fair Mural Study
45 x 30 inches
Oil on Canvas
Signed lower right
The painting is part of a 1,000 piece collection of art and objects from the 1939 World’s Fair. The collection as a whole is available.
Savage created the mural for the facade of the Communications Building. An image of the completed mural, along with a published postcard, is part of the listing. Note the center top female figure, she resembles the figure in the offered painting.
BIO
Eugene Francis Savage was born in Covington, Indiana 1883. He underwent various forms of art training in the early years. He was a pupil of The Corcoran Gallery and The Art Institute of Chicago, and was later awarded a fellowship to study in Rome at The American Academy.
While under the spell of that ancient city the young artist began to render historic figures that were suitable for the classic style needed for mural painting in the traditional manor. During this period he was able to study and observe Roman and Greek sculpture, although much of the academic training was accomplished by using plaster casts along with the incorporation of live models. This method survived and was used efficiently throughout Europe and the United States.
After leaving the Academy, Savage was commissioned to paint numerous murals throughout the United States and Europe. This artist received acclaim for the works he produced while under commissions from various sources. This young master was a contemporary of Mexican muralists David Alfaro Siqueiros (1896-1974), Jose Clemente Orozco (1883-1949) and Diego Rivera (1886-1957). In this period he was to show the influence of his contemporaries in formulating a modern style. Savage also played a vital role in the WPA Federal Art program, and he was a member of The Mural Art Guild..
Savage was elected an associate member of The National Academy of Design in 1924 and a full member in 1926. From 1947, he held a professorship at Yale University where he taught mural painting, and some of his students went on to significant positions.
By this time the artist had painted large-scale murals at Columbia, Yale University, Buffalo N.Y., Dallas, Texas, Chicago, Indiana, along with other commissioned works. He also achieved recognition for a series of murals commissioned by the Matson Shipping Line and completed around 1940. For this commission, Savage made many exacting studies of customs and folkways of the Hawaiian natives. However, the award-winning murals were not installed as planned but were put in storage during the war years when the ships were used for troop transportation and were in danger of attack.
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