Giacomo Guardi

View of San Giorgio Maggiore

Circa 1804-1828

Eugène Galien-Laloue 1854-1941 I French Fête de Neuilly Signed "E. Galien-Laloue" (lower left) Watercolor, graphite and gouache, heightened with white, on paper, mounted on board ...

Peter Hurd 1904 - 1984 American From a Flying Fortress over England Signed, inscribed and dated: "Peter Hurd England 1942" (bottom left) Watercolor on paper Acclaimed American painter Peter Hurd demonstrates his mastery of capturing a specificity of place in his watercolor painting From a Flying Fortress over England. Hailing from his acclaimed “War Sketches,” Hurd’s trademark expressive brushwork and soft palette create an immersive, evocative scene. The acclaimed “War Sketches” series began in 1942, when Hurd was invited by Life magazine to travel with the US Air Force as a War Correspondent. This assignment represented a convergence in Hurd’s interests, as the artist had graduated from the New Mexico...

Stefan Bleekrode b.1986 Dutch Winter Shadows, New York Black ink and watercolor on paper Signed and dated "S. Bleekrode '18-'20" (upper right) Thi...

Emil Nolde 1867-1956 German Marschlandschaft (mit drei Häusern) Marshland (With Three Houses) Signed “Nolde” (lower right) Watercolor on Japan paper A work of engaging richness and emotion, Marschlandschaft (mit drei Häusern) invites the viewer directly into the heart of the intuitive, poetic world of Emil Nolde. An essential figure in the German avant-garde, Nolde’s highly modern oeuvre stands as an important precursor to the Abstract Expressionists of the mid-20th century. With its vivid colors and emotional intensity, the present work is exemplary of his output, containing all of the best characteristics of his mature style. Brilliant, amorphous fields of color suggest the vast, marshy landscape of Nolde’s native Schleswig-Holstein region near the German-Danish border. The artist’s application of paint is powerful and dramatic, conveying with a few brushstrokes the impression of passing storm clouds, allowing light and sky to peek through and illuminate the colors of his landscape. A sense of fluidity and immediacy were of great importance to Nolde. He once said, “I try to avoid all thinking. A vague concept of color and luminosity suffices, and the picture evolves during the act of painting.” The flow and spontaneity of watercolor lent themselves well to Nolde’s creative approach, and he achieved a vibrancy in the medium that is unsurpassed. Nolde is considered one of the most important exponents of German Expressionism and was one of the most prominent representatives of the avant-garde in Germany. His participation in the seminal group Die Brücke (The Bridge) links him to one of the earliest artists' associations which had a crucial impact on the development of modern art. His interplay of color and form set him apart from his contemporaries, and his work is recognized as a monumental step toward modernism. However, Nolde’s work was derided in his day by the Nazi regime in Germany, and he was forbidden from painting. Deemed too “decadent,” 33 of his works were displayed in the infamous Entartete Kunst, Degenerate Art Exhibition in Munich in 1937, labeling the artist's works as a “threat” to Germany. The Nazi Party destroyed hundreds of Nolde's works and confiscated over one thousand more — the greatest number of any artist — highlighting the rarity of the present composition. Throughout his career, Nolde received numerous awards, including the Print Prize of the XXVL Venice Biennale and the Order “Pour le mérite...

Watercolour and gouache on paper of sailing boats at a quay side. The painting is signed bottom right but as yet undeciphered and dated 1945. Presented in a patinated wood custom fra...

The paper size is 30 1/8 x 44 inches

Watercolor on paper, framed. Dark Night, 2020, watercolor, oil pastel, black, frame, landscape, fantasy, blue, creature. Framed and matted, frame size measures 24" x 35.75" x 1.25" ...

'Notre Dame de Paris II', gouache on paper, by Lucien Génin (circa 1930s). One of two paintings of Notre Dame by this artist held by our gallery, it is also an absolutely charming and now, historic depiction from the 1930s, of the most famous cathedral in France. This version uses more exaggerated brushstrokes with strong colours attesting to its expressionist roots. Notre Dame is one of the most widely recognised symbols of the city of Paris and the French nation. As the cathedral of the Archdiocese of Paris, Notre-Dame contains the cathedra of the Archbishop of Paris. Approximately 12 million people visit Notre-Dame annually, making it the most visited monument in the city. While undergoing renovation and restoration, the roof of Notre-Dame caught fire on the evening of 15 April 2019. Burning for around 15 hours, the cathedral sustained serious damage. The government of France hopes the reconstruction can be completed by Spring 2024, in time for the opening of the 2024 Summer Olympics in Paris. Unlike the actual cathedral, this artwork is in good condition, is newly framed and glazed and signed by the artist in the lower right hand corner. Upon request a video may be provided. About the Artist: After the devastation of the First World War, Lucien Génin (1894 - 1953) left his provincial home in the autumn of 1919 to find his fortune among the lively Parisians in the heart of Montmartre. Génin befriended the painters Frank Will, Gen Paul, Émile Boyer, Marcel Leprin...