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George Inness"A Cloudy Day, " View of Montclair, New Jersey, Tonalist, Barbizon Scene1886
1886
About the Item
George Inness (1825 - 1894)
A Cloudy Day, 1886
Oil on canvas
25 x 30 inches
Signed and dated lower center
Provenance:
The artist
Estate of the above
Fifth Avenue Galleries, New York, Executor's Sale of Paintings by the Late George Inness, N.A., February 12 - 14, 1895, Lot 132
Joseph H. Spafford, acquired from the above
Mrs. Spafford, by bequest from the above
Leroy Ireland, New York, 1951
Ernest Closuit, Fort Worth, Texas
Meredith Long & Company, Houston, Texas, circa 1960
Private Collection
Shannon's Fine Art, American and European Fine Art Auction, October 27, 2016, Lot 42
Exhibited:
New York, American Fine Arts Society, Exhibition of the Paintings Left by the Late George Inness, December 27, 1894, no. 90.
Literature:
LeRoy Ireland, The Works of George Inness: An Illustrated Catalogue Raisonne, Austin, Texas, 1965, p. 336, no. 1324, illustrated.
Michael Quick, "George Inness: A Catalogue Raisonne," Vol. II, New Brunswick, New Jersey, 2007, pp. 282-83, 311, no. 966, illustrated.
George Inness, one of America's foremost landscape painters of the late nineteenth century, was born in 1825 near Newburgh, New York. He spent most of his childhood in Newark, New Jersey. He was apprenticed to an engraving firm until 1843, when he studied art in New York with Regis Gignoux, a landscape painter from whom he learned the classical styles and techniques of the Old Masters. In 1851, sponsored by a patron, Inness made a fifteen-month trip to Italy. In 1853 he traveled to France, where he discovered Barbizon landscape painting, leading him to adopt a style that used looser, sketchier brushwork and more open compositions, emphasizing the expressive qualities of nature.
After working in New York from 1854 to 1859, he moved to Medfield, Massachusetts, and four years later to New Jersey, where through a fellow painter he began to experiment with using glazes that would allow him to fill his compositions with subtle effects of light. Duncan Phillips remarked on Inness’s mellow light as a unifying force, saying, “…he was equipped to modernize the grand manner of Claude and to apply the methods of Barbizon to American subjects."
At this time also, Inness developed an interest in the religious theories of Emanuel Swedenborg, an 18th century theologian who believed that all material things were imbued with spiritual presence and who proposed a philosophy in which earthly and heavenly realms are united. Inness's paintings throughout the decade of the 1860s showed sweeping, panoramic views of the Catskills, the Delaware Valley, or the New Jersey countryside. Despite their varying locales, these scenes share a spiritual expressiveness in the portrayal of nature’s moods, for example, dramatic effects of weather and atmosphere. In Inness’s mature paintings, the forms of the landscape become indistinct, hazy, abstracted, suggesting an existence in both material and immaterial worlds.
Inness moved back to New York in 1867 and in 1868 was elected to full membership in the National Academy of Design, but being an inveterate traveler, he returned to Europe in 1870, living in Rome from 1871 to 1875. Two years later he returned to New York, where he helped found the Society of American Artists. In 1878 he settled in Montclair, New Jersey, but continued to travel and paint misty, poetic, and evocative landscapes. Over the years he went to a variety of locations in the eastern and southern United States, and to Cuba, California, and Mexico. After 1880, his late synthetic landscapes were purely conceptual, made in a studio practice that relied on memory of actual places but was fundamentally an embodiment in paint of the artist’s deepest feelings. With these dematerialized landscapes, attuned to the Transcendentalists, Inness pioneered an essentially conceptualist art, one that would find echoes in the works of the Abstract Expressionists and Color Field painters of the 20th century. In 1894, Inness made his last trip abroad, visiting France, Germany, and Scotland, where he died. A public funeral was held in New York at the National Academy, which also held a large exhibition of his paintings that same year.
- Creator:George Inness (1825-1894, American)
- Creation Year:1886
- Dimensions:Height: 33 in (83.82 cm)Width: 38 in (96.52 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Excellent.
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU184129905852
George Inness
George Inness, one of America's foremost landscape painters of the late 19th century, was born in 1825 near Newburgh, New York. He spent most of his childhood in Newark, New Jersey. He was apprenticed to an engraving firm until 1843 when he studied art in New York with Regis Gignoux, a landscape painter from whom he learned the classical styles and techniques of the Old Masters. In 1851, sponsored by a patron, Inness made a 15-month trip to Italy. In 1853, he traveled to France, where he discovered Barbizon landscape painting, leading him to adopt style that used looser, sketchier brushwork and more open compositions, emphaa sizing the expressive qualities of nature. After working in New York from 1854–59, he moved to Medfield, Massachusetts, and four years later to New Jersey, where through a fellow painter he began to experiment with using glazes that would allow him to fill his compositions with subtle effects of light. Duncan Phillips remarked on Inness’s mellow light as a unifying force, saying, “…he was equipped to modernize the grand manner of Claude and to apply the methods of Barbizon to American subjects." At this time also, Inness developed an interest in the religious theories of Emanuel Swedenborg, an 18th-century theologian who believed that all material things were imbued with spiritual presence and who proposed a philosophy in which earthly and heavenly realms are united. Inness's paintings throughout the decade of the 1860s showed sweeping, panoramic views of the Catskills, the Delaware Valley, or the New Jersey countryside. Despite their varying locales, these scenes share a spiritual expressiveness in the portrayal of nature’s moods, for example, dramatic effects of weather and atmosphere. In Inness’s mature paintings, the forms of the landscape become indistinct, hazy, abstracted, suggesting an existence in both material and immaterial worlds. Inness moved back to New York in 1867 and in 1868 was elected to full membership in the National Academy of Design, but being an inveterate traveler, he returned to Europe in 1870, living in Rome from 1871–75. Two years later he returned to New York, where he helped found the Society of American Artists. In 1878, he settled in Montclair, New Jersey, but continued to travel and paint misty, poetic, and evocative landscapes. Over the years, he went to a variety of locations in the eastern and southern United States, and to Cuba, California and Mexico. After 1880, his late synthetic landscapes were purely conceptual, made in a studio practice that relied on the memory of actual places but was fundamentally an embodiment in paint of the artist’s deepest feelings. With these dematerialized landscapes, attuned to the Transcendentalists, Inness pioneered an essential conceptualist art, one that would find echoes in the works of the Abstract Expressionists and Color Field painters of the 20th century. In 1894, Inness made his last trip abroad, visiting France, Germany, and Scotland, where he died. A public funeral was held in New York at the National Academy, which also held a large exhibition of his paintings that same year.
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Located in New York, NY
John Fery (1859 - 1934)
Western Lake Landscape, circa 1920
Oil on canvas
21 x 23 1/4 inches
Signed lower left
Provenance:
Private Collection, New York
Born in Austria, John Fery earned a strong reputation for dramatic paintings of western mountain landscape in the United States. Glacier National Park in northwest Montana was a popular subject for him.
He was raised in a prominent, wealthy family that lived on an estate about nineteen miles northeast of Salzburg. His mother was Hungarian, and his father was born in Bohemia. S ome sources have written that he studied art in Dusseldorf, Germany with Peter Jansen, and also in Munich, Venice and Karlsruhe. But his "name does not appear in the records of the major art schools in any of these places, nor is there any record of his name at either the Vienna or Budapest academies." (Merrill 26) It is possible, however, that he received private instruction, and because of the sophistication of his painting, sources think it unlikely that he was self taught.
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Oil on canvas
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Signed and dated lower left
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At first glance, Alfred S. Wall's painting of a saw mill in snowy woods triggers nostalgia for the coziness of a log cabin, the smell of a wood-burning fire and the warming of chilled hands and feet beside it.
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This is more than a painting about sled-riding children and early industry planted in the middle of virgin forest. Intended or not, this is a painting about conquering the great divide of the Allegheny Mountains.
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Jane Bloodgood Abrams was born in Queens, New York. She received her Bachelor’s of Fine Arts from the College of Saint Rose in Albany, in 1985. Three years later, she earned a Master’s of Fine Arts at the State University of New York in New Paltz. Now she paints in the Hudson River Valley and the Berkshires.
EDUCATION
Master of Fine Arts Painting - (cum laude) State University of New York at New Paltz 1988
Bachelor of Studio Arts - (cum laude) College of Saint Rose, Albany 1985
SELECTED SOLO EXHIBITIONS:
2015
Carrie Haddad Gallery, Hudson, NY
2014
Mark Gruber Gallery, New Paltz, NY
Carrie Haddad Gallery, Hudson, NY
2013
Christopher Clark Fine Art, San Francisco, CA
The Harrison Gallery, Williamstown, MA
2012
Carrie Haddad Gallery, Hudson NY
River Gallery, Chattanooga, TN
The Storefront Gallery, Kingston, NY "Beyond the Real"
2011
The Harrison Gallery, Williamstown, MA
Carrie Haddad Gallery, Hudson, NY
Locust Grove State Historical Site, Poughkeepsie, NY
2010
Carrie Haddad Gallery, Hudson, NY
2009
Carrie Haddad Gallery, Hudson, NY
2008
DFN Gallery, New York, NY
2007
Meyer East Gallery, Santa Fe, NM
The Harrison Gallery, Williamstown, MA
Carrie Haddad Gallery, Hudson, NY
2006
Mendenhall-Sobieski Gallery, Los Angeles, CA
DFN Gallery, New York, NY
Carrie Haddad Gallery, Hudson, NY
2005
Carrie Haddad Gallery, Hudson, NY
River Gallery, Chattanooga, TN
2004
Albert Shahinian Galleries, Poughkeepsie, NY
Carrie Haddad Gallery, Hudson, NY
2003
Carrie Haddad Gallery, Hudson, NY
Living Room Gallery, Kingston, NY
River Gallery, Chattanooga, TN
2002
Carrie Haddad Gallery, Hudson, NY
2001
Carrie Haddad Gallery, Hudson, NY
Artforms Gallery, Albany, NY
2000
Carrie Haddad Gallery, Hudson, NY
Mark Gruber Gallery, "Romancing the Landscape" New Paltz, NY
1999
River Gallery, Chattanooga, TN
1998
Alan Sheppard Gallery, Piermont, NY "New Traditions"
1997
Coffey Gallery, Kingston, NY
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ARTBAR Gallery, Kingston, NY
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The Laffer Gallery, Schuylerville, NY
Jessica Hagen Fine Art, Newport, RI
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Jessica Hagen Fine Art, Newport, RI
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2013
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