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George Clough
Indian Head, Ausable Head, Adirondacks

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The Columbian Exhibition, the 1893 Chicago World’s Fair
Located in Saratoga Springs, NY
Thaddeus Welch (American 1844-1919) The Columbian Exhibition, the 1893 Chicago World’s Fair 70 x 35”, oil on board signed Request Price The C...
Category

Late 19th Century Hudson River School Figurative Paintings

Materials

Oil, Board

Fourteen Mile Island, Lake George
By Andrew Fisher Bunner
Located in Saratoga Springs, NY
Andrew Fisher Bunner ANA 1841-1897 Andrew Fisher Bunner was born in 1841 in New York City, and he studied there and in Europe. In fact, his career included extended travels in Fra...
Category

19th Century Hudson River School Landscape Paintings

Materials

Oil, Canvas

Ausable
By William Ongley
Located in Saratoga Springs, NY
Signed lower right. A landscape and marine painter, William Ongley was born in England in 1836 and came to America with his family and settled in New York. His art studies took him ...
Category

Late 19th Century Hudson River School Landscape Paintings

Materials

Canvas, Oil

A Summer Gathering
By Ambrose Andrews
Located in Saratoga Springs, NY
Signed lower right. An itinerant portrait, miniature, and landscape painter, Ambrose Andrews had a wide-ranging career geographically that saw him in many regions including New York (1829-31), Connecticut (1837), Texas (1837-1841) and Louisiana (1841-42). After 1844, he was active in St. Louis, New York City, Buffalo, New York, Vermont and Canada. He was born in West Stockbridge, Massachusetts, and in 1824, attended the National Academy of Design. Andrews exhibited paintings at the Republic of Texas Capitol...
Category

19th Century Hudson River School Landscape Paintings

Materials

Canvas, Oil

Mount Washington, New Hampshire
By Edmund Darch Lewis
Located in Saratoga Springs, NY
Edmund Darch Lewis (1835-1910) Mount Washington, New Hampshire 50 x 58 inches, signed & dated 1859 Description The area near Mount Washington in New Hampshire was visited by many ...
Category

1850s Hudson River School Landscape Paintings

Materials

Canvas, Oil

Distant Horizon
By Edward Moran
Located in Saratoga Springs, NY
Edward Moran (American, 1829 - 1901) Boy with Dog on Dock Oil on canvas Signed lower left 22 x 36 inches Provenance: Sotheby's Sale no. 3255 Oct. 27-28, 1977 Page 58 Price on reques...
Category

Late 19th Century Hudson River School Landscape Paintings

Materials

Canvas, Oil

Distant Horizon
Price Upon Request

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New England Sunrise, 1910 by Lockwood DeForest (American, 1850-1932)
Located in New York, NY
"New England Sunrise," 1910 by Hudson River School painter Lockwood DeForest (American, 1850-1932) is oil on artists card-stock and measures 9.75 x 14 inches. The work is signed by DeForest and dated Sept. 17, 1910 at lower left. The work is framed in an elegant, period appropriate frame, and ready to hang. Lockwood de Forest was born in New York in 1850 to a prominent family. He grew up in Greenwich Village and on Long Island at the family summer estate in Cold Spring Harbor. As was customary for a cultivated family in the Gilded Age, the de Forests made frequent trips abroad. Excursions to the great museums, which were prominent on the de Forests agenda, deepened the young Lockwood's familiarity with European painting and sculpture. Though he had begun drawing and painting somewhat earlier, it was during a visit to Rome in 1868 that nineteen-year-old de Forest first began to study art seriously, taking painting lessons from the Italian landscapist Hermann David Salomon Corrodi (1844–1905). More importantly, on the same trip, Lockwood met one of America’s most celebrated painters, (and his maternal great- uncle by marriage) Frederic Edwin Church (1826–1900), who quickly became his mentor. DeForest accompanied Church on sketching trips around Italy and continued this practice when they both returned to America in 1869. Early on in his career, de Forest made a habit of recording the date and often the place of his oil sketches, as to create a visual diary of his travels. Lockwood’s profession as a landscape painter can be primarily attributed to Frederic E. Church and his belief in the young artist’s talent. De Forest often visited Church in the Hudson River community of Catskill where, in addition to sketching trips and afternoons of painting, he assisted with the architectural drawings and planning of Olana. In 1872, de Forest took a studio at the Tenth Street Studio Building in New York. During these formative years de Forest counted among his friend’s artists such as Sanford Robinson Gifford (1823–80), George Henry Yewell (1830–1923), John Frederick Kensett (1816–72), Jervis McEntee (1828–91), and Walter Launt Palmer (1854–1932). Over the next decade de Forest experienced success as a painter. He exhibited for the first time at the National Academy of Design in 1872, and made two more painting trips abroad, in 1875–76 and 1877–78, traveling to the major continental capitals but also the Middle East and North Africa. His trip to the Middle East and the library at Church’s home, Olana, established his interest in design during his mid-twenties. From about 1878 to 1902, landscape painting was overshadowed by his activities and preoccupation with East Indian architecture and décor, a style that became quite fashionable in late nineteenth century America. From 1879-1883, de Forest founded Associated Artists along with Louis Comfort Tiffany, Candace Wheeler...
Category

Early 20th Century Hudson River School Landscape Paintings

Materials

Oil, Board

Fishing Along the Meder River at the edge of Vic, Spain
Located in Fredericksburg, VA
Samuel Coleman's "Fishing Along the Meder River at the Edge of Vic, Spain" is a captivating painting that beautifully captures both the charm of the riverside, and the beauty of the ...
Category

Mid-19th Century Hudson River School Landscape Paintings

Materials

Oil, Board

Dusk Forest Scene, Catskills by Lockwood DeForest (American, 1850-1932)
Located in New York, NY
"Dusk Forest Scene, Catskills," 1875 by Hudson River School painter Lockwood DeForest (American, 1850-1932) is oil on artists card-stock and measures 9.5 x 7 inches. The work is signed by DeForest, and dated May 13, 1875 at lower right. The work is framed in an elegant, period appropriate frame, and ready to hang. Lockwood de Forest was born in New York in 1850 to a prominent family. He grew up in Greenwich Village and on Long Island at the family summer estate in Cold Spring Harbor. As was customary for a cultivated family in the Gilded Age, the de Forests made frequent trips abroad. Excursions to the great museums, which were prominent on the de Forests agenda, deepened the young Lockwood's familiarity with European painting and sculpture. Though he had begun drawing and painting somewhat earlier, it was during a visit to Rome in 1868 that nineteen-year-old de Forest first began to study art seriously, taking painting lessons from the Italian landscapist Hermann David Salomon Corrodi (1844–1905). More importantly, on the same trip, Lockwood met one of America’s most celebrated painters, (and his maternal great- uncle by marriage) Frederic Edwin Church (1826–1900), who quickly became his mentor. DeForest accompanied Church on sketching trips around Italy and continued this practice when they both returned to America in 1869. Early on in his career, de Forest made a habit of recording the date and often the place of his oil sketches, as to create a visual diary of his travels. Lockwood’s profession as a landscape painter can be primarily attributed to Frederic E. Church and his belief in the young artist’s talent. De Forest often visited Church in the Hudson River community of Catskill where, in addition to sketching trips and afternoons of painting, he assisted with the architectural drawings and planning of Olana. In 1872, de Forest took a studio at the Tenth Street Studio Building in New York. During these formative years de Forest counted among his friend’s artists such as Sanford Robinson Gifford (1823–80), George Henry Yewell (1830–1923), John Frederick Kensett (1816–72), Jervis McEntee (1828–91), and Walter Launt Palmer (1854–1932). Over the next decade de Forest experienced success as a painter. He exhibited for the first time at the National Academy of Design in 1872, and made two more painting trips abroad, in 1875–76 and 1877–78, traveling to the major continental capitals but also the Middle East and North Africa. His trip to the Middle East and the library at Church’s home, Olana, established his interest in design during his mid-twenties. From about 1878 to 1902, landscape painting was overshadowed by his activities and preoccupation with East Indian architecture and décor, a style that became quite fashionable in late nineteenth century America. From 1879-1883, de Forest founded Associated Artists along with Louis Comfort Tiffany, Candace Wheeler...
Category

19th Century Hudson River School Landscape Paintings

Materials

Oil, Board

Antique American Hudson River School Scalp Level Pennsylvania Landscape Painting
Located in Buffalo, NY
Impressive early American Hudson River School landscape oil painting by Jasper Holman Lawman (1825 - 1906). Framed. Oil on board. Signed. Image size, 10H by 16L.
Category

1870s Hudson River School Landscape Paintings

Materials

Oil, Board

Antique American Important 19th Century Hudson River School Framed Oil Painting
Located in Buffalo, NY
Impressive early American Hudson River School landscape painting. Oil on paper. Framed. Image size, 7 by 9 inches.
Category

1850s Hudson River School Landscape Paintings

Materials

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19th Century White Mountain Landscape, Unknown American School
Located in New York, NY
Unknown White Mountain Artist White Mountain Landscape, 19th Century Oil on board 5 x 9 1/4 in. Framed: 7 3/4 x 11 3/4 in.
Category

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