George Ayling

Mist On Mevagissey, early 20th century

Malaga Street Scene, 19th Century REUBEN LE GRANDE JOHNSTON (1850-1918) Large 19th century Malaga street scene with a donkey in a courtyard, oil on canvas. Good quality and conditi...

The Rape Of Europa, 17th Century after Claude Lorrain (1604-1692) Large 17th Century Italian Old Master of The Rape Of Europa, oil on canvas. Large sc...

Travellers In A Mountain River Landscape, 17th Century Studio of Maerten RYCKAERT (1587-1631) Large 17th Century Flemish mountain river landscape with travellers, oil on canvas. E...

View of Pen Maen Mawr, Anglesey in the distance, dated 1864 by Edmund John Niemann (1813-1876) Large 19th Century view of Pen Maen Mawr looking towards Anglesey, oil on canvas by E...

John Holland Snr British, (1830-1886) The Malt Shovel Tavern Oil on canvas, signed Image size: 13 inches x 20.5 inches Size including frame: 18.25 inches x 25.75 inches Provenance: Frost & Reed A wonderful painting of figures sat outside a village inn by John Holland Senior. A wagon is shown delivering supplies as another cart drives off towards a windmill in the distance. In the foreground two people cut a log in half whilst their family looks on. The Malt Shovel Inn was most likely the one at Upper Lambourn in Berkshire. Over 500 years old, it was located on Malt Shovel Lane, and was originally a bakery, becoming an inn sometime during the mid 1700’s. It remained as a pub until its closure in 2016. The windmill in the distance was situated outside Lambourn on the road to Baydon. It was built in 1771 but was demolished around 1887 and is now the site of a farm. John Holland Senior was a painter of landscapes and coastal scenes who was born in Nottingham around 1830. He was the son of a painter and brother to Samuel Holland also a painter and sign writer. He was also uncle to his namesake John Holland (1857-1920) whom he taught to work in charcoal and Samuel S. Holland, both of whom were artists. By 1861, he had become a full time artist exhibiting at Suffolk Street from around this time until 1879, at the British Institution between 1865-1866 as well as exhibiting locally in Nottingham. He never married and lived for many years with his father, brother and his family at Vernon Street, Nottingham. Around 1867, he moved to Hebden Bridge in West Yorkshire where he exhibited locally. He would also often travel around the British countryside and coast to paint. He spent a few years in West Yorkshire but by 1871 had moved back to live with his family in Nottingham. However, he spent his final years living at Trebray Lodge, Tintagel, Cornwall where he died on 7 February 1886. A number of his works are held by the Buxton Museum, Calderdale Metropolitan Borough Council, Nottingham Art Gallery and the Williamson Art Gallery. Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition. The reverse bears an old label for Frost & Reed. Frost & Reed are a well-known fine Art Gallery, frame maker and fine art publisher founded in Bristol in 1808 by William Hill. The business was bought by John Frost in 1859 who ran it until his death in 1875. His nephew Walter Frost took over the business and in 1881 brought in William Reed...

Warm abstract, etherial large-scale mixed media painting in red, maroon, white, orange, and Payne's grey, in mixed media, including oil paint and charcoal on canvas, in this calm, se...

'Atmos' is appropriately titled light atmospheric quality. The oil paint is layered thinly in most places on the canvas. There is also linseed dipped charcoal drawn on and painted o...

'Paysage Provencal' by Gabriel Deschamps captures the idyllic beauty of the French countryside, highlighting a charming Château or country house set amidst a lush landscape. The scen...