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Frederic Church
Cotopaxi, Original oil on canvas mountain landscape, American Realist, 19thC

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Evening on a Surrey Common, original oil on canvas, British realist landscape
By Daniel Sherrin
Located in Naples, Florida
This is a lovely oil on canvas painting of a warm evening on a Surrey common. This original painting is circa the 20th Century and is by the English Artist D...
Category

Early 1900s Realist Landscape Paintings

Materials

Oil, Canvas

Wintery river landscape with brushwood collector, oil on canvas, 19th Century
By Desiré Thomassin
Located in Naples, Florida
This is an original oil on canvas painting of a ‘Wintery River landscape with brushwood collector’. This work is circa the 19th century and pictures a snowy evening with a cool toned...
Category

Late 19th Century Naturalistic Landscape Paintings

Materials

Oil, Canvas

Children Conversing in the Meadow, original oil on canvas, early 20thC
By Charles Theunissen
Located in Naples, Florida
Charles Theunissen (1871 - 1948) was a painter who was born and lived in Belgium.
Category

Early 20th Century Post-Impressionist Landscape Paintings

Materials

Canvas, Oil

Landscape with Mill, Original Oil on Canvas, Victorian style, mid 19thC
By Henry John Boddington
Located in Naples, Florida
Landscape with Mill
Category

Mid-19th Century Victorian Landscape Paintings

Materials

Canvas, Oil

Winter Day, Dutch landscape, Figures, original oil on canvas, 19thC German
By Johann Jungblut
Located in Naples, Florida
This depiction of a sunrise on a Winters day is a beautifully atmospheric oil on canvas painting by the artist Johann Jungblut. ‘Winter Day’ is an original work that is circa the 19th Century. Johann Jungblut was a German painter who focused on depicting winter landscapes of rural Netherlands, Germany, and Norway. Jungblut painted in a style which merged Impressionist techniques with the tradition of Dutch landscape painters like Aelbert Cuyp...
Category

19th Century Realist Landscape Paintings

Materials

Oil, Canvas

Beautiful Day by the River, original Oil on Canvas, Impressionist, 20thCentury
Located in Naples, Florida
This original oil-on-canvas painting, A Beautiful Day by the River, is a serene and colourful Impressionist style painting by the prolific artist Anatoly Belonog. This work is aroun...
Category

20th Century Impressionist Figurative Paintings

Materials

Oil, Canvas

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Tetris by Ali Mourabet, Contemporary Cityscape, Aerial View Art, Original art
Located in Deddington, GB
Tetris by Ali Mourabet [2021] original and hand signed by the artist Acrylic on canvas Image size: H:80 cm x W:60 cm Complete Size of Unframed Work: H:80 cm x W:60 cm x D:2.5cm Sold...
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21st Century and Contemporary American Realist Landscape Paintings

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Hot Afternoon
By Wes Hempel
Located in Fairfield, CT
A walk through any major museum will reveal paintings that depict or legitimate only certain kinds of experience. Despite the good intentions of critical theorists questioning the va...
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Strawberries Strewn on a Forest Floor
By William Mason Brown
Located in New York, NY
William Mason Brown was born in Troy, New York, where he studied for several years with local artists, including the leading portraitist there, Abel Buel Moore. In 1850, he moved to ...
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19th Century American Realist Landscape Paintings

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Mt. Etna from Taormina
By Thomas Fransioli
Located in New York, NY
Thomas Fransioli, born in 1906 in Seattle, Washington, trained as an architect at the University of Pennsylvania. He worked as an architect before his service in World War II. Largel...
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Chestnut Racehorse with a Jockey Up On a Training Strap
By Henry H. Cross
Located in New York, NY
It was Henry Cross's portraits of horses belonging to the prominent breeders and trainers of the second half of the nineteenth century that won the artist renown as an animal painter. Born and raised in upstate New York, Cross's proficiency in both drafting and caricature was revealed while he was still a student at the Binghamton Academy, New York. In 1852, when he was only fifteen years old, Cross joined a traveling circus that took him to Minneapolis, Minnesota, and to the first of many Indian encampments that he would draw upon for subject matter throughout his career. Biographers differ as to the year Cross left for Europe, however, he was in Paris from 1852 to 1853 or 1854, where he studied with Rosa Bonheur, a highly esteemed French painter of horses. Upon Cross's return to the United States he was commissioned to paint the studs of wealthy horsemen, including those of Commodore Cornelius Vanderbilt, Robert Bonner, the owner-publisher of The New York Ledger, and "Copper King" Marcus Daly, whose 18,000 acre stock farm was reputed to be the greatest and most valuable horse ranch in the world. Although Cross received the highest pay of any equine artist of his day (up to $35,000. for one order, according to The Horse Review of April 10, 1918, p. 328), he frequently joined traveling circuses and painted the locales where they visited. He also painted portraits of notable contemporaries, such as President Abraham Lincoln, ex-president Ulysses S. Grant, King Edward VII of England, W. F. "Buffalo Bill...
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19th Century American Realist Animal Paintings

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At the Spring
By Joshua Shaw
Located in New York, NY
Joshua Shaw was a farmer’s son, born in Billingborough, Lincolnshire, and orphaned at the age of seven. After a boyhood of privation, he tried a number of occupations, until he finally apprenticed to a sign painter and found his métier. Shaw went to Manchester to study art, and by 1802 was in Bath, painting landscapes. In that year he began to exhibit his work at the Royal Academy in London. Essentially self-taught, Shaw achieved an impressive level of competence and versatility, producing portraits, floral compositions, still lifes, landscapes, and, cattle pieces. Shaw continued to send works for exhibition at the Royal Academy, the British Institution, and the Suffolk Street Gallery, all in London, until 1841. (Although Shaw is regularly mentioned and frequently illustrated in a host of general books on American art history, as well as included in numerous historical survey exhibitions, the only monographic study of this artist is Miriam Carroll Woods, “Joshua Shaw [1776–1860]: A Study of the Artist and his Paintings” [M.A. thesis, University of California at Los Angeles, 1971]. Apart from short biographical sketches in various dictionaries and museum collection catalogues, the two most interesting references, both contemporary, are John Sartain’s personal recollections in The Reminiscences of a Very Old Man, 1808–1897 [1899; reprint 1969] and an article in Scientific American from August 7, 1869, “Joshua Shaw, Artist and Inventor.” The article quotes extensively from an autobiographical document in the possession of Shaw’s grandson that Shaw prepared for William Dunlap...
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19th Century American Realist Landscape Paintings

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