Frank Schneider

Frank Schneider "Yachting in the Atlantic" Original Oil Painting c.1920

Circa 1920

Irina Roudakoff Belotelkin (Russian / American, 1913-2009) Stunning Country Chaparral Zone Landscape Oil Painting C.1960s Brilliant original oil painting by listed Russian / Americ...

Axel Hansen (Dutch, 1896-1936) Country Farm Landscape w/ Cattle c.1920s Fine impressionist oil painting by Danish painter Axel Hansen. The painting shows...

Jesse F. Santos "Harvesting Rice" Philippine Landscape Oil Painting c.1970 Original oil on canvas Dimensions 30" wide x 24" high Signed and dated lower right Very good vintage co...

Laura Hoernig New Mexico Landscape with Houses and Figures Original Oil Painting c.1930s Original oil on canvas Dimensions 20" wide x 16" high The distressed frame measures 22.5" wide x 18.5" high Unsigned / Undated The frame is included in "as is" condition The canvas has been stretched over a newer stretcher (as found) The painting is in good vintage condition. The upper left shows some possible over-painting. Please see all images. This is a rare painting by this talented artist. A great find! Laura Hoernig was born in Kansas City, Missouri in 1872. She lived at 22 West 58th Street in Kansas City during the 1920's. Hoernig studied and sometimes traveled with artist George Sass...

"Country Stroll" by Galien-Laloue is an Oil on Canvas, French Impressionism painting of the French country side of a dirt road on your wa...

Jules Herve (French, 1887 - 1981) Bassin des Tuilleries and the Louvre, Paris, n.d. Oil on canvas 18 1/2 x 21 3/4 inches Signed lower left; signed on the reverse Provenance: Dominio...

Jim’s of Lambertville is proud to offer this artwork. Signed lower left. Complemented by a hand carved and gilt frame. Illustrated in "Edward Redfield: Just Values and Fine Seeing" by Constance Kimmerle and the Pennsylvania Academy of the Fine Arts's Exhibition of Paintings by Edward Redfield (April 17 to May 16, 1909) brochure Edward Willis Redfield (1869 - 1965) Edward W. Redfield was born in Bridgeville, Delaware, moving to Philadelphia as a young child. Determined to be an artist from an early age, he studied at the Spring Garden Institute and the Franklin Institute before entering the Pennsylvania Academy from 1887 to 1889, where he studied under Thomas Anshutz, James Kelly, and Thomas Hovenden. Along with his friend and fellow artist, Robert Henri, he traveled abroad in 1889 and studied at the Academie Julian in Paris under William Bouguereau and Tony Robert-Fleury. While in France, Redfield met Elise Deligant, the daughter of an innkeeper, and married in London in 1893. Upon his return to the United States, Redfield and his wife settled in Glenside, Pennsylvania. He remained there until 1898, at which time he moved his family to Center Bridge, a town several miles north of New Hope along the Delaware River. Redfield painted prolifically in the 1890s but it was not until the beginning of the twentieth century that he would develop the bold impressionist style that defined his career. As Redfield’s international reputation spread, many young artists gravitated to New Hope as he was a great inspiration and an iconic role model. Edward Redfield remained in Center Bridge throughout his long life, fathering his six children there. Around 1905 and 1906, Redfield’s style was coming into its own, employing thick vigorous brush strokes tightly woven and layered with a multitude of colors. These large plein-air canvases define the essence of Pennsylvania Impressionism. By 1907, Redfield had perfected his craft and, from this point forward, was creating some of his finest work. Redfield would once again return to France where he painted a small but important body of work between 1907 and 1908. While there, he received an Honorable Mention from the Paris Salon for one of these canvases. In 1910 he was awarded a Gold Medal at the prestigious Buenos Aires Exposition and at the Panama-Pacific Exposition of 1915 in San Francisco, an entire gallery was dedicated for twenty-one of his paintings. Since Redfield painted for Exhibition with the intent to win medals, his best effort often went into his larger paintings. Although he also painted many fine smaller pictures, virtually all of his works were of major award-winning canvas sizes of 38x50 or 50x56 inches. If one were to assign a period of Redfield’s work that was representative of his “best period”, it would have to be from 1907 to 1925. Although he was capable of creating masterpieces though the late 1940s, his style fully matured by 1907 and most work from then through the early twenties was of consistently high quality. In the later 1920s and through the 1930s and 1940s, he was like most other great artists, creating some paintings that were superb examples and others that were of more ordinary quality. Redfield earned an international reputation at a young age, known for accurately recording nature with his canvases and painting virtually all of his work outdoors; Redfield was one of a rare breed. He was regarded as the pioneer of impressionist winter landscape painting in America, having few if any equals. Redfield spent summers in Maine, first at Boothbay Harbor and beginning in the 1920s, on Monhegan Island. There he painted colorful marine and coastal scenes as well as the island’s landscape and fishing shacks. He remained active painting and making Windsor style furniture...

This painting was painted in the open air in the city of Chuguev, Kharkiv region.