Francis E. Jamieson

Francis E. Jamieson (1895-1950) - Early 20th Century Oil, Highland River

Unknown

Unsigned. Acquired as part of a collection of works by the artist, many of which are signed. On board.

This evocative landscape painting captures a sweeping vista of countryside meeting the sea, with a dramatic sky dominating the upper half of the composition. Signed to the lower righ...

This vibrant impressionistic painting captures the dappled light and atmospheric beauty of a sunlit forest. The artist's loose brushstrokes and bold use of colour create a sense of m...

This atmospheric winter scene captures a quiet village street blanketed in snow, with rustic houses nestled among bare trees. The artist employs a soft, muted colour palette and loos...

Thomas Fransioli, born in 1906 in Seattle, Washington, trained as an architect at the University of Pennsylvania. He worked as an architect before his service in World War II. Largel...

Elisee Maclet (1881-1962) Very well listed French artist. Studied in Paris, was influence by many famous French artists of the beginning of the 20th century. “Paris. L'lle Saint L...

It was Henry Cross's portraits of horses belonging to the prominent breeders and trainers of the second half of the nineteenth century that won the artist renown as an animal painter. Born and raised in upstate New York, Cross's proficiency in both drafting and caricature was revealed while he was still a student at the Binghamton Academy, New York. In 1852, when he was only fifteen years old, Cross joined a traveling circus that took him to Minneapolis, Minnesota, and to the first of many Indian encampments that he would draw upon for subject matter throughout his career. Biographers differ as to the year Cross left for Europe, however, he was in Paris from 1852 to 1853 or 1854, where he studied with Rosa Bonheur, a highly esteemed French painter of horses. Upon Cross's return to the United States he was commissioned to paint the studs of wealthy horsemen, including those of Commodore Cornelius Vanderbilt, Robert Bonner, the owner-publisher of The New York Ledger, and "Copper King" Marcus Daly, whose 18,000 acre stock farm was reputed to be the greatest and most valuable horse ranch in the world. Although Cross received the highest pay of any equine artist of his day (up to $35,000. for one order, according to The Horse Review of April 10, 1918, p. 328), he frequently joined traveling circuses and painted the locales where they visited. He also painted portraits of notable contemporaries, such as President Abraham Lincoln, ex-president Ulysses S. Grant, King Edward VII of England, W. F. "Buffalo Bill...

This painting by Lee Tiller is an invitation to rest, breathe and recuperate from the chaos of life. There are few artists alive that can capture the fleeting and transient effects o...