Eugene Berman

Surrealist Landscape of Appian Way, Una Via Romana Antica - Monochromatic

1962

Eugene Berman is a keen observer of his surroundings but never translates his vision in a literal way. In "Sicilian Landscape," the artist transfor...

Nordfeldt's misty and moody monochromatic modernist landscape is reminiscent of Marsden Hartley. Signed lower right. The plaque reads B.J.O Nordfeldt "Moon in Mist - The painting l...

Corcos paints what appears to be the northern part Central Park from an elevated view looking northwest. The artist used a restricted palette of warm browns and grays with heavy outl...

At the height of Abstraction Expressionism, overlooked Academic Artist John Atherton created a wonderfully complex painting that embodies many of the characteristics of what was going on in Mid-Century American Art. The work is simultaneously abstract as it is representational. Like a Bento Box, it's divided into sections by dividers. On close inspection, each section stands on it's own as a beautiful mini-painting yet coalesces as part of the whole. From a distance, it is eye-pleasing, but as the view gets closer and closer, new structures and details gloriously reveal themselves. This is an important painting and not unlike the work of Joaquín Torres-García. It was done in the last year of the artist's life. Signed lower right. Canvas is relined. Framed size: 30 x 41.25. The work is best viewed with top gallery lights to bring out color. Color will look different under different lighting conditions. Atherton exhibited at the famous Julien Levy Gallery in New York and his fine art is mainly associated with Magic Realism. He participated in the seminal 1943 Museum of Modern Art exhibition, American Realists and Magic Realists. The Museum of Modern Art has 4 Atherton paintings in its collection. As an Illustrator, Atherton did covers for the Saturday Evening Post, Fortune and Holiday Magazine...

Amazing surreal cloudscape modernist oil painting. Framed. Oil on canvas.

Vintage American school surreal oil painting. Oil on canvas. Signed verso. Framed. Measuring 24 by 30 overall and 22 by 28 painting alone.

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

Rob Katkowski’s original oil painting, Cemetery Paths, is a thought-provoking composition that blends quiet minimalism with a subtle, emotional narrative. Measuring 12 inches square ...