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Elaine KazimierczukDouble Diptych right hand panel, Original Painting, Landscape, Nature, Flowers2024
2024
About the Item
This work is one of two panels forming a diptych depicting a traditional wildflower meadow in full bloom. Although the two paintings could be available separately, they form a continuous landscape when hung side by side, but also compliment one another if placed on different walls within the same interior. The colours are drawn from soft green meadow grasses, the white ox-eye daisies in abundance as well as the pretty pinks and yellows of other native wild flowers in this meadow. Ryewater Farm, Dorset, is part of a reserve managed by the charity Plantlife, currently consisting of five meadows with a rich diversity of flora, including ox-eye daisies, buttercups, clover and orchids. A further twenty acres are soon to be added to this project.
ADDITIONAL INFORMATION:
Oil Crayon, Oil Paint on Canvas
104.5 H x 104.5 W x 3.02 D cm (41.14 x 41.14 x 1.19 in)
Sold framed
Image size:
Height: 100cm (39.37 in)
Width: 100cm (39.37 in)
Complete size of unframed painting
Height: 100cm (39.37 in)
Width: 100cm (39.37 in)
Depth: 1.11cm (0.44 in)
Framed Size:
Height: 104.5cm (41.14 in)
Width: 104.5cm (41.14 in)
Depth: 3.02cm (1.19 in)
Please note that insitu images are purely an indication of how a piece may look
ARTIST BIOGRAPHY:
Elaine Kazimierczuk studied chemistry at university and taught for many years before becoming a professional artist.
She has written and illustrated a series of books on local history besides a monograph on the religious works of the prominent sculptor Peter Eugene Ball, with whom she collaborated on many major commissions. She is a trustee of Midlands-based Ice-age Archaeological Insights and produces visual interpretations of prehistoric people and their environment.
In addition to the demand for her landscapes, there is a growing clientele for her portraiture. She has been shortlisted for the 2016 BP National Portrait Award.
Many of Elaine Kazimierczuk’s works are based on interpretations of intimately-known localities, frequently, but not exclusively, in her native Nottinghamshire.
In her semi-abstract studies of meadows, trees and hedgerows, she achieves a tension between looseness and control, which enables her to convey that intricate assembly of wild beauty. Frequently working on a red ground, which resonates with the vibrant overpainting, she adopts a bold approach, so that there is an evident freedom, just short of capriciousness, either of hand or eye, in the brushwork. Her works represent the ordered chaos of the natural world with energy and vitality.
Elaine Kazimierczuk has recently been awarded the Mary Moser Prize for 2018. This is an Oxfordshire Art Weeks prize awarded to a person who has changed career and taken up art professionally later in life.
- Creator:Elaine Kazimierczuk (Polish)
- Creation Year:2024
- Dimensions:Height: 41.15 in (104.5 cm)Width: 41.15 in (104.5 cm)Depth: 1.19 in (3.02 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Deddington, GB
- Reference Number:Seller: WYCHWOOD ART GALLERY1stDibs: LU632315285092
Elaine Kazimierczuk
Elaine Kazimierczuk artist paints original art and is available to buy online and in our art gallery. Elaine Kazimierczuk studied chemistry at university and taught for many years before becoming a professional artist. She has written and illustrated a series of books on local history besides a monograph on the religious works of the prominent sculptor Peter Eugene Ball, with whom she collaborated on many major commissions. She is a trustee of Midlands-based Ice-age Archaeological Insights and produces visual interpretations of prehistoric people and their environment. In addition to the demand for her landscapes, there is a growing clientele for her portraiture. She has been shortlisted for the 2016 BP National Portrait Award. Many of Elaine Kazimierczuk’s works are based on interpretations of intimately-known localities, frequently, but not exclusively, in her native Nottinghamshire. In her semi-abstract studies of meadows, trees and hedgerows, she achieves a tension between looseness and control, which enables her to convey that intricate assembly of wild beauty. Frequently working on a red ground, which resonates with the vibrant overpainting, she adopts a bold approach, so that there is an evident freedom, just short of capriciousness, either of hand or eye, in the brushwork. Her works represent the ordered chaos of the natural world with energy and vitality. Elaine Kazimierczuk has recently been awarded the Mary Moser Prize for 2018. This is an Oxfordshire Art Weeks prize awarded to a person who has changed career and taken up art professionally later in life.
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