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Dylan LloydIsland Path III, Original Photorealist Painting, Oil Painting, Affordable Art2020
2020
About the Item
Dylan Lloyd
Island Path III
Original Oil Painting on Canvas
Oil Paint on Canvas
Framed in a White Box Frame
Image size: H 30cm x W 24cm x D 0.5cm
Framed Size: H 42cm x W 36.5 x D 4cm
Pictured in situ with Island Path IV, Island Path VIII and Island Path XI
(Please note that in situ images are purely an indication of how a piece may look)
Island Path III is an original oil painting by Dylan Lloyd. The varying blue, yellow, plummy and fresh green tones juxtapose one another to give this piece a bright and fresh spring feel.
Dylan Lloyd was born in Gravesend, Kent in 1972 and studied Fine Art at Falmouth School of Art. His studio and garden are located on the Isle of Portland in Dorset. Garden’s have been the major focus for his work for 15 years. His paintings are a documentation of growth, change and development of the direct world around him. Their connection with photography is important; the exaggerated depth of field and pixilated elements of the work are reminiscent of photography and carry associations with the recording of time and history. The seemingly exaggerated photographic surface is balanced with a painterly response that suggest a lasting memory of a place rather than merely direct representation. Dylan’s interest in gardens and plants extend to design, film and photography and he has produced work in response to his own garden as well as other contemporary and traditional gardens across the south of England and northern France.
- Creator:
- Creation Year:2020
- Dimensions:Height: 16.54 in (42 cm)Width: 14.38 in (36.5 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Deddington, GB
- Reference Number:1stDibs: LU63236257542
Dylan Lloyd
Dylan Lloyd was born in Gravesend, Kent, in 1972 and studied Fine Art at Falmouth School of Art. His studio and garden are located on the Isle of Portland in Dorset. Gardens have been the major focus for his work for 15 years. His paintings are a documentation of growth, change and development of the direct world around him. Their connection with photography is important; the exaggerated depth of field and pixelated elements of the work are reminiscent of photography and carry associations with the recording of time and history. The seemingly exaggerated photographic surface is balanced with a painterly response that suggests a lasting memory of a place rather than merely direct representation. Lloyd’s interest in gardens and plants extend to design, film and photography and he has produced work in response to his garden as well as other contemporary and traditional gardens across the south of England and northern France.
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