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Donald Stacy1950s "Landscape with Boulder" Donald Stacy Gouache Landscape Paintingc.1950s
c.1950s
About the Item
Donald Stacy
"Landscape wit Boulder"
c.1950s
Gouache paint on paper
24"x18'" unframed
Unsigned
Came from artist's estate
*Custom framing available for additional charge. Please expect framing time between 3-5 weeks.
Donald Stacy (1925-2008) New Jersey
Studied: Newark School of Fine Art
The Art Students League
Pratt Graphic Arts Center
University of Paris 1953-54
University of Aix-en-Provence 1954-55
Faculty: Art Department of the New School
Museum of Modern Art
School of Visual Arts
Stacy Studio Workshop
Exhibitions: Grand Central Moderns
George Wittenborn
The New School
Print Exhibitions, Chicago
University of Oklahoma
Honolulu Museum
Monclair Museum
Wisconsin State College
Louisiana Art Commission
Philadelphia Print Club
Kyoto Gallery
Grenchen, Switzerland
Documenta II Kassel, Germany
Alan Stone, Knoedlers
- Creator:Donald Stacy (1925 - 2011, American)
- Creation Year:c.1950s
- Dimensions:Height: 18 in (45.72 cm)Width: 24 in (60.96 cm)Depth: 0.5 in (1.27 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Minor wear consistent with age and history. Wrinkling, toning.
- Gallery Location:Arp, TX
- Reference Number:1stDibs: LU153327862472
Donald Stacy
Donald Stacy (1925-2008) New Jersey Studied: Newark School of Fine Art
The Art Students League
Pratt Graphic Arts Center
University of Paris 1953-54
University of Aix-en-Provence 1954-55 Faculty: Art Department of the New School
Museum of Modern Art
School of Visual Arts
Stacy Studio Workshop Exhibitions: Grand Central Moderns
George Wittenborn
The New School
Print Exhibitions, Chicago
University of Oklahoma
Honolulu Museum
Monclair Museum
Wisconsin State College
Louisiana Art Commission
Philadelphia Print Club
Kyoto Gallery
Grenchen, Switzerland
Documenta II Kassel, Germany
Alan Stone, Knoedlers
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Jay Milder (born 1934) is an American artist and a figurative expressionist painter of the second generation New York School. Old Testament themes such as Jacob's Ladder and Noah’s Ark, and the Jewish mystical beliefs of the Kabbalah, are recurring themes in Milder’s paintings which are presented as archetypal images that recur in the basic karma, make-up and need of human nature. Internationally exhibited, Milder is included in the collections of many national and international museums.
He has been the subject of two, recent retrospectives in Brazil in 2007 at the National Museum Brasilia and, in 2006, at the Museum of Modern Art, in Rio de Janeiro. He is renowned in Sao Paulo, one of the major international centers for street and public art, as a seminal influence on graffiti artists. Jay Milder was born in Omaha, Nebraska, in 1934. His grandparents, who came from the Ukraine, were descendants of the Hasidic mystic, Rabbi Nachman. As he listened to family stories his interest in spiritualism and mysticism increased, and became an important influence on his philosophy of life and art. Later, when he arrived in New York, he was drawn to the Theosophical Society and the teaching of Helena Blavatsky.
In 1954 Milder visited Europe where he studied painting with André L’Hote, and sculpture with Ossip Zadkine. He spent much time studying at the Louvre Museum, and at the studio of Stanley Hayter. During his Paris years the paintings of the Jewish painter Chaim Soutine, primarily influenced him. Milder returned to the United States in 1956, and he began studying painting at the Chicago Art Institute. He exhibited with the Momentum Group, an alliance of artists who were particularly dedicated to the progression of figurative art and its global origins.
In 1957, Milder spent the summer in Mexico for a summer where he exhibited in Puebla. That year he received the Mexican Government’s Honor Award for artists.
In the summer of 1958, Milder studied with Hans Hofmann in Provincetown, Massachusetts. He exhibited his work at the Sun Gallery, with his contemporaries, including Mary Frank, Red Grooms, Bob Thompson...
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This does not appear to be hand signed. It is signed and dated verso perhaps by gallerist.
Jay Milder (born 1934) is an American artist and a figurative expressionist painter of the second generation New York School. Old Testament themes such as Jacob's Ladder and Noah’s Ark, and the Jewish mystical beliefs of the Kabbalah, are recurring themes in Milder’s paintings which are presented as archetypal images that recur in the basic karma, make-up and need of human nature. Internationally exhibited, Milder is included in the collections of many national and international museums.
He has been the subject of two, recent retrospectives in Brazil in 2007 at the National Museum Brasilia and, in 2006, at the Museum of Modern Art, in Rio de Janeiro. He is renowned in Sao Paulo, one of the major international centers for street and public art, as a seminal influence on graffiti artists. Jay Milder was born in Omaha, Nebraska, in 1934. His grandparents, who came from the Ukraine, were descendants of the Hasidic mystic, Rabbi Nachman. As he listened to family stories his interest in spiritualism and mysticism increased, and became an important influence on his philosophy of life and art. Later, when he arrived in New York, he was drawn to the Theosophical Society and the teaching of Helena Blavatsky.
In 1954 Milder visited Europe where he studied painting with André L’Hote, and sculpture with Ossip Zadkine. He spent much time studying at the Louvre Museum, and at the studio of Stanley Hayter. During his Paris years the paintings of the Jewish painter Chaim Soutine, primarily influenced him. Milder returned to the United States in 1956, and he began studying painting at the Chicago Art Institute. He exhibited with the Momentum Group, an alliance of artists who were particularly dedicated to the progression of figurative art and its global origins.
In 1957, Milder spent the summer in Mexico for a summer where he exhibited in Puebla. That year he received the Mexican Government’s Honor Award for artists.
In the summer of 1958, Milder studied with Hans Hofmann in Provincetown, Massachusetts. He exhibited his work at the Sun Gallery, with his contemporaries, including Mary Frank, Red Grooms, Bob Thompson, Lester Johnson, Emilio Cruz and Alex Katz, among others. During this period his painting began to incorporate iconography of birds, animals, humans and animal/human hybrids. In 1958, Milder, Bob Thompson and Red Grooms, founded the City Gallery in the Chelsea section of New York City. The gallery moved downtown and became the Delancey Street Museum and an early site for ‘Happenings’,which Milder participated in.
He showed his first major series called Subway Runners in 1960 at the Martha Jackson Gallery in New York City. Milder began a group of smaller paintings, entitled “Messiah Series”, in the late 1960s. These were fully expressionistic earth toned pictures, and he completed around 250 paintings in the series, based on biblical themes from the Old Testament. When 40 of these paintings were shown in a traveling exhibition premiering at the Richard Green Gallery in New York City, in 1987, art critic Donald Kuspit wrote in ArtForum Magazine: “after Nolde’s biblical pictures, these are the best and most integral group of biblical pictures in the 20th century.”
During the 1970s, Milder co-founded a collective group called Rhino Horn with Peter Passuntino, Peter Dean, Benny Andrews, Nicholas Sperakis, Michael Fauerbach, Ken Bowman, Leonel Gongora, and Bill Barrell...
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