Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 5

Dina Gardner
Once In Awhile You Get Shone The Light - Grateful Dead Inspirated Pastel Wave

2024

About the Item

Once In Awhile You Get Shone The Light 12.0 x 9.0 x 1.0, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "Once In Awhile You Get Shone The Light (In The Strangest Of Places If You Look At It Right) is the first piece in my new series. I’ve been following the Grateful Dead in all their many reiterations since the early ‘80s and decided to pay tribute to their music by creating a series of work based on some of my favorite lyrics. I’m sure you know what’s playing in my studio as I paint." About the Artist: Dina Gardner has always been fascinated by how artists, whether they are painters, musicians, writers or anyone who uses their gifts of creativity, work through their creative process. She is constantly intrigued that the process is so uniquely different for every artist, regardless of their medium. Dina's process looks like this: It always starts with music, which serves to influence what happens on her canvas. At her easel, there is a lot of singing (slightly off key) and there are spontaneous dance parties. Her canvas is a gritty piece of paper, sometimes purchased, sometimes hand-made. With the music on, she uses a photo reference she has taken for inspiration and sketches her composition on her canvas. Sometimes, there isn't a photo reference at all but rather an idea in her head that she works from. She doesn't typically pre-select the colors or values of pastels that she uses, preferring to choose pastels that speak to her in the moment. She often starts with an underpainting, which is the first layer of a painting, using rubbing alcohol to set it permanently on her canvas. She has found that vodka, gin or tequila will work in a pinch when rubbing alcohol isn't available. Sometimes there are happy accidents at the easel and sometimes tragic outcomes but regardless, being at her easel is her favorite place to be. Dina's work represents the things she is most drawn to: oceans, water, skies, trees, marshes and meadows. She is an avid traveler and loves to paint a variety of subjects that catch her eye while traveling. These paintings can include anything from people at a cafe to an empty plate of oysters to a platter of lemons. She loves a big, bustling city and stunning architecture but she also loves being surrounded by anything that nature has to offer from a dilapidated barn, to the sun setting over the mountains or to any path that gets off the beaten path. As an artist, she is always chasing the light, finding the juxtaposition between light and shadow. She finds that she is constantly asking herself how she might paint a (fill in the blank) or what colors she would use in her underpainting. She often looks at things and wonders how she could create the best composition of whatever it is she is looking at, or how she would create color harmony or where she would place the hard and soft edges. These are the thoughts that run through her head constantly and often wake her up at night. Standing at her easel at 3:00 am happens more often than she cares to admit. When she is called to her easel, she's called to her easel and if it's 3:00 am. so be it. Sometimes that is when the magic really happens. Dina splits her time between Southern California, where she was born and raised, and Boston, her adoptive city of almost 35 years. Before becoming a full-time artist, Dina founded several recruiting firms, starting her first company when she was 25 years old. What she loved most about being a headhunter was actually getting the businesses off the ground. She loved the 'launching' stage, the blank canvas she was able to work with and the vision she was able to create as she then executed and put her stamp on each one. Standing at her easel gives her the opportunity to put these same skills to use every single time she creates a painting. Dina's motto is 'Carpe Diem"" and she does her best to make that happen each and every day.
  • Creator:
    Dina Gardner (1962, American)
  • Creation Year:
    2024
  • Dimensions:
    Height: 9 in (22.86 cm)Width: 12 in (30.48 cm)Depth: 1 in (2.54 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Boston, MA
  • Reference Number:
    Seller: 1201521stDibs: LU1634214692652

More From This Seller

View All
Transcendent Beauty - Impressionist Pastel Sunset Painting
By Dina Gardner
Located in Boston, MA
Transcendent Beauty 10.0 x 8.0 x 1.0, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "I love a blank canvas. But I also enjoy taking older paintings ...
Category

21st Century and Contemporary Impressionist Landscape Paintings

Materials

Pastel

Meet Me In The Garden - Original Impressionist Martha's Vineyard Pastel Painting
By Dina Gardner
Located in Boston, MA
Meet Me In The Garden 8.0 x 10.0 x 1.0, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "'Meet Me In The Garden' is from a photo reference from Martha...
Category

21st Century and Contemporary Impressionist Landscape Paintings

Materials

Pastel

Ocean's Jewels - Impressionist Framed Wave Pastel Painting
By Dina Gardner
Located in Boston, MA
Ocean's Jewels 24.0 x 12.0 x 1.0, 15.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "**This painting is professionally framed in a 2" warm silver fram...
Category

21st Century and Contemporary Impressionist Landscape Paintings

Materials

Pastel

The Feature Presentation - Impressionist Sunset Pastel Painting
By Dina Gardner
Located in Boston, MA
The Feature Presentation 40.0 x 20.0 x 1.0, 7.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "This painting was so much fun to paint! I had a literal ...
Category

21st Century and Contemporary Impressionist Landscape Paintings

Materials

Pastel

Ocean's Jewels, Framed Original Impressionist Seascape Pastel Painting on Paper
By Dina Gardner
Located in Boston, MA
Ocean's Jewels, Framed Original Contemporary Impressionist Seascape Painting, 2021 12" x 24" (HxW) Pastel on Paper 15.5" x 27.5" x 1" (HxWxD) Overall Framed Dimensions Hand-signed by...
Category

21st Century and Contemporary Impressionist Landscape Paintings

Materials

Paper, Pastel

Saturday in the park - Original Pastel Flower Painting
By Dina Gardner
Located in Boston, MA
Saturday in the park 6.0 x 6.0 x 1.0, 1.0 lbs Pastel on archival paper Hand signed by artist Artist's Commentary: "This sweet little 6x6 has some great detail in it! Zoom in on t...
Category

21st Century and Contemporary Impressionist Landscape Paintings

Materials

Pastel

You May Also Like

"Fall Respite" (2024) By Kim Lordier, Pastel on Archival Board Painting
Located in Denver, CO
Kim Lordier's "Evening Comes" (2023), a beautiful pastel painting on archival board, depicts an autumn desert landscape cast over by the warm evening sunset, with horses resting unde...
Category

2010s American Impressionist Landscape Paintings

Materials

Pastel, Board

"Garnet Granite" (2023) By Kim Lordier, Pastel on Archival Board Painting
Located in Denver, CO
Kim Lordier's "Evening Comes" (2023), a beautiful pastel painting on archival board, depicts a winter scene in a mountain valley, with snow capping the hills of granite. Artist Stat...
Category

2010s American Impressionist Landscape Paintings

Materials

Pastel, Board

"Evening Comes" (2023) By Kim Lordier, Pastel on Archival Board Painting
Located in Denver, CO
Kim Lordier's "Evening Comes" (2023), a beautiful pastel painting on archival board, depicts an autumn landscape cast over by the warm evening sunset. Artist Statement and Bio: “I ...
Category

2010s American Impressionist Landscape Paintings

Materials

Pastel, Board

Dublin NH Looking East Toward Pack Monadnock
By Alexander James
Located in Milford, NH
A fine pastel winter landscape of Dublin, New Hampshire looking east toward Pack Monadnock by American artist Alexander Robertson James (1890-1946). James, nephew of writer Henry James, was born in Cambridge, MA, studied painting while living with Abbott Thayer...
Category

Early 20th Century American Impressionist Landscape Paintings

Materials

Paper, Pastel

Les Etoiles
By Bruce A Gómez
Located in Denver, CO
Storefront with illuminated stars
Category

2010s American Impressionist Figurative Paintings

Materials

Pastel

"New England Autumn" Philip Leslie Hale, American Impressionist Landscape House
By Philip Leslie Hale
Located in New York, NY
Philip Leslie Hale New England Autumn, 1910 Pastel on canvas 25 x 30 inches Provenance: Estate of the artist Sotheby's New York, American Paintings, Drawings and Sculpture, May 24, 1990, Lot 125 R. Anne McCarthy Rose Art Museum, Waltham, Massachusetts (gift from the above) Private Collection, Massachusetts Exhibited: Philadelphia, The Pennsylvania Academy of the Fine Arts, Tenth Annual Philadelphia Watercolor Exhibition, November 10 - December 15, 1912, no. 13. Painter, teacher and writer, Philip Leslie Hale is recognized for his decorative paintings of the female figure and for his interior scenes with figures as well as for his progressive approach to painting. However, his career went through several phases that included sporting scenes, figural studies of women including nudes, portraits, and allegorical works reflecting the overwhelming forces of nature. Of the Boston painters of his time, he seemed the most fully committed to Impressionism, and his technique suggests the influence of French impressionist Edgar Degas. In most of his paintings, the landscape was more important than the figure. He was a prolific writer in local newspapers and periodicals about the contemporary art scene, discussing the work of his Boston colleagues. He also wrote numerous books on art and art history including a study of Vermeer that was published in 1913. Among his writings are 1892 newspaper columns for Arcadia Magazine titled "Letters from Paris", art criticism for the Boston Herald from 1905 to 1909; and art criticism for the Boston Evening Transcript. He argued for the Boston School of Art as led by Edmund Tarbell whose style was based on Impressionism with elements of Realism, especially figure painting. Hale was born in Boston in 1865, the son Reverend Edward Hale, a Boston clergyman and a relative of Nathan Hale. He studied with Ellen Day Hale, his sister, and Edmund Tarbell at the Boston Museum School, with J. Alden Weir at the Art Students League in New York City, and then went to Paris for further studies at the Academie Julian and the Ecole des Beaux-Arts. He remained in France for fifteen years, returning to America about 1895. During that time, from 1888, he spent summers at Giverny, France with his good friend, artist, Theodore Butler, and became well acquainted with Claude Monet. Traveling throughout Europe, Hale visited the major museums, and copied the works of Ingres, Vermeer, Watteau and Michelangelo. Hale married Lilian Westcott Hale...
Category

1910s American Impressionist Landscape Paintings

Materials

Canvas, Pastel

Recently Viewed

View All