Charles Wittmann

French Post Impressionist painting of the bridge at Albi, France by Wittmann

Charles Wittmann (French, 1876 – 1953) Notre dame, Paris Oil on canvas Signed ‘CH. WITTMANN’ (lower right) 31.5/8 x 31.7/8 in. (80.3 x 81.2 cm.) Son ...

Charles Wittmann (French, 1876 – 1953) Le Vieux Toul Oil on canvas Signed ‘CH. WITTMANN’ (lower left) 25.3/4 x 21.1/4 in. (65.5 x 54 cm.) Recently re...

A striking and simply composed painting of The Palace at Fontainebleau by Walter Taylor. Walter Taylor (British, 1860-1943) The palace at Fontainebleau Oil on canvas Signed `Walter Taylor’ (lower right) 25 x 30 in. (63.5 x 76.3 cm.) Born in Leeds, this artist was trained as an architect but eventually found his calling in painting town scenes, landscapes, and interiors using both oil and watercolour. With a privileged upbringing thanks to his tobacco manufacturer father, he attended art school in Paris before studying under Fred Brown at the Royal College of Art. In 1899, he married Hylda Matheson, but their honeymoon ended in tragedy with her untimely death. He eventually settled in Bedford Square, Brighton, during the 1910s and 1920s, but maintained a studio at 18 Fitzroy Street in London from 1915 onwards. A prominent figure in the art world, he was a founder member and secretary of the Camden Town Group, a member of the New English Art Club, and one of the founding members of the London Group in 1913. He exhibited with the London Group until 1934, showcasing his work that often drew inspiration from his travels in Europe, which sometimes included the company of fellow artist Walter Sickert. Additionally, he painted extensively in London, Brighton, and Hove. This artist also had a keen eye for collecting works by other artists, amassing an important collection that included pieces by Matisse, Bonnard, Vuillard, Dufy, Gilman, Matthew Smith...

This stunning original Post-Impressionist oil painting features a frosted trees blues and greens. The intricate details and the use of colour showcase the unparalleled talent of the artist, Jean Dulac...

Ernest Fiene depicts Fifth Avenue looking down from 57th Street with an unobstructed view of the Empire State Building. The absence of newer glass and steel architecture gives the painting the charm of old New York. The artist captures a dark, moody blue sky as light bounces back from the clouds. This contrasts with the somewhat haunting yellow glow given to pedestrians and street traffic. The people have somewhat of a zombie quality akin to George Tooker. Best viewed with a top and direct gallery light...

Signed figure in winter landscape oil on canvas circa 1915 by French Post Impressionist painter Victor Charreton, who was known as the painter of colours. The work depicts a man stro...

A strong Post-Impressionist oil on canvas painting by André Roubaud depicting the Sainte-Victoire Mountain in France, executed in wonderful colors and ge...

This painting depicts a landscape scene of a Parisian Scene by Pont Neuf with Notre Dam in the distance behind the bridge. The attractive perspective is what makes this painting so i...