Brooke Lanier

This is a Real Place! 1: large painting of lake or river w/ blue water & bridge

2020

"In the series “This is a real place!” I was fascinated by how the underside of the pier at Saint Simons Island, GA was like a readymade collage. The way the pilings and rails divide and frame the spaces between them looks artificially imposed on the scene until you notice the way the waves bounce off the pilings and the railings cast shadows on the water. In some iterations, I chose to simplify the structures of the pier and lighten the values so that it would emphasize the detail in the water. Likewise, I omitted a family of starlings and their droppings in favor of highlighting the geometry of the architecture and the colors and patterns of the water. Making paintings in a series allows me to investigate the results of making different decisions about an image. How I crop or stylize it, the manner in which I apply the paint, what gets included or excluded all add shades of meaning to each piece. Additionally, depictions of the same subject in different weather, seasons, times of day, and tides allows me a deeper understanding. I notice more relationships, colors, and details every time I paint the subject. Every painting is a pile of decisions. Playing with removing more and more details to see what is truly important sometimes improves the painting. The fewer elements you include in an image, the more each one means, and the more important it is to get each thing perfect. At times I like to paint every single detail I can find in a scene, and other times I feel like the unadorned components are sufficient to hold each other in a satisfying composition. I often add simplified shapes to my paintings to highlight the presence of absence or to heighten the importance of each area by creating stark visual contrasts. ⁠The physicality of the paint also plays a role. I used highly textured, thickly applied paint to construct the solid structural elements, and luminous layers of thinly glazed paint for the delicate linework and subtle blending of the water." - Brooke Lanier...

This oil painting is painted on all edges so there is no need for framing. It is wired with all installation hardware and ready to hang. It is one of three paintings in a series of similar compositions, each painted in subtly different hues of blue.The work particularly well as a trio. See photos for images of other two paintings. Each painting is sold separately but I can combine shipping for your savings. Signed on the back. Bucks County, PA landscape artist Kirby Fredendall...

A memory of past travels to the beautiful, unspoilt and timeless Kakadu National Park in Australia's Northern Territories. The white egret provides the focal point, flying above the wetlands towards the distant gum trees with their distinctive white trunks. The main colours are blends of blues and greens with a cream strip defining the break between floodplains and land. Helen Robinson, painter, is available for sale online and in our art gallery at Wychwood Art. Helen Robinson's atmospheric oil paintings represent impressionable moments in her life, mostly inspired by her love of travel and the sea. Following a career in town planning, Helen pursued her interest in art and has now been painting regularly for over 15 years. In 2013, she obtained an Honours degree in Art History when she found she was drawn mostly to artists who painted light. Influences include the 17th century Dutch landscape painters...

Antique American modernist street scene oil painting. Oil on canvas. Framed. Image size, 29L x 20H.