Bernard Myers

Chiswick Reach, River Thames, London oil painting by Bernard Myers

To see our other Modern British Art, including more from Angela Stones, scroll down to "More from this Seller" and below it click on "See all from this Seller." Angela Stones (1914...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Clifford Hall RBA ROI (1904-1973) Teignmouth Pier Oil on board 19x23cm Mid Twentieth Century Here Hall catches the dreaminess of a hazy summer's day on an English beach. Six figures are at the edge of the water, so one can surmise that it is not the warmest of days. The dance hall pictured was a feature of the pier during the 1950s and 1960s. Hall was born in Wandsworth, studying at Richmond Art School under Charles Wheeler...

Ken Moroney (British, 1948-) The Fens, Norfolk Oil on Canvasboard c. 1990s 48x58cm Provenance: Bonhams, 17 June 2003 Lot 6 Of Anglo-Irish parentage, Moroney was born in South London...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Brenda King...

The Way of Plenty – Jon Rowland – Abstract Expressionism [2020] original and hand signed by the artist Acrylic, and oil on paper Image size: H:50 cm x W:70 cm Complete Size of Un...

Signed center right, "Canete", for Robert Canete, a Carmel artist who studied with Vincent Rascon in the 1960s and, later, with Dwight Miller at Stanford. A colorful Expressionist...

Hannah's Window is a figurative artwork featuring a female swimmer in a red bathing suit moving through the water. It is a mixed media painting on painted wood grained paper. Artwork is 26 x 20. It is framed to 32 x 26 with a white frame. This is part of the latest series by Hawaii artist, Carol Bennett. Carol Bennett spends all of her time surrounded by water, and a great deal within it. Her work is a meditative journey through both the water and through life. She is intrigued by how life continues to flow and change, being both in the moment and timeless. The viewer will experience being in a state “flow” – where the currents of the ocean suspend life and self, and the unexpected floats to the surface. Carol's work has been featured in many solo and group exhibits throughout California, New York, Martha's Vineyard and Hawaii including a 2007 solo show at the First Hawaiian Center at the Contemporary Museum of Art (Honolulu) and a 2018 group show "Making Waves" exhibit at the Honolulu Museum of Art. Her work was seen alongside April Gornik, Agnes Martin, Kiki Smith, and Pat Steir. In 2019, she was also featured in exhibits at the Maui Arts & Cultural Center, the Hawaii State Art Museum and a solo exhibit at the Honolulu Museum of Art. She has been featured in Hamptons Cottages & Gardens, Ocean Home Magazine and the New York Times. Carol's artwork has also been featured in Designer Showhouses in Westchester NY and the Hamptons, and is part of public and private collections around the world. Elisa Contemporary Art...

Edward Avedisian ( 1936-2007 ) Gouache or oil on paper, 3 guys around a car, hand signed in paint lower left, Measures 30"x 22.5" Edward Avedisian (June 15, 1936, Lowell, Massachusetts – August 17, 2007, Philmont, New York) was an American abstract painter who came into prominence during the 1960s. His work was initially associated with Color field painting and in the late 1960s with Lyrical Abstraction and Abstract Expressionism. He studied art at the School of the Museum of Fine Arts, Boston. By the late 1950s he moved to New York City. Between 1958 and 1963 Avedisian had six solo shows in New York. In 1958 he initially showed at the Hansa Gallery, then he had three shows at the Tibor de Nagy Gallery and in 1962 and 1963 at the Robert Elkon Gallery. He continued to show at the Robert Elkon Gallery almost every year until 1975. During the 1960s his work was broadly visible in the contemporary art world. He joined the dynamic art scene in Greenwich Village, frequenting the Cedar Tavern on Tenth Street, associating with the critic Clement Greenberg, and joining a new generation of abstract artists, such as Darby Bannard, Kenneth Noland, Jules Olitski, and Larry Poons. Avedisian was among the leading figures to emerge in the New York art world during the 1960s. An artist who mixed the hot colors of Pop Art with the cool, more analytical qualities of Color Field painting, he was instrumental in the exploration of new abstract methods to examine the primacy of optical experience. One of his paintings was appeared on the cover of Artforum, in 1969, his work was included in the 1965 Op Art The Responsive Eye exhibition at the Museum of Modern Art and in four annuals at the Whitney Museum of American Art. His paintings were widely sought after by collectors and acquired by major museums in New York and elsewhere. He has been exhibited in prominent galleries, such as the Anita Shapolsky Gallery and the Berry Campbell Gallery in New York City. Edward Avedisian was known for his brightly colored, boldly composed canvases that combined Minimalism's rigor, Pop art exuberance and the saturated tones of Color Field painting. Roberta Smith of the NYT writes of Avedesian: "Edward Avedisian helped establish the hotly colored, but emotionally cool, abstract painting that succeeded Abstract Expressionism in the early 1960s. This young luminary harnessed elements of minimalism, pop, and color field painting to create prominent works of epic proportions that energized the New York art scene of the time." In 1996 Avedisian showed his paintings from the 1960s at the Mitchell Algus Gallery, then in SoHo. His last show, dominated by recent landscapes, was in 2003 at the Algus gallery, now in Chelsea. Selected Exhibitions: Op Art: The Responsive Eye, at the Museum of Modern Art, Whitney Museum’s Young America 1965 Expo 67, held in Montreal, Canada. Six Painters (along with Darby Bannard, Dan Christensen, Ron Davis...