Skip to main content
Video Loading
Want more images or videos?
Request additional images or videos from the seller
1 of 9

Jane Peterson
BEACH SCENE American Impressionist gouache 20th century 1030s bright colors

1930s

About the Item

Jane Peterson was born in Elgin, Illinois in 1876. Peterson attended the Pratt Institute and later she studied at the Art Students League in New York with Frank Vincent Dumond. Following her studies, Jane Peterson was offered several teaching posts, none of which she would keep long. Instead of confining herself to the American art scene, she decided to continue her education in Paris, Venice, London and Madrid, where she studied with such notable artists as Jacques Emile Blanche, André Lhote, and Joaquin Sorolla. Through her instruction Peterson developed a unique vision in American art. She went on to influence later American Art in a teaching position at the Art Students League beginning in 1913. Her works are a blend of Impressionist and Expressionist styles, combining an interest in light and in depiction of the spontaneous moment with the use of broad swathes of vibrant color. She is well known for her vivid, richly painted still lifes, and beach scenes painted along the Massachusetts coast. The present work is an excellent example of Peterson’s beach scenes. A group of three sunbathers dominate the foreground at right, bright pink after an afternoon spent in the brilliant sun. Their attenuated frames, painted in flat color, recall the joyful figures of Matisse from the first decade of the century, when Peterson was studying in Europe. Two more figures stroll away behind them, walking along the soft yellow and cream field of sand that occupies almost two-thirds of the composition. In the distance, bands of aqua and blue sea are traversed by white piers and dotted with beach-going figures. A great ship floats at the line of the horizon, adding to the life and cheerfulness of the scene. The wonderful color and light mood of the work recalls the influence of her teacher Sorolla, but Peterson’s tendency to simplified, almost abstracted forms and flat planes of color gave her a unique interpretation of such scenes and put her in step with modern trends in America. Peterson was recognized as one of the foremost women painters in the United States. Her works are housed in museums such as the Metropolitan Museum of Art, the Museum of the City of New York, the National Museum of Women in the Arts and Hirshhorn Museum in Washington DC.
  • Creator:
    Jane Peterson (1876-1965, American)
  • Creation Year:
    1930s
  • Dimensions:
    Height: 14 in (35.56 cm)Width: 17 in (43.18 cm)Depth: 1.75 in (4.45 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    New York, NY
  • Reference Number:
    1stDibs: LU2733214545122

More From This Seller

View All
PIETRASANTA PAINTING, late 20th century American gouache and ink
By Caio Fonseca
Located in New York, NY
Caio Fonseca 1959 active New York City Pietrasanta Painting (P.95.122) 1995 Goauche and ink on paper 12 x 16 inches (30.5 x 40.6 cm) Framed dimensions: 18 x 22 inches (45.7 x 56 c...
Category

1990s Abstract Paintings

Materials

Ink, Gouache

VIEW FROM A PARISIAN WINDOW, Oil on canvas, 1937, framed, 27 x 23 ins, Signed
By Jules Cavailles
Located in New York, NY
Jules Cavailles French, 1901-1977 View from a Parisian window 1937 Oil on canvas 24 ½ x 20 ¾ inches (62 x 53 cm) Framed: 27 x 23 inches (86 x 76 cm) Signed lower right and verso: J...
Category

1930s Impressionist Landscape Paintings

Materials

Oil

Paysage d’Alger
By Jules Pascin
Located in New York, NY
Provenance Estate of the artist David Bunim Perls Gallery, NY Private Collection, USA Literature This work will be inclued in the forthcoming supplement to the catalogue raisonne in...
Category

Early 20th Century Land Landscape Paintings

Materials

Ink, Watercolor, Paper

Baignade, French 20th century watercolor
By André Brasilier
Located in New York, NY
André Brasilier was born in France in 1929. His parents were painters and he showed artistic interest and talent at a young age. At the age of 20 Brasilier entered the École des Beau...
Category

1970s Drawings and Watercolor Paintings

Materials

Watercolor, Paper

PHENOMENA Chinese Light Chalice 1989 Abstract Expressionist Watercolor, framed
By Paul Jenkins
Located in New York, NY
As a teen, Paul Jenkins worked with ceramicist James Weldon which led to a fascination with glazes; Jenkins cultivated and eventually achieved a similar effect in his paintings by mixing oil and enamel on canvas in the 50s. In 1937, Jenkins attended classes at the Kansas City Art Institute where he painted his first series of watercolors he called interior landscapes inspired by caves in the Ozarks. After serving in the US Naval Air Corps for 2 years, Jenkins moved to New York to study with Yasuo Kuniyoshi and Morris Kantor at the Art Students League from 1948 to 1952. During those years, Jenkins met Mark Rothko, Jackson Pollock and Barnett Newman. In 1953 left for Paris where he discovered and was struck by the color density and luminosity in abstract oil works termed ébauches by Gustave Moreau and pastels by Odilon Redon. He began to experiment with poured paints in various thicknesses on canvas and paper and found this technique achieved luminosity of color which in its own way was comparable to that of Moreau and Redon. The next year, Jenkins added Winsor Newton pigments and chrysochrome, a viscous enamel paint, into his poured paintings, further enriching their color density and incandescence. The next major development in technique came in 1959 when he began using an ivory knife to guide the flow of paint. That same year, he also began to title his paintings Phenomena followed by a key word or phrase. A film on Jenkins' technique titled The Ivory Knife: Paul Jenkins at Work was shown at the Museum of Modern Art and received the Golden Eagle Award at the Venice Film Festival in 1966. In 1954 Jenkins had his first solo exhibition in Paris where he met Martha Jackson, whose New York gallery included Jenkins in a group show the following year. In 1956, Martha Jackson Gallery held a solo exhibition of Jenkins’ work at which Divining Rod...
Category

1980s Abstract Expressionist Abstract Drawings and Watercolors

Materials

Watercolor, Paper

Untitled
By Jesus Mariano Leuus
Located in New York, NY
Leuus’s interest in art began at a young age, and he later moved to Guadalajara, where he attended the Escuela de Artes Plásticas. This formal training in the traditions of Mexican a...
Category

1970s Contemporary Figurative Paintings

Materials

Mixed Media, Oil, Board

You May Also Like

Men Playing Cards, Painting by Joseph Margulies
By Joseph Margulies
Located in Long Island City, NY
An original Gouache painting measuring 16 x 20 inches by Joseph Margulies. The painting is signed lower right. Born in Vienna, Joseph Margulies becam...
Category

1960s American Impressionist Figurative Paintings

Materials

Gouache, Board

Bars of Light
By Walter Launt Palmer
Located in Bryn Mawr, PA
Walter Launt Palmer is best known as “the painter of the American Winter.” In Bars of Light, the cool areas of shade haphazardly crisscross and then blanket the warm sunlight on the ...
Category

Early 1900s American Impressionist Landscape Paintings

Materials

Watercolor, Gouache

Southern Landscape
Located in Milford, NH
A fine gouache painting of a Southern landscape by American artist Beatrice Lavis Cuming (1903-1975). Cuming was born in Brooklyn, NY, studied lo...
Category

Mid-20th Century American Impressionist Landscape Paintings

Materials

Paper, Gouache

Mid Century Tonalist Landscape of California Country Road
Located in Soquel, CA
Beautiful tonalist landscape of California foothills and country road. Signed and dated "CKP" and "'69" lower right corner. Presented in rustic wood frame with eggshell mat under nonglare glass. Image size: 18.25"H x 13.25"W. Framed size: 23.5"H x 18"W. California Tonalism was art movement that existed in California from circa 1890 to 1920. Tonalist are usually intimate works, painted with a limited palette. Tonalist paintings are softly expressive, suggestive rather than detailed, often depicting the landscape at twilight or evening, when there is an absence of contrast. Tonalist paintings could also be figurative, but in them, the figure was usually out of doors or in an interior in a low-key setting with little detail. Tonalism had its origins in the works of the French Barbizon school and in the works of American painters who were influenced by them. California Tonalism was born when the emphasis in California landscape painting passed from the grand landscapes of works like those of Thomas Hill and William Keith's early career, to more intimate views of a domesticated landscape. At the same time, the parallel Pictorialist Photography...
Category

1960s American Impressionist Landscape Paintings

Materials

Gouache, Laid Paper

Model in the Studio - Figurative in Gouache and Pastel on Paper
Located in Soquel, CA
Evocative figurative painting of a woman seated in a studio by an unknown artist (20th Century). A woman dressed in red is sitting in a chair atop a platform. There are studio lights...
Category

Early 2000s American Impressionist Figurative Paintings

Materials

Paper, Pastel, Gouache

Sunday Drive in the Hills - Gouache on Cardboard
Located in Soquel, CA
Highly detailed landscape with a house and car by Edward K. Williams (American, 1870-1950). A large house sits atop a hill, looking down over a road that runs along the river. Three people are driving a car from the 1930s along the road. The scene is rendered with great detail - both the house and the car are very accurate. There is an ornate border around the piece that was not finished, including instructions for framing and matting. Signed "E K Williams" on verso, with an address. Presented in a giltwood frame with a new off-white mat. Frame size: 15.75"H x 12.75"W Image size: 7.75"H x 6.5"W Landscape painter, Edward K. Williams was born 1870 in Greensburg, Pennsylvania. Williams studied at the Art Institute of Chicago with Freer, Vanderpoel, Fursman, and Krehbiel. He exhibited there as well from 1903-1929 (including many winter scenes). He also exhibited at the Hoosier Salon, New York Watercolor Club, Herron Art Institute, American Watercolor Society, Brown County Art...
Category

Early 20th Century American Impressionist Landscape Paintings

Materials

Gouache, Cardboard

Recently Viewed

View All