Victor Di Gesu

'Young Girl Seated', Paris, Louvre, Salon d'Automne, Ac. Chaumière, LACMA, SFAA

1971

Signed lower right, "Di Gesu", for Victor Di Gesu (American, 1914-1988); further signed and titled verso, and bearing original exhibition label. A substantial figural oil showing Victor di Gesu's wife, the artist Janet Ament, with a white shawl over her knees and seated cross-legged in front of a large ficus. A major work by this notable California Fauve...

Initialed upper right 'A.B.' for Axel Bentzen (Danish, 1893-1952) painted circa 1925. Axel Bentzen studied art as a child and, by the age of 14, was copying Old Master paintings at Copenhagen's National Museum of Art. He traveled to Italy in 1919 and, from 1923-1939, spent every second year there or in Paris, painting and furthering his understanding of the principles of Modernism. Bentzen was the recipient of numerous scholarships including the prestigious Hielmstierne-Rosencrone scholarship which he was awarded twice (1925, 1927) and the Copenhagen Akademie scholarship which he received three times (1927, 1929, 1931). He exhibited internationally with success including, from 1922, at the Charlottenborg as well as at prominent salons in Paris, Berlin, Venice, Budapest, Riga and Belgrade. The artist is listed in all relevant art reference works including both Benezit's Dictionary of Artists and Thieme-Becker's Kunstlexikon (Vollmer Supplement). We are pleased to offer this dramatic and psychologically penetrating oil study of a young man dating to circa 1925. Reference: E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, Jacques Busse, 1999 Nouvelle Édition, Gründ 1911, Vol. 2, p. 122; Vollmer Allgemeines Lexikon der Bildenden Künstler des 20. Jarhhunderts, Hans Vollmer, Deutscher Taschenbuch Verlag 1992, Vol. 1, p. 173; et al. Scholarships: Hielmstierne-Rosencrone 1925, 1927; Raben-Levetzau 1926; Bielke 1926; Carlson's Pr. 1926; Akkadian. 1927, 1929, 1931; Oluf Hartmann 1928, 1930; Eckersberg Med. 1930; Kaufmann 1930; March 1931; Zach. Jacobsen 1932, 1936. Exhibitions: KE 1922-26; Charles. Spring 1925; The free Exhibition 1927-38 (inc. from 1930); Association of painters, Helsinki, 1928; Funen Spring Exhibition. 1930, 1938; Tour exhibition 1930-36; Newer Painting, Germany 1932; in Venice 1934, 1954; as exhibited in Budapest, Riga, Bucharest and Belgrade 1936-37; Nerd Mässhallen, Gothenburg 1939; Grønningen 1939-47, 1952 (commemorative issue), 1953, (commemorative issue), 1955, 1965; Icelandic, Swedish art, Mässhallen, Gothenburg 1941; Ny Carlsbergfondet Jubilee Charlottenborg and others 1952; That then buying convention, Fr. 1952 (commemorative issue); The Freeman's Memorial Exhibition, Kunstforen, Kbh 1966; Easter 1974, Skive Museum 1974; Modern art owned by Vejle, Vejle Kunstmuseum 1977; Inside, outside, Mouse at Koldinghus 1981. Solo exhibitions: Anton Hansen, Copenhagen 1917; The free Exhibition building, 1921; Kunstforen, Copenhagen 1937; Jugelsalan, Aarhus 1946-47, 1950; Storstrøm's Kunstmuseum 1953 (commemorative issue); Open Mouse, 1972. Artworks: Egyptian Woman on Balcony (1920); Self-Portrait (1925, Stat. Museum for Art); The Hospital Garden (1925); The Dreamer (1925, Storstrøm Art Museum); The Blind (1925, Carlsons Pr for 3 last names); Marsk Stig's daughters (1926, Nordjyll Kunstmuseum); Young Italian woman on a chair...

Signed upper right, 'Oda Lauritsen' for Oda Lauritsen Isbrand (Danish, 1904-1987) and dated, upper left, '1928'. A powerful oil portrait of the artist's husband-to-be, the notable D...

Signed lower left, 'Georg W. Rössner' for Georg Walter Rössner (German, 1885-1972), titled 'Bildnis Lieselotte Friedländer' and painted circa 1926; original artist card verso. A substantial, Modernist portrait of the fashion designer, Lieselotte Friedländer, shown seated in a chrome-steel Bauhaus chair with a view beyond to a sunlit, woodland grove. Georg Rössner first studied in Berlin and, later, in Paris with Lovis Corinth. Rössner was a member of both the Berlin and Munich Sezession committees and, in 1920, was appointed professor at Berlin’s Staatliche Kunstschule. Over the course of a long career, Rössner exhibited internationally with success including at the 1929 Paris Exhibition des Peintres-Graveurs Allemands. His work is held in prominent private and public collections including the permanent collection of the National Gallery in Berlin.  Born in 1898, Lieselotte Friedländer moved to Berlin with her family in 1909. By the mid-1920s, she had established herself as the Weimar Republic...

Childhood, Little Girl, Green, Summer KLARA VLASOVA (Moscow, 1926) MUSEUMS St. Petersburg, State Russian Museum Moscow, Pushkin Museum Moscow, Museum of History and Reconstructi...

Framed 26 x 13 image 20 x 6.5 inches. YITSKHOK LIKHTENSHTEYN (ISAAC LICHTENSTEIN) (1888-1981) (Icchok, Izrael) was born in Lodz, Poland. Initially he was studying at Yehuda Pen s...

Suchitra Bhosle's "Cotton picker of Aurangabad, India" is an original, hand made oil painting that depicts an Indian woman picking cotton. About the Artist: Suchitra Bhosle is an India-born artist based in California. Suchitra paints in a representational realistic style drawing inspiration from 20th century naturalist painters. She embraces impressionism to depict everyday representational scenes. Suchitra excels at capturing and expressing the mood of her subjects, often in contemplative classical settings. This lends a timeless yet intimate quality to her paintings. Though primarily a portrait and figurative painter, she has recently been painting urban and architectural subjects. Suchitra is represented in leading fine art galleries across USA including Santa Fe, Washington D.C., Carmel and Houston. Her paintings have won awards at international juried shows hosted by The Portrait Society of America, Oil Painters of America and American Impressionist Society.

Fedor Kascheev (Russian, b. 1934), "Railja", Oil on Board, 1958, depicting the portrait of a young girl, signed in pencil and dated to verso, with Certificate of Authenticity label f...