Robert Freiman

American 20th Century Oil Painting Still Life of Fruits & Tea Set from 1934

1934

A truly stunning jewel and pertinent example of Berthelsen's charming New York City winter scenes depicting Washington Square Park in the snow. An iconic scene that so many have come...

An impressionistic depiction of a figure in the snow with cars and buildings in the busy City Streets. The Empire State Building is portrayed in the background as the snow filled str...

An exceptional impressionist beachside scene with figures and powerful clouds by American artist Augustus B. Koopman (1869-1914). Koopman was born in Charlotte, North Carolina, initially studied at the Pennsylvania Academy of Fine arts, and going on to live a large portion of his short life in Paris, studying at the Academie Julian and the Ecole des Beaux Arts, painting many of his marine and figure paintings on the coast at Etaples, near Belgium. Among his teachers were William Bouguereau, Benjamin Constant, and Tony Robert-Fleury. He was well known for his genre, maritime, landscape, figure, and portrait paintings. His drypoints and etchings can be found in both the Congressional and New York Public Libraries, and his painting “Vision of the Grand Canyon” is displayed in the Santa Fe Railway...

Genre: Judaica Subject: Religious Medium: Oil Surface: Canvas Country: United States Dimensions: 24" x 18" x 3/4" Dimensions w/Frame: 29" x 23" Cahan uses vibrant oil paint to draw a portrait of four elderly Jewish men wearing prayer shawls also known as tallits. The man in the foreground is staring pensively into the distance while the other figures in the background read or pray. Each character shares the same scholarly air in their serious expressions and mannerisms. Cahan’s gestural use of color and brush strokes soften the painting’s protagonists, thereby shedding a more sensitive light on the painting. The well-known twentieth century American illustrator, etcher, and painter Samuel George Cahan was born in Kovno, Russia, now part of Lithuania. His parents were both born in Russia during the early 1870’s. Two years after his birth, his family emigrated to America and eventually settled in New York City's Lower East Side. Cahan said that his interest for drawing started when he was only an infant. In a 1967 interview, the artist describes his primary school years as vastly disinteresting. While other students heeded their teachers or studied math, Cahan drew. At 12-years-old, Cahan exhibited his early talent for drawing on Fulton Street’s sidewalk. Barefoot and armed with chalk, he crouched outside a restaurant and drew the sinking of Maine. At the time, it was recognizable ship that was smashed by the British. One of the men who passed by his vibrant rendering of the wreckage was the Chief Editor of the New York World newspaper, Nelson Hersh. Upon seeing the young boy’s skill, Hersh offered him a job in the newspaper’s art...