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Pradiptaa ChakrabortyThe Yellow Paradox of Love, Acrylic on Canson Board by Indian Artist "In Stock"2016
2016
About the Item
Pradiptaa Chakraborty - The Yellow Paradox of Love
Acrylic on Canson Board, 5 x 6 inches, 2016
Will be shipped in a roll form.
The current bunch of paintings mirrors this human Chinese Chequer , which moves about life as an unguided engine ramming into edifices indiscriminately. The paintings also depict the human scrambling for sensuality and gold – digging. The use of various colours, dark and light, in Pradiptta’s work symbolize the inner somberness and fakery. The interplay of mythical and supernatural machinery has been a significant form of artistic expression in the post – modern art arena and thus is interpreted as lending authenticity to the disarray and phantasmagoria in which man landed into.
Style : Colours and semi realistic approach reflect the various images of life. Life is itself a kaleidoscope of fleeting images capturing the joys and disappointments of life. Life is a Juggler’s game whereby games are played out to veil the hidden instincts of human life. The conjurer on the road juggler his paraphernalia to entertain the spectators. Such a showmanship has become the grain of human existence. But now days it has turn to different parabola, all perspective are changing like some tsunami wave pass through of our modern civilization.
Present impact of canvas is great drama going on. It is a arrested split second of mythical demonstration in modern apparel in post modern globe. Tries to decipher the mythological structures and traditions of Indian art, Characters from Indian mythico-religious tradition, Traditional commentary and background pigment give the proper optimistic pulsation
which is very essential for painting’s vivacity. I want to establish extraordinary encounters, represented with the utmost precision which take place on the canvas and try to procure a wonderful hallucinatory quality in which the real and the imagined merge into one.
About the Artist & his work :
Born : 1979.
Education :
2003 : BACHELOR OF FINE ARTS (B.F.A) in Graphics from Kala Bhavana, Vishva Bharati University, Shantiniketan, West Bengal.
Five years Diploma in Painting From Rabindra Bharati University, Kolkata West Bengal.
Group Shows :
2013 : Group Show in Chandigarh Art Museum & “An Art Store” Group Show in Gallery Kolkata.
2011 : “Carpe Diem” Group show of contemporary art, in Nvya Gallerie New Delhi.
2010 : “July screening” in Shakshi Gallery in Mumbai ; “Fresh Departures” A Group Show in Gallery Kolkata, in Kolkata & “Within Reach II” A Group Show in Gallerie Nvya in NewDelhi.
2008 : “PASSION PLAY” Two Man Show in Sarjan Art Gallery, Boroda.
2003,02 : Annual Group Exhibition, NANDAN ART GALLERY SHANTINIKETAN.
2002 : Three way exchange exhibition with Comferwell College of Arts, LONDON ; National Art School, Sydney, AUSTRALIA ; An Exchange Exhibition with SAGA ART COLLEGE, JAPAN & A Group Show in Institute of Music & Fine Arts, JAMMU.
Awards :
2003-04 : National Scholarship to Young Artists in Different Fields.
1999-2000, 2000-2001, 2001-2002, 2002-2003 : Merit Scholarship from Kala Bhavana Shantiniketan Vishva Bharati University, Shantiniketan, West Bengal.
- Creator:Pradiptaa Chakraborty (Indian)
- Creation Year:2016
- Dimensions:Height: 13 in (33.02 cm)Width: 14 in (35.56 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Kolkata, IN
- Reference Number:Seller: PDC0011stDibs: LU60436895942
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The current bunch of paintings mirrors this human Chinese Chequer , which moves about life as an unguided engine ramming into edifices indiscriminately. The paintings also depict the human scrambling for sensuality and gold – digging. The use of various colours, dark and light, in Pradiptta’s work symbolize the inner somberness and fakery. The interplay of mythical and supernatural machinery has been a significant form of artistic expression in the post – modern art arena and thus is interpreted as lending authenticity to the disarray and phantasmagoria in which man landed into.
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