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Period: 16th Century
Fine 16th Century Flemish Old Master Oil on Panel The Holy Family Museum Quality
Located in Cirencester, Gloucestershire
The Holy Family
attributed to Adrien Thomas Key (Flemish c.1544-1590)
oil painting on wood panel (cradled): 24 x 26 inches
frame: 34 x 35 inches
condition: for its considerable age, ...
Category
Mannerist 16th Century Figurative Paintings
Materials
Oil, Wood Panel
Christ on the Cold Stone – After Jan Gossaert (Mabuse)
Located in Stockholm, SE
This striking devotional image, painted by a follower of Jan Gossaert, represents one of the most influential compositions of the Northern Renaissance: Christ on the Cold Stone, or C...
Category
Old Masters 16th Century Figurative Paintings
Materials
Oil, Wood Panel
Huge 16th Century North Italian Old Master Oil on Wood Panel Portrait Lady Ruff
Located in Cirencester, Gloucestershire
North Italian, 16th century
Portrait of lady in mourning,
with extravagant ruff and burgundy brass bound gold trimmed chair,
with a Neo classical landscape beyond
Oil on wood pan...
Category
Northern Renaissance 16th Century Figurative Paintings
Materials
Oil, Wood Panel
Holy Family with the Young St John The Baptist and St Elizabeth
Located in Stoke, Hampshire
Scipione Pulzone, called Il Gaetano (Gaeta 1544 - Rome 1598)
Holy Family with the Young St John The Baptist and St Elizabeth
Oil on canvas
A Royal Coat of Arms lower left
Canvas size...
Category
Old Masters 16th Century Figurative Paintings
Materials
Oil
Resurrection of Christ. Study of the Master of the Prodigal Son. Ca. 1550.
Located in Firenze, IT
Resurrection of Christ
Attributed to the Master of the Prodigal Son / Jan Mandyn (1500-1560)
Oil on panel, 73 x 56 cm (without frame), 81 x 63 cm (with frame)
The work was exa...
Category
Mannerist 16th Century Figurative Paintings
Materials
Oil, Wood Panel, Board
Portrait of a woman with a book
Located in BELEYMAS, FR
Italian school circa 1560, circle of Bernardino Campi
Portrait of a woman with a book
Oil on panel
H. 78 cm ; L. 57cm
Category
Italian School 16th Century Figurative Paintings
Materials
Oil, Wood Panel
Huge 16th Century Fontainebleau School Old Master Oil on Panel Baby Moses
Located in Cirencester, Gloucestershire
The Finding of Baby Moses
Fontainebleau School, circa 1580's period
oil painting on thick wood (walnut wood) panel, framed
framed: 32.5 x 27 inches
wood: 25 x 30 inches
provenance: p...
Category
Old Masters 16th Century Figurative Paintings
Materials
Oil
Late 16th-Century Catalan School, Saint Magí & Saint Mauro
Located in Cheltenham, GB
This remarkable late 16th-century fragment depicts Saint Magí, the patron saint of Tarragona, and Saint Mauro, a Benedictine monk. Produced in around 1580, on the cusp of the Anglo-S...
Category
16th Century Figurative Paintings
Materials
Metal
Late 16th-Century Catalan School, Saint Madrona Of Thessalonica
Located in Cheltenham, GB
This remarkable late 16th-century fragment depicts Saint Madrona, the Patron Saint of Barcelona, Spain, holding a 15th-century carrack and the martyr’s palm frond. She stands before ...
Category
16th Century Figurative Paintings
Materials
Metal
Mannerist Venetian master - Late 16th century figure painting - Virgin and Child
Located in Varmo, IT
Polidoro da Lanciano (Lanciano ca. 1515 - Venice 1565) workshop of - Madonna and Child with Saints John the Baptist and Catherine.
48.5 x 74.5 cm without frame, 65.5 x 90.5 cm with ...
Category
Renaissance 16th Century Figurative Paintings
Materials
Oil, Panel
Workshop of Jan Massys (Antwerp 1510-1575), Madonna and Child, mid-16th century
Located in Como, IT
Workshop of Jan Massysu2028(Antwerp 1510-1575)
Madonna and Child
Oil on canvasu2028
Epoch: mid-16th century
Early 17th century frame
Dimensions without frame: 89.2 x 76.8 cm • 35...
Category
Flemish School 16th Century Figurative Paintings
Materials
Canvas, Oil
Large 16th Century Old Master Oil Painting The Judgement of Paris Mythological
Located in Cirencester, Gloucestershire
The Judgement of Paris
Fontainebleau School, circa 1580 *see notes below
oil painting on canvas, framed
framed: 30 x 40 inches
canvas: 27 x 37 inches
Provenance: private collection, ...
Category
Mannerist 16th Century Figurative Paintings
Materials
Oil
Lucretia, by Giacomo Raibolini Francia. Detto il Francia. Oil on panel, framed
Located in Brooklyn, NY
Giacomo used to paint with his brother Giulio, identifying their works with the monogram «I I». The strong influence of his father, Francesco, is undeniable in all his works, althoug...
Category
Old Masters 16th Century Figurative Paintings
Materials
Oil, Wood Panel
Christ and St John the Baptist as children, studio of J. van Cleve, 16th Flemish
By Joos van Cleve
Located in PARIS, FR
Christ and St John the Baptist embracing
Studio of Joos van Cleve (1485 – 1541), Antwerp
First half of 16th century
Oil on oak panel, h. 55 cm, w. 43 cm
A 17th century ebonized wood frame
Framed: h. 100 cm, w. 83 cm
Provenance:
• Advertisement in Burlington Magazine, 1929, at the antique dealer Paul Larsen, 34 Duke's Street, London, United Kingdom
• Clowes Sale, Christie's London, 7 July 1950, lot 153 (as Joos Van Cleve)
• Acquired from the Katz antique dealers in Dieren (Netherlands) in the 1950s (one of the most important art galleries in the Netherlands specialising in Old Masters)
• By descent, private European collection
The composition of our painting depicting two naked babies embracing, Jesus and Saint John the Baptist, draws its source from a drawing by Leonardo da Vinci, probably executed in Milan around 1490 (kept at Windsor Castle, United Kingdom).
This scheme, widespread early in the Lombard school, was widely reproduced by Leonardo's Milanese followers (Marco d'Oggiono, Bernardino de Conti or Bernardino Luini.)
It is very likely that Joos Van Cleve was inspired by one of the works of his artists during his stay in Italy, however some historians hypothesize that he borrowed the figures from the painting by Marco d'Oggiono who had copied it on site in Flanders (it would have belonged to Margaret of...
Category
Old Masters 16th Century Figurative Paintings
Materials
Oil, Wood Panel
Holy Family with Saint John, first half of the 16th century
Located in Milan, IT
Panel depicting the Holy Family with San Giovannino. At the center of the scene is the Virgin, with a red tunic and a blue cloak edged with gold embroidery,...
Category
Other Art Style 16th Century Figurative Paintings
Materials
Oil
The Crucifixion, 17th Century Flemish School - circle of Frans Francken
Located in Blackwater, GB
The Crucifixion, 17th Century
Flemish School - circle of Frans Francken the Younger (1581-1642)
16th Century Flemish Old Master depiction of the Crucifixion, oil on panel. Excellen...
Category
16th Century Figurative Paintings
Materials
Oil, Panel
16th Century by Bernardino Detti Face of Christ Oil on Canvas
Located in Milano, Lombardia
Bernardino Detti (Pistoia, Italy, 1498 - 1572)
Title: Face of Christ
Medium: Oil on canvas
Dimensions: without frame 41 x 32 cm - with frame 47 x 55.5 cm
Antique box frame made of solid wood and walnut burl.
Publications: unpublished
The painting by Bernardino Detti (1498 - 1572) depicts the face of Jesus...
Category
Old Masters 16th Century Figurative Paintings
Materials
Canvas, Oil
16th Century Oil on Panel Flemish Antique Painting The Calling of Saint Matthew
Located in Vicoforte, IT
Great Flemish painting from the second half of the 16th century. Oil on panel artwork depicting a fascinating evangelical episode, the Calling of Saint Matthew. A painting of extraor...
Category
16th Century Figurative Paintings
Materials
Oil, Board
16th C, Biblical, Manner of Joos van Cleve, Madonna with Child, Oil on Panel
By Joos van Cleve
Located in brussel, BE
Attentive observer, may I challenge you to find some unusual elements in this panel painting? One detail has to do with the symbolic use of color, the other with a later adjustment of the image. Indeed! The Blessed Virgin is not dressed in her usual sky blue cloak, which refers to her purity, but in a red robe.
During the Late Middle Ages and early Renaissance, the Virgin often wore such a red garment to refer to the Passion of Christ. After all, the blessing Christ child with his orb would shed his blood for the redemption of mankind. The second strange element catches the eye when one looks closer at the little Jesus. It appears that he was originally depicted completely naked, but got on a transparent loincloth over time. In the past there were several times when nudity in art was subject to some form of censorship. For example, the supervision of Christian art was strongly encouraged by the Council of Trent (1545-1563). This assembly was dealing with the inner-ecclesiastical reform of the Roman Catholic Church. One of the important theologians who followed the council’s guidelines was Joannes Molanus (1533-1585). He did not consider the nakedness of the Christ Child to be edifying and pointed out that children could be endangered in this way. He may have been referring to the dangers of paedophilia.
During the 19th century, puritanism emerged. A famous example of a moral preacher was Pope Pius IX...
Category
Baroque 16th Century Figurative Paintings
Materials
Canvas, Oil
Painted Christ and the Adulteress Flemish school 16th century
Located in Milan, IT
Oil on Board. Flemish school of the 16th century.
The work bears a plaque at the base attributing it to Lambert Van Noort (1520 -1571), justified by the proximity to his painterly ma...
Category
Other Art Style 16th Century Figurative Paintings
Materials
Oil
Study of a Man, Old Master Drawing, Figure, Roman Study, Lombard
Located in Greven, DE
Old Master Drawing by the Circle of Lambert Lombard. Drawing/ Study of a Man in Renaissance Style, later signed "F. Floris".
Study of a Man
Lombard li...
Category
Renaissance 16th Century Figurative Paintings
Materials
Handmade Paper
Mannerist Florentine master - late 16th century figure painting - Flagellation
Located in Varmo, IT
Florentine Master (late 16th century) - Flagellation.
71.5 x 59.5 cm without frame, 89 x 76 cm with frame.
Oil on panel, in an antique carved and gilded wooden frame from the 17th ...
Category
Renaissance 16th Century Figurative Paintings
Materials
Oil, Panel
Venetian-Cretan master early 16th century Tempera on Gold Background
Located in Pistoia, IT
Venetian-Cretan master of the early 16th century, icon of Christ the Bridegroom (or Nymphios).
Tempera on gold ground on panel.
Measure 41 x 29 cm
Holy Week, in Eastern tradition an...
Category
Renaissance 16th Century Figurative Paintings
Materials
Tempera, Board
Moses and the Pillar of Cloud by Lucas Cranach the Elder and Studio
Located in New Orleans, LA
Lucas Cranach the Elder and Studio
1472-1553 German
Moses and the Pillar of Cloud
Oil on panel
Moses and the Pillar of Cloud is a bold and evocative composition that showcases the signature intense color and intricate detail of Lucas Cranach the Elder’s celebrated oeuvre. The remarkable 16th-century oil on panel by Lucas Cranach and his studio captures the narrative moment when Moses leads the Israelites out of Egypt and encounters God manifested through a large pillar of cloud. Moses stands at the precipice of a bridge and turns back to soldiers helping to lead the group of Israelites who huddle closely together. Cranach depicts Moses with his traditional iconography, rendering the rays of light on his head which came to be interpreted as "horns" in the translation of the Bible. Using his traditional walking staff, Moses gestures toward the pillar, seemingly acknowledging that God will protect the group as they cross the bridge to the other side, leaving exile and entering a promised land.
In a nod to Cranach’s Germanic locale, he renders the figures and setting in a manner that feels decisively more akin to European aesthetics than those of the Red Sea. Soldiers wear elaborate, gothic suits of armor that recall the livery of Northern European guardsmen. The terrain appears more like a European forest giving way to a sweeping valley than the arid landscape the Israelites trekked through on their journey across the Red Sea. Though still clearly recounting a story from the Old Testament, Cranach renders the cast of characters and setting in an earthly, familiar manner. This aesthetic shift speaks to Cranach’s own changing beliefs as he found himself at the center of the Protestant Reformation.
After first gaining recognition in 1505 as the official painter of Frederick the Wise, Cranach established a thriving painting and print studio in Wittenberg, Germany. Cranach was renowned for his court portraits and genre paintings and was also well known for his association with the famous protestant reformer Martin Luther, then under the protection of Frederick the Wise. As Wittenberg became a bastion of new religious thought, Cranach soon befriended Luther and played an active role in creating the printed materials that proliferated throughout the Reformation...
Category
Old Masters 16th Century Figurative Paintings
Materials
Oil, Panel
Late 16th Century by Jacopo da Empoli Temperance Oil on canvas
Located in Milano, Lombardia
Jacopo da Empoli (Florence, Italy, 1551 – 1640)
Title: Temperance
Medium: Oil on canvas
Dimensions: without frame 101.5 x 75.7 cm – with frame 140 x 115.3 x 10.50 cm
Expertise by Al...
Category
Old Masters 16th Century Figurative Paintings
Materials
Canvas, Oil
Lady Dormore - A 16th Century Portrait of a key member of Shakespeare's England
Located in London, GB
Lady Dormer, Mary Browne
c. 1592
oil on panel
35 x 29 inches, unframed;
41 x 34.75 inches, inc. frame
Inscribed 'Lady Dormore'
Mary married Henry Wriothesley, 2nd Earl of Southampton who gave birth to Henry Wriothesley, 3rd Earl of Southampton - one of the great figures in Shakespears"s circle and founder of the Virginia company, developers of Virginia USA.
Henry Wriothesley, born 6 October 1573 at Cowdray House, Sussex, was the only son of Henry Wriothesley, 2nd Earl of Southampton, by Mary Browne, the only daughter of Anthony Browne, 1st Viscount Montague, and his first wife, Jane Radcliffe.[5] He had two sisters, Jane, who died before 1573, and Mary (c. 1567 – 1607), who in June 1585 married Thomas Arundell, 1st Baron Arundell of Wardour.[6]
After his father's death, Southampton's mother married firstly, on 2 May 1595, as his second wife, Sir Thomas Heneage (d. 17 October 1595), Vice-Chamberlain of the Household, and secondly, between 5 November 1598 and 31 January 1599, Sir William Hervey. She died in November 1607.[7]
Early life
When his father died on 4 October 1581 Southampton inherited the earldom and landed income valued at £1097 6s per annum. His wardship and marriage were sold by the Queen to her kinsman, Charles, Lord Howard of Effingham, for £1000. According to Akrigg, Howard then "entered into some further agreement, of which no documentation can now be found, which transferred to Lord Burghley personally the custody and marriage of the young Earl, but left Howard holding his lands", and late in 1581 or early in 1582 Southampton, then eight years of age, came to live at Cecil House in the Strand.[8]
In October 1585, at age twelve, Southampton entered St John's College, Cambridge,[9] graduating M.A. on 6 June 1589.[10] His name was entered at the Gray's Inn legal society before he left the university, and he was admitted on 29 February 1588.[11]
On Southampton's 16th birthday, 6 October 1589, Lord Burghley noted Southampton's age in his diary, and by 1590 Burghley was negotiating with Southampton's grandfather, Anthony Browne, 1st Viscount Montague, and Southampton's mother, Mary, for a marriage between Southampton and Lord Burghley's eldest granddaughter, Elizabeth Vere, daughter of Burghley's daughter, Anne Cecil, and Edward de Vere...
Category
Old Masters 16th Century Figurative Paintings
Materials
Oil
Saint Jerome, Antwerp, 16th century, circa 1550, cercle of Lambert Van Noort
Located in PARIS, FR
Saint Jerome in the desert
Cercle of Lambert Van Noort (1520-1571, Antwerp)
Antwerp School, mid-16th century
Oil on oak panel.
Dimensions: panel h. 69 cm (27.16 in), l. 52.5 cm (20.6...
Category
Old Masters 16th Century Figurative Paintings
Materials
Oil, Wood Panel
Crucifixion, Bruges school, Flemish, mid 16th century
Located in PARIS, FR
Crucifixion, cercle of Adriaen Isenbrandt, mid 16th century
School of Bruges, cercle of Adriaen Isenbrandt (actif 1510-1551)
Oil on oak panel with its original ebonized frame
Dimensi...
Category
Old Masters 16th Century Figurative Paintings
Materials
Oak, Oil, Wood Panel
Virgin and Child with the Infant Saint John
By Domenico Puligo
Located in New Orleans, LA
A masterful example of Italian Mannerist painting, this exceptional panel was composed by the renowned Florentine painter Domenico Puligo. Alongside Jacopo Pontormo and Rosso Fiorentino, Puligo is remembered as one of the foremost figures of the Mannerist movement that rose to prominence during the 16th century in Florence. This panel of the Virgin Mary with the Christ child and Saint John the Baptist is a characteristic example of his celebrated devotional images, which grace museums such as the Metropolitan Museum of Art (New York), Museo del Prado (Madrid), Palazzo Borghese (Rome), and Palazzo Pitti (Florence), among many others.
Puligo’s skill with color is fully demonstrated in the beautifully preserved work. Considering its age, the vibrancy and the sheer range of color is remarkable. The Virgin Mary’s crimson dress...
Category
Mannerist 16th Century Figurative Paintings
Materials
Oil, Panel
Venice. XVI century. Madonna with child with St. John. Attrib. Marco Bello.
Located in Firenze, IT
Sacred Conversation: Madonna with child with St. John with idealized landscape background with mountains.
Early XVI century.
Oil on wooden panel of Venetian conifers.
Marco Bello, attributed. (Venezia, 1470 - 1523, Udine), pupil and follower of Giovanni Bellini.
Venetian school.
Madonna with child with St. John with idealized landscape background with mountains.
Dimentions: 57cm x 68cm x 6cm
Beautiful late Renaissance frame...
Category
Renaissance 16th Century Figurative Paintings
Materials
Wood Panel, Oil
16th century Flemish, Holy Family, workshop of P. Coecke Van Aelst (1502-1550)
Located in PARIS, FR
Rest of the Holy Family during the Flight into Egypt
Workshop of Pieter Coecke Van Aelst (1502-1550)
16th century Flemish school
Oil on oak panel,
Dimensions : panel: h. 34.25 in., ...
Category
Old Masters 16th Century Figurative Paintings
Materials
Oil, Wood Panel
Oil on Board 'Rape of Europa' Pseudo Giampietrino B, 1930s-40s, 16th cent
Located in Milan, IT
In the panel depicting the mythological episode of the Rape of Europa, the foreground is occupied by the two main characters: Zeus in the guise of a bull, his neck and horns adorned ...
Category
Other Art Style 16th Century Figurative Paintings
Materials
Oil
Madonna Enthroned with Child between angels and saints Nicholas of Tolentino
Located in Milan, IT
The painting features the enthroned Madonna and Child, two praying angels, and Saints Nicholas of Tolentino, Augustine, Luke the Evangelist, and Monica, below an elegant canopy. The ...
Category
Other Art Style 16th Century Figurative Paintings
Materials
Oil
Circle of Maarten de Vos, Christ Mocked
Located in Milan, IT
Workshop of Maarten de Vos (Antwerp, 1532 - December 4, 1603)
Christ mocked
Oil on panel, 63 x 50 cm
Framed, 80 x 100 cm
The artist responsible for the execution of this painting...
Category
Other Art Style 16th Century Figurative Paintings
Materials
Canvas, Oil
Fenzoni, Painting AND preparatorial Drawing, John the Baptist, Italy Renaissance
By Ferrau Fenzoni
Located in Greven, DE
The painting and the preparatory drawing are offered together.
Provenance
Private collection, Germany, Trier, c. 1980- 2013
Saint John the Baptist
Brown ink and wash over red chalk on oatmeal paper
31 x 20.5 cm
Inscribed: „Ferrau Fenzonio da Faenza invt. esque … imp. da Fran. Villamena …“.
bears the collector's mark of Henry Scipio Reitlinger (1882-1950; Lugt 2274a) on a tiny label glued to the verso
On the reverse is a partial drawing of a Pieta, pricked for transfer.
Provenance
New York, Doyle, 14. October 2015, No. 6
The painting and the preparatory drawing resemble the composition of an engraving after Ferraù Fenzoni by Francesco Villamena. Drawing, engraving and painting are almost identical, except for minor differences. Even the measurements nearly correspond: painting (32 x 25,5 cm), drawing (30 x 20,5 cm), engraving (31,1 x 23,5 cm).
Dr. Guiseppe Scavizzi confirmed the attribution of the present panting to Fenzoni and he dates it to c. 1590.
The inscription on the drawing reads “Ferrau Fenzonio da Faenza invt. esque. . . imp. da Fran: Villamena . . .”. The engraving’s inscription also lists place and date “Ferra Fensionius inventor/F. Villamoena sculpsit Rome/Aspectu fruitur… antra puer/cum Privilegio… 1613”.
Interestingly, the engraving is not mirrored as it is in most printing processes. Painting, drawing and engraving are not reversed but the same. It is remarkable to note that there are further paintings by Fenzoni which were engraved in the same order and not reverted. They also show strong parallels regarding the compositions and the measurements (see for example “Deposition of Christ” ).
Ferraù Fenzoni was an Italian painter mainly active in Todi. He is also called Il Faenzone after his birthplace (Faenza). He apprenticed in Rome during the papacy of Gregory XIII and contributed to numerous fresco cycles under pope Sixtus V, such as the Loggia della Benedizioni in the Lateran Palace, the frescoes on the walls and vaults of the Scala Santa of the adjacent Basilica of San Giovanni in Laterano, and the decoration in the Sistine library. His expressive canvases straddle the styles of Mannerism and Baroque. In 1594, he moved to Todi. A “Last Judgement” by him is housed in the cathedral of Todi. He returned to Faenza in 1599, where he decorated chapels in the cathedral from 1612 to 1616. In 1622, he completed a “Deposition”, now in the local Pinacoteca. In 1640, Fenzoni was named “cavaliere dello speron d’oro” by Cardinal Colonna and, on 25th April 1634, he was nominated vicar and “castellano of Granarolo”.
Fenzoni‘s style is characterized by a mixture of the Mannerism of the Northern Netherlands and the Italian Baroque.
Saint John the Baptist, Old Master, 17th Century, By Fenzoni, Religious Scene, Rome Art...
Category
Mannerist 16th Century Figurative Paintings
Materials
Oil, Canvas, Handmade Paper
Italian Renaissance Tempera on Parchment Painting Holy Family by Giuseppe Cesari
Located in Portland, OR
A rare & important Italian Renaissance tempera on parchment painting, Giuseppe Cesari Il Cavalier d'Arpino (Giuseppe Cesari, 1568-1640), the painting c...
Category
Renaissance 16th Century Figurative Paintings
Materials
Parchment Paper, Egg Tempera
Portrait of a Man
Located in New York, NY
Provenance:
with Leo Blumenreich and Julius Böhler, Munich, 1924
Dr. Frederic Goldstein Oppenheimer (1881-1963), San Antonio, Texas; by whom given to:
Abraham M. Adler, New York, until 1985; thence by descent to the present owners
While old inscriptions on the verso of this panel propose its author to be Hans Holbein and the sitter Sir John More—a lawyer, judge, and the father of Sir Thomas More—this fine portrait has long been recognized to be by a Flemish hand. Max Friedländer gave the painting to Bernard van Orley (1487/1491 – 1541) in 1924, but did not include it in the volume dedicated to the artist in his Early Netherlandish Paintings...
Category
Old Masters 16th Century Figurative Paintings
Materials
Oil, Panel
Landscape with Figures - Oil on Canvas - 1570 ca.
Located in Roma, IT
Landscape with Figures is an original Old Master Painting realized in the Second half of the 16th Century and attributed to the French painter Matthijs Bril (Antwerp, 1550 – Rome, 15...
Category
16th Century Figurative Paintings
Materials
Canvas, Oil
Francesco Zucco (Bergamo, c. 1570 - Bergamo, May 3, 1627), Crucifixion
Located in Milan, IT
Francesco Zucco (Bergamo, c. 1570 - Bergamo, May 3, 1627)
Crucifixion with saints
Oil on canvas, 76 x 60 cm
With frame 95 x 79 cm
Critical Record Professor Giuseppe Sava
The cru...
Category
Other Art Style 16th Century Figurative Paintings
Materials
Canvas, Oil
Julius Caesar on Horseback
Located in New York, NY
Provenance: Private Collection, South America
Antonio Tempesta began his career in Florence, working on the decoration of the Palazzo Vecchio under the direction of Giorgio Vasari. He was a pupil first of Santi di Tito...
Category
Old Masters 16th Century Figurative Paintings
Materials
Canvas, Oil
16th Century by Neapolitan Maestro Vision of Saint John in Patmos Oil on Panel
Located in Milano, Lombardia
16th Century Neapolitan Maestro
Title: Vision of Saint John in Patmos
Medium: Oil on panel
Dimensions: without frame 113 x 85 cm
Expertise by Prof. Antonio Vannugli
A brightly lit ...
Category
Old Masters 16th Century Figurative Paintings
Materials
Oil, Panel
16th Century by Venetian Maestro Deposition of Christ Oil on Panel
Located in Milano, Lombardia
16th Century Venetian Maestro
Title: Deposition of Christ
Medium: Oil on panel
Dimensions:without frame 40 x 25 cm
Formerly Canesso Collection, Paris.
Fairs: The International Biennial of Antiques in Florence 2022 (BIAF, Biennale Internazionale dell’Antiquariato di Firenze)
Publications: Bozzetti, modelletti, sketches: dalla collezione di Giorgio Baratti (From the Giorgio Baratti Collection) curated by Anna Orlando, Agnese Marengo and Annalisa Scarpa, Genoa, 2022, pp. 22, 23.
In this precious panel we can admire a lament over the body of Christ by a large group of bystanders among whom we can recognise the Virgin and, in the foreground, St Catherine of Alexandria...
Category
Old Masters 16th Century Figurative Paintings
Materials
Oil, Wood Panel
16th Century Assumption of Mary Francis Mati Madonna Oil on Panel Yellow Red
Located in Sanremo, IT
Painting,Oil on panel, measuring 50 x 37 cm without frame and 67 x 57 cm with antique frame depicting the Assumption of the Virgin by the painter Francesco Mati ( Florence 1561 - 162...
Category
Italian School 16th Century Figurative Paintings
Materials
Oil, Board
Madonna and child with angels, circle of Joos Van Cleve, 16th c. Antwerp school
By Joos van Cleve
Located in PARIS, FR
Madonna and Child with Saint John the Baptist and angels
Circle of Joos Van Cleve (1485 – 1541)
16th century Antwerp school
Oil on oak panel
Dimensions: h. 32 cm (13 in.), w. 28.5 cm...
Category
Old Masters 16th Century Figurative Paintings
Materials
Oak, Oil
The Lamentation of Christ, 16th Century Oil Old Master
Located in London, GB
Circle of Ridolfo Ghirlandaio
1483 - 1561
Oil on panel
Image size: 20 ½ x 16 ½ inches (52 x 42 cm)
Handmade contemporary style gilt frame
The lamentation of Christ was one of the most popular scenes depicted in European art from the 11th to the 18th century. Depicting the lamentation or pieta from the Italian word for ‘Pity’ of Christ with Jesus’s mother Mary cradling his body.
Christ is depicted nude, wearing only a blueish loincloth around his waist, a horizontal scar marking his rib cage. His head and torso are held upright, and his eyes are closed, his right arm lays to his side as does his left. Standing behind him, is the Virgin Mary, outfitted in her traditional dress of a robe with a white veil. She stands behind Christ and bends slightly, looking looking away from Christ to something that has caught her attention, her right hand holding his shoulder. Her left-hand carefully holds his arm.
This work is quite unusual with Mary . This stunning work jumps out with its dark background and strong flesh colours.
Ridolfo Ghirlandaio was the son of the eminent painter Domenico Ghirlandaio. Following his father’s death in 1494, when he was just eleven years old, Ridolfo is thought to have continued his training with his uncle Davide, who had taken over the Ghirlandaio workshop. Vasari noted that Ridolfo also studied with Fra Bartolommeo...
Category
Old Masters 16th Century Figurative Paintings
Materials
Oil
By Giovanni Battista del Verrocchio, Madonna and Child with St. John the Baptist
Located in Milan, IT
Giovanni Battista del Verrocchio, known as The Master of Volterra (Florence 1494 - 1569)
Madonna with Child and San Giovannino
Oil on panel, 63 x 50 cm
Frame: 92 x 80 cm
The styl...
Category
Other Art Style 16th Century Figurative Paintings
Materials
Oil, Board
The Road to Calvary, Oil on Oak Panel, 16th Century Painting
Located in London, GB
Oil on oak panel
Image size: 20 1/2 x 23 1/2 inches (52 x 60 cm)
Hand made frame
Herri Met de Bles, also known as Henri Blès, Herri de Dinant and Herry de ...
Category
16th Century Figurative Paintings
Materials
Oak, Oil
16th Century Parnassus Biagio Pupini called Biagio delle Lame Muses Oil on Panel
Located in Sanremo, IT
This painting (in an excellent state of conservation and of fine executive workmanship, attests to the enormous
luck of Raphael's inventions in the years following his death: in fact...
Category
Italian School 16th Century Figurative Paintings
Materials
Oil, Panel
From Paolo Veronese, Allegory of Strength and Wisdom
By Paolo Veronese
Located in Milan, IT
Follower of Paolo Veronese (Verona, 1528 - Venice, 1588)
Allegory of wisdom and strength
Oil on canvas, 48 x 36.5 cm
Picture frame, 61 x 48 cm
The Allegory of Wisdom and Strength...
Category
Other Art Style 16th Century Figurative Paintings
Materials
Canvas, Oil
Circle of Amico Aspertini, The meeting of Anna and Gioacchino
Located in Tricase, IT
Circle of Amico Aspertini
Oil on panel, 59x31 cm.
Provenance: Asta Pandolfini 8 marzo 2023 lot. 47.
He was born in Bologna to a family of painters (including Giovanni Antonio Asperti...
Category
Renaissance 16th Century Figurative Paintings
Materials
Oil, Board
Pieta, 16th Century
Located in Blackwater, GB
Pieta, 16th Century
circle of Quinten MASSYS (1466-1530)
Large 16th Century Netherlandish Old Master depiction of the Pieta, oil on oak panel. Large scene of the Virgin mother embracing the body of Christ in her arms. Presented in a large antique arched wooden frame. Stable surface condition and good panel condition/stability for its age. Some overpainting in the veil, hands and background as a result of over cleaning. Similar to the works of painter Van Cleeve...
Category
16th Century Figurative Paintings
Materials
Panel, Oil
Quattro Virtù Cardinali tempera su tela, arte manierista toscana del XVI secolo
By Cristofano Rustici
Located in Florence, IT
Cristofano Rustici called il Rusticone was an artist active in Siena between the 16th and 17th century, son of Lorenzo Brazzi called il Rustico (Siena 1521-1572). Even if his artistic training started in the family workshop, he was mostly very influenced by the Flemish artist Bernhard van Rantwijk, who was also living in the Tuscan town at the same time.
The subject of the four paintings are the Cardinal Virtues...
Category
Mannerist 16th Century Figurative Paintings
Materials
Canvas, Tempera
Virgin with Child & St John, oil on marble, late 16th century Florentine school
By Andrea Del Sarto
Located in PARIS, FR
Virgin with Child & St John, late 16th c. Florentine school
Late 16th c. Florentine school
Virgin with Child and St John the Baptiste
Oil on white marble,
h. 41,5 cm, w. 32 cm
17th L...
Category
Old Masters 16th Century Figurative Paintings
Materials
Marble
After Jan Gossaert, Madonna and Child
By Jan Gossaert
Located in Milan, IT
By Jan Gossaert called Mabuse, 16th century
Madonna and Child
Oil on panel, 62 x 43 cm
Framed, 72 x 54 cm
Written report by Prof. Didier Bodart
This Madonna and Child possesses ...
Category
Other Art Style 16th Century Figurative Paintings
Materials
Oil, Panel
Triptych Of The Crucifixion, circa 19th Century after PIETRO PERUGINO
Located in Blackwater, GB
Triptych Of The Crucifixion, 19th Century
after PIETRO PERUGINO (1446-1523)
Large circa 19th Century Umbrian School Old Master triptych of the Crucif...
Category
16th Century Figurative Paintings
Materials
Canvas, Watercolor
Painting from the workshop of Francesco Bassano Nativity second half of the 500's
Located in Milan, IT
Oil on Canvas. Second half of the 16th century.
The painting comes from the historical family collection of Count Castracane, as is documented by the original handwritten paper recei...
Category
Other Art Style 16th Century Figurative Paintings
Materials
Oil
Panel painting Annunciation 16th century
Located in Milan, IT
Oil on Board. Central-Italian school of the second half of the 1500s.
The sacred scene of the Annunciation sees the two protagonist figures placed in the foreground in an interior th...
Category
Other Art Style 16th Century Figurative Paintings
Materials
Oil
The Holy Family, 16th Century Venetian School, Oil on Canvas, Hand Carved Frame
Located in London, GB
Oil on canvas
Image size: 26 x 37 inches (66 x 94 cm)
Period hand carved gilt frame
The pictorial arrangement of the Holy Family, with various saints in a landscape, was very popular in sixteenth-century Venice, following the prototype of Giovanni Bellini. Possibly intended for private devotion, this picture is a representative example of the compositional type known as the sacra conversazione...
Category
16th Century Figurative Paintings
Materials
Canvas, Oil
