Norman Rockwell

Man Seated by Radiator by Norman Rockwell

Circa 1935

Two young children play an ill-advised game of gum stretching on the family couch in this charming composition by famed American illustrator, Leslie Thrasher. Painted towards the start of the Great Depression, Thrasher provided light-hearted images of the lives of everyday people to distract Americans from their troubles. These images appeared on the covers of Liberty Magazine, for whom he produced one cover illustration a week for six consecutive years. Born in 1889 in Piedmont, West Virginia, Thrasher studied at the Pennsylvania Academy of Fine Arts as a teenager and received a scholarship to study art abroad in Paris. Upon his return, he began studying under Howard Pyle, known as the “father of American illustration.” Thrasher sold his first cover illustration to the Saturday Evening Post in 1912, four years before Norman Rockwell’s first Post cover, and he would go on to produce over 360 magazine covers throughout his career. He painted humorous, relatable scenes of life in America with colorful characters set against white backgrounds. He was also a successful commercial artist, painting advertisements for Cream of Wheat, Chesterfield Cigarettes...

A Salvation Army Santa looks on with a mixture of fatigue and disinterest as a group of children tell him their Christmas gift wish lists in this lighthearted composition by leading American illustrator Leslie Thrasher. This painting was created for the December 20, 1930 issue of Liberty Magazine, for which the artist illustrated covers on a weekly basis for six consecutive years. Thrasher is known for his scenes of everyday American life imbued with a sense of humor, qualities represented to great effect in this charming painting. Born in 1889 in Piedmont, West Virginia, Thrasher studied at the Pennsylvania Academy of Fine Arts as a teenager and received a scholarship to study art abroad in Paris. Upon his return, he began studying under Howard Pyle, known as the “father of American illustration.” Thrasher sold his first cover illustration to the Saturday Evening Post in 1912, four years before Norman Rockwell’s first Post cover, and he would go on to produce over 360 magazine covers throughout his career. He painted humorous, relatable scenes of everyday life in America with colorful characters set against white backgrounds. He was also a successful commercial artist, painting advertisements for Cream of Wheat, Chesterfield Cigarettes...

A red-robed cardinal chuckles at the letter in his hand in this oil on canvas by the Italian painter Andrea Landini. The vibrantly hued piece illustrates the artist’s genius at rendering charming narratives in remarkable detail. Entitled The Letter, the work is a superb example of Landini's technical virtuosity — from the finely carved and upholstered chair to the neoclassical painting in the background, every detail is meticulously depicted. Such works satirizing the clergy would have been severely censured just a generation earlier. Yet, by the time Landini picked up the brush, the European public had grown discontent with the hypocrisy of the clergy, many of whom enjoyed lavish lifestyles. Cardinal paintings such as this became highly popular during the period, and Landini emerged alongside Georges Croegaert, Marcel Brunery and Jehan Georges Vibert as the leading painters of the genre. Born in Florence in 1847, Andrea Landini trained at the Academy of Fine Arts in Florence, first under the animal painter Riccardo Pasquini and later with religious painter Antonio Ciseri...

A charming relic of a bygone era, this rare oil is the work of the inimitable American illustrator, Norman Rockwell. The iconic artist’s ability to render the details and nuances of ...

An Upper East Side of Manhattan New York city scene of bald guy reading newspaper on bench with East River and tugboat in background. The 1970s were the “glory days,” Huffaker says, for himself and a stable of talented illustrators whose work routinely found itself on the covers of the nation’s premier newsmagazines and in the pages of The New York Times. For the better part of that decade, Huffaker was among an elite breed of commercial artists—his hero and fellow Southerner Jack Davis, the legendary Mad Magazine illustrator, among them—working during a remarkable period when art directors routinely turned to illustration to give comic relief to the country’s deeply serious and dark problems. From civil rights and the women’s movement to Vietnam and Watergate, the gas crisis and inflation to the rise of Jimmy Carter, Huffaker mined a deep well of material ripe for his brand of visual wit and caustic satire. He sent his portfolio to children's book illustrator Maurice Sendak, the legendary “Where The Wild Things Are” illustrator to gauge his prospects, and when Sendak replied, “C’mon up, you’ll do all right,” SELECT HONORS: 2 Page-One Awards (from the New York Newspaper Guild), for work in Fortune Magazine and Sports Illustrated. Nominated 3 times for Cartoonist-of-the-Year by the National Cartoonists Society (illustration category). Desi Award of Excellence (Graphic Design Magazine). 20 Award of Merit citations from the Society of Illustrators. One-man show, Society of Illustrators. Illustrators 22 - annual national exhibition for the Society of Illustrators. SELECT MAGAZINE COVERS Time Magazine (6), Sports Illustrated (2), Business Week (12), Forbes, Saturday Review, New York Times Sunday Magazine, The New Republic, Family Weekly, Madison Avenue, New York Daily News Sunday Magazine (2), Junior Scholastic, ACLU, The Nation , and more EDUCATION BA, University of Alabama. Attended Pratt Graphic Center and The Art Students League, New York City. BOOKS WRITTEN AND ILLUSTRATED The Dispensible Man (M. Evans and Co.) and The Bald Book (M. Evans and Co.) BOOKS ILLUSTRATED White Is (Grove Press), The Begatting of a President (Ballantine Books), The Biggest Sneeze (Harper-Collins), H. Phillip Birdsong's ESP (Young Scott Books), Kids Letters to President Reagan (M. Evans), The Worlds Greatest Left-Handers (M. Evans), Does My Room Come Alive at Night (HarperCollins), The Man With Big Ears (HarperCollins), Jake Snake's Race (HarperCollins), and more POLITICAL CARTOONING Political cartoonist at The News and Obsever in Raleigh, NC and syndicated during the early 70's. Today, syndicated in 750 publications 3-times a week with Cagle Cartoons. FINE ART SHOWS Allied Artists of America, Salmagundi Club, Phillips Mill Annual (honorable mention), New Hope Shad Festival (grand Prize), Hunter Museum in Chattanooga ( one -man career retrospective), Santa Fe public library (one--man), Rosenfeld Gallery (Philadelphia), Potter...

This captivating 1945 oil painting by American artist Hayes Lyon portrays Bessy Lyon, the artist’s wife, in a warm and intimate portrait. The piece features soft yet vivid tones and ...

Modern unfinished portrait of handsome man in dress uniform by American painter, Patricia Gren Hayes (b. 1932), circa 1970. Unsigned. Provenance: Purchased as part of larger collection of artist's work from the estate of Larry Miller Unframed. Canvas size: 30"H x 36"W. Patricia Gren Hayes (American, b. 1932) is a Bay Area Figurative & Feminist Art Movement artist who studied at Winnipeg Public Art School in 1950. She received early recognition in Museum and Gallery competitions and exhibitions and was awarded a Special Education in Art recognition by the Winnipeg Museum of Fine Art, and was awarded a scholarship to the Banff College of Fine Art. Further studies were at The University of Manitoba. She was a Member of Winnipeg Free Press Sketch Club and was a Cartoonist and paste-up for a French-English bi-weekly, in Eastern Canada; She studied outdoor impressionism in New York in 1960; in 1962, attended The California College of Arts and Crafts, and in 1976 B.A., U.C. Berkel...

Figurative study of women by American painter, Patricia Gren Hayes (b. 1932). Blonde long hair women wearing overalls, side view of same woman and another side view study of a brunette, circa 1970. "Gren Hayes" on verso stretcher. Provenance: Purchased as part of larger collection of artist's work from Larry Miller Fine Art. Unframed. Canvas size: 29"H x 29"W Patricia Gren Hayes (American, b. 1932) is a Bay Area Figurative & Feminist Art Movement artist who studied at Winnipeg Public Art School in 1950. She received early recognition in Museum and Gallery competitions and exhibitions and was awarded a Special Education in Art recognition by the Winnipeg Museum of Fine Art, and was awarded a scholarship to the Banff College of Fine Art. Further studies were at The University of Manitoba. She was a Member of Winnipeg Free Press Sketch Club and was a Cartoonist and paste-up for a French-English bi-weekly, in Eastern Canada; She studied outdoor impressionism in New York in 1960; in 1962, attended The California College of Arts and Crafts, and in 1976 B.A., U.C. Berkeley where she studied under Elmer Bischoff, David Simpson, Joan Brown, Felix Ruvolo, Yolanda Lopez and Vincent Perez. She started a freelance commercial art business in 1963; copyrighted a National Cartoon, 1976, and served as Exhibition Director for San Francisco Woman Artists Gallery and the San Francisco Museum of Modern Art, 1976-1978. She was a workshop instructor at the San Francisco Woman Artists Gallery, 1977-1985; and was Manager/Owner Stanton Art Gallery, Alameda, CA, 1976-1982. Solo Exhibitions: Berkeley Marina, 1974; Oakland Center for The Visual Arts, "Images of Women", 1979 Group Exhibitions: Oakland's Dept of Education, 1963, Studio One; Alameda County Fair, 1975, 1976, 1978; San Francisco Art Festival, 1969, 1970, 1976, 1977, 1978; San Francisco Museum of Modern Art, 1976, 1977, 1978; San Francisco Women Artists Gallery Exhibition, award winner - 1970, 1977, 1978; Hayward Bay Fair Art Festival, award winner - 1971; Capricorn Assunder Gallery, 1973; Oakland Art Festival, 1973, 1974; Alameda Art Association, 1978; El Cerrito...