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Natalya Mougenot Contemporary impressionist figurative art oil painting of woman on canvas2024
2024
About the Item
This contemporary expressive painting 'Contemplating art" features a woman with brown hair tied up wearing a floral hooded sweater and a shoulder bag. This woman stands
in front of the artwork of Joan Mitchell: this woman is fully appreciating the scale, the mastery of composition and emotional power of this bright colorful abstract expressionist painting of Joan Mitchel. She enjoys the compositional rhythms, bold coloration, and gestural brush strokes.
The theme of “Impact of the contemplation of works of art” is the key one in my painting. While I was working on this piece, I was thinking about the contemplation of an art piece: what it gives to a viewer, what we feel and experience when we contemplate art. I want my viewers to connect with themselves and understand their emotions, feelings and intentions by delving into the artist’s world. I truly believe an art piece can transmit feelings, ideas, illusions and generate a change in a person’s attitude. Art helps to explore our identity and relate to others. I want my viewer to feel the best version of themselves as art has this power to move people and evoke emotions that words cannot do.
I want my viewer to approach a painting with an open mind leaving all preconceived notions or judgments.
I want my artwork offers my viewer an opportunity to explore their place in the world and think about the best version of themselves: what we can do to make our world better. I paint to make the world better.
This artwork is done with oil paints on a professional stretched cotton canvas.
The painting is sold unframed.
It is ready to hang. You will be able to hang it upon delivery.
Or you can frame it according to your taste and interior.
The photos of the artwork in the interior are for your inspiration only.
This is a unique, one of a kind original oil painting. It is signed on the front and comes with a Certificate of Authenticity. The painting will be carefully packed in cardboard box with layers of bubble wrap and sent out to you as soon as possible.
Please understand colors may vary slightly between the actual painting and the image on your screen due to my digital camera's results and your monitor.
- Creator:Natalya Mougenot (1981, French)
- Creation Year:2024
- Dimensions:Height: 31.5 in (80 cm)Width: 31.5 in (80 cm)Depth: 1.58 in (4 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:VÉNISSIEUX, FR
- Reference Number:1stDibs: LU2490214857202
Natalya is a contemporary artist from Lyon, France. She was born and grew up in Kazakhstan, the country known for its spacious steppes and low mountains. She arrived in France 2003. Since that moment she loves her adoptive country. She started painting in 2017 and used it as a therapeutic and emotional release during times of crisis when she was struggling with radical life changes. She incorporates this therapeutic approach in her artistic creative process till now. Several years ago painting became more than a hobby. It became a way of expressing her emotions and visions, a successive reaction to events of either personal or general concern. Her artist statement: “ I paint as it’s a necessity for my soul to express itself. Being creative for me is overcoming the restrictions. My art is a piece of my soul. I hope my art inspires reflection, provides a release and forms connection at other people’s souls”. She has developed her own vision of art through practicing a lot. She makes use of varying degrees of figuration, abstraction and impressionism by adding a contemporary twist. Abstract art for her is an interesting challenge for understanding inner feelings, a self-expression based on an intuitive approach. In figurative art her main subject remains women. Her artworks representing women contain the raw emotions of women. She also communicates the importance and the power of strong female relationships: “Women are enriched when they bond with each other”. She works in series: among them are "Heart-mind connection" of abstract artworks, "Women", "Bond", "Florals", "Springtime"... She uses various mediums ( acrylic, oil, watercolor, oil pastels) to create her unique artworks either on canvas or on paper. But she mainly uses acrylic as she works very quickly and expressively by finishing her artwork in one sitting. If Natalya had to pick one quote about her art, she would say : " Art is the reflection of the soul". Natalya goes with her gut and intuition to choose the colors, the lines, the shapes and the texture. She hopes her artworks will give a home a unique personality by filling it with life and color. Her sources of inspirations are Claude Monet, Paul Cezanne, Henri Matisse, George-Daniel de Monfreid, Paul Gauguin. She also admires the artworks of Joan Mitchell and Banksy.
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EXHIBITIONS
2023 New Work, Gallery VICTOR, Chicago, IL
2021 Ethos + Truth, Gallery Victor Armendariz, Chicago, IL
2020 Realities, Gallery Victor Armendariz, Chicago, IL
2018 Liberation, Gallery Victor Armendariz, Chicago, IL
Blood Sport, Gallery Victor Armendariz, Chicago, IL
Art on Paper 2018, Gallery Victor Armendariz, Pier 36, New York, NY
SOFA Chicago 2018, Gallery Victor Armendariz, Navy Pier, Chicago, IL
2017 POP!ARAZZI, Gallery Victor Armendariz, Chicago, IL
Coming Attractions, Gallery Victor Armendariz, Chicago, IL
2015 SOFA Chicago 2015, Ann Nathan Gallery, Navy Pier, Chicago, IL
Bruno Surdo: Allegories, Ann Nathan Gallery, Chicago, IL
2014 Bruno Surdo: Respond, Ann Nathan Gallery, Chicago, IL
Modern Metaphors, Rockford Art Museum, Rockford, IL
2013 Bruno Surdo: Revelations, Ann Nathan Gallery, Chicago, IL
Vice + Virtue, Northern Illinois University Museum of Art
2012 Contemporary Realism Biennial, Fort Wayne Museum of Art, Fort Wayne, IN
2011 Bruno Surdo, University of St. Francis School of Creative Arts, Fort Wayne, IN
Uncensored, Ann Nathan Gallery, Chicago, IL
2010 Art Chicago 2010, Ann Nathan Gallery, Merchandise Mart, Chicago, IL
2009 Art Chicago 2009, Ann Nathan Gallery, Merchandise Mart, Chicago, IL
2007 Bruno Surdo, Art Institute of Indianapolis, Indianapolis, IN
2006 Context/Content: Making Meaning with the Figure, University of Arkansas, Conway, AR
Creative Imaginings, Mobile Museum of Art, Mobile, AL
Bruno Surdo: Cycles, Ann Nathan Gallery, Chicago, IL
2005 Art Chicago 2005, Ann Nathan Gallery, Chicago, IL
2004 Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL
Art Chicago 2004, Ann Nathan Gallery, Chicago, IL
Group Show, Arcadia Gallery, New York, NY
Drawings VII, Koplin Del Rio Gallery, West Hollywood, CA
Armory Show, New York Armory, New York, NY
2003 Paintings & Drawings, College of Lake County, Grayslake, IL
The Art Show, New York, NY
Bruno Surdo: New Work, Ann Nathan Gallery, Chicago, IL
Art Chicago 2003, Ann Nathan Gallery, Chicago, IL
2003-10 International Show of Contemporary Artists, Chicago Art Open, Chicago, IL
2002 Bruno Surdo: Perception of Appearance, Frye Museum, Seattle, WA
Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL
Bruno Surdo: Transcendence, Ann Nathan Gallery, Chicago, IL
Art Chicago 2002, Ann Nathan Gallery, Chicago, IL
Tragedy, Memory, & Honor, Ann Nathan Gallery, Chicago, IL
2001 Magic Vision, Arkansas Art Center, Little Rock, AR
1998 Evanston and Vicinity Artists, Evanston Art Center, Evanston, IL
1996 Bruno Surdo: A Personal View, University of Wisconsin, Kenosha, WI
1995 Bruno Surdo: Recent Works, College of Lake County, IL
AIDS in Our Society, Loyola University, Chicago, IL
Bruno Surdo: Life, Struggle, and Hope, Chicago Cultural Center, Chicago, IL
2001 Magic Vision, Arkansas Art Center, Little Rock, AR
Bruno Surdo: Dualities of Life, Ann Nathan Gallery, Chicago, IL
1999 Group Show, Ann Nathan Gallery, Chicago, IL
1998 Group Exhibition, Fine Arts Building Gallery, Chicago, IL
1995 Spiritual Inquiries, Struve Gallery, Chicago, IL
1994 Recent Works, The 14th Annual Juried Exhibition for Lake County Artists, Grayslake, IL
Go Figure, Figurative Works on Paper, Chicago Printmakers Collaborative, Chicago, IL
SELECTED COLLECTIONS
The Re-Birth of Venus, Temporary Loan, Fort Wayne Museum of Art
Arkansas Art Center, Little Rock, AR
College of Lake County, Greyslake, IL
Flashpoint Academy, Chicago IL
John Robert Wiltgen Design
Shoemaker Ruud Collection
Julie & Thomas Danilek
Michael Vozzella and Mike Silver
Benjamin Fernandez
Tom Braake
Betsy Colburn
Michael Diemand & Lor LaRose
Michael Staab & Kathy Brock
Bruce Leep
Frank Tzurect
Mary Foley
Rosalyn Carlson
Mimmy Turney
Janet Long Halstead
Billy Hunt
Carol Galli
Myles Kerrigan
Honorable & Mrs. Edwin Berman
Theodore Gage
Northrop Art Museum
Past Present & Future Company
Dr. James & Peggy Kemmler
Salvatore Monastero
Nix & Virginia Lauridsen
Joel Miller
David & Marlene Zerkel
Ann & Andy Abel
Claudia Rush
Marc Miller
Leonard Goldberg
Lawrence Pucci
Howard Tullman Collection
Susan & Manny Kramer
James Rinnert
Richar Interiors
Michael & Nancy Colt
Khalid Altijir
Dr. Joe Grodman
Beryl & Jack Gore
Larry Wolf & Eric Naegle
Chuck Wolandi
Jack Schwab & David Sandelin
Thomas Kaczmarek
Marti Dinerstein
Craig & Michael Golden
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SELECTED PUBLICATIONS
Bruno Surdo: The Method Artist Responds, by Lucia Mauro, June 26, 2014, anitathemovie blog
An Exhibition of Exhibitionism: Bruno Surdo’s ‘Respond’, by Carrie McGath, July 1, 2014, The Chicagoist Website, Arts and Entertainment
“Inspired Environs: A renowned designer decks out his Loop abode in art and texture” Modern Luxury, Men’s Book, Spring 2014
“Master Class” What’z Up Magazine, Fort Wayne, 2011
”9/11 Painting will be on Display” Fort Wayne Journal Gazette, 2011
“Illuminated Images” Fort Wayne Reader, 2011
“Two Faces of Beauty” American Art Collector Magazine, Issue #3 and #59, 2006/2010
“Art and Calamity” Art Papers, 2009
“Versions of the Present, Techniques of the Past” American Artist Magazine, 2004
“Living Artists” Crow Book Publishing, Chicago, IL 2004
“The New Master” by Craig Keller, Chicago Social Magazine, 2004.
“Tragedy, Memory, and Honor,” by William Hageman, Chicago Tribune, March 28, 2002
“Mural Depicts Tragedy of 9/11” Art Section, Chicago Sun Times, 2002
Review by Dennis Raverty, Art Papers Magazine, July 2001
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