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Mougenot NatalyaContemporary semi-abstract portrait of women acrylic painting on paper2024
2024
About the Item
The painting, titled "Two Halves and One Soul", is part of Natalya Mougenot's series dedicated to exploring the theme of women and the unique, supportive connections they share.
This series delves into the profound bond between women, rooted in mutual understanding and strength. In this artwork, two figures are depicted seated with their backs to the viewer, positioned against a vibrant landscape.
The figures can be interpreted as sisters, friends, or a mother and daughter, all of whom share a special, intimate moment together. They are shown enjoying a peaceful time by the sea, sitting on the beach and basking in the serene atmosphere.
The central focus of the piece is the flowing hair of the figures, painted with bold, expressive strokes blending shades of brown and black. Their attire, accented in pink, contrasts beautifully with the golden yellow field extending into a dynamic horizon. In the background, deep green mountains anchor the scene beneath a turbulent turquoise sky, adding depth and movement.
Through a combination of abstraction and realism, Mougenot emphasizes form and color over intricate detail. The painting evokes a sense of curiosity and a connection to nature, encouraging viewers to reflect on the narrative beyond the canvas. Its distinctive composition, paired with a vibrant color palette, offers an engaging exploration of perspective, emotion, and the unspoken bond between women.
The piece was vanished with gloss to be protected from dust and fading.
It is sold unframed: you are welcome to frame it according to your taste and interior.
The photos of the artwork framed in the interior are for your inspiration.
The artwork was created by the artist in her studio in Lyon, France, in 2024. It will be carefully packed and shipped from France to your place ( international delivery).
It is a unique original piece which will be delivered with the Certificate of Authenticity.
- Creator:Mougenot Natalya (1981, French)
- Creation Year:2024
- Dimensions:Height: 25.6 in (65 cm)Width: 19.69 in (50 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:VÉNISSIEUX, FR
- Reference Number:1stDibs: LU2490215546872
Natalya Mougenot id a french artist living in France for more than 20 years. She was born and grew up in Kazakhstan, the country known for its spacious steppes. She arrived in France 2003. Since that moment she loves her adoptive country. She started painting in 2017 and used it as a therapeutic and emotional release during times of crisis. She incorporates this therapeutic approach in her artistic creative process till now. In her artistic practice she refers to the terms of metamodernism, which proposes to look at the world from the position of the inner adult. As an artist and as a woman she translates the experience of her personal search for balance based on harmony between mind, soul and body. This balance, in her opinion, is the pillar for the inner adult. Important components of her work are authenticity, soulfulness, sincerity, emotionality and honesty. She immerses the objects and the characters in the world where there is no falsity, rudeness, loneliness and indifference. She works rapidly and is constantly sensitive to the details. Her artistic process is a fine balance between a pre-meditation and spontantainty which helps her to create her expressive atmospheric artworks with a modern touch of impressionism by cultivating a naive art approach. Natalya manipulates different mediums without a preconceived plan since she is guided by what she wants to express at the moment by embracing the quality of my materials. She does not deny that her artworks reflect her intuitive approach and her love for vibrant colors which represent her who she is. Natalya says she is never able to create the same piece more than once. Sometimes she paints from photos or images. Sometimes she paints from memory. She tells to herself : "Just be yourself when you create ".
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