Leonid VAICHILIA

"Bridge over the brook"Woman, Countryside, Green Oil cm.43 x 51 1972

1972

Georgij Moroz pittore Ucraino nato nel 1937 morto nel 2015 Luminosa opera sui rosa ,rose selvatiche Moroz è famoso per la sua pittura luminosa e materica

Winter, Snow, Mountain, Cold, White Label on the back Galleria Pirra Torino Published in a monographic catalogue Georgij MOROZ (Dneprodzerzinsk, Ucraina, 1937 - St. Petersburg, 201...

Lilac,Spring,Flowers,Violet,Pink,Russia,impressionist Published in a monographic catalogue Georgij MOROZ (Dneprodzerzinsk, Ucraina, 1937 - St. Petersburg, 2015) 1937: he was born ...

Winter, Snow, Mountain, Cold, White,Purple, lilac Label on the back Galleria Pirra Torino Published in a monographic catalogue Georgij MOROZ (Dneprodzerzinsk, Ucraina, 1937 - St. P...

"Two of us" is a painting by the Bulgarian artist painter Maestro Eleonora Droumeva. About the artwork: TECHNIQUE: oil painting STYLE: Impressionist, Contemporary Edition : Unique...

Wonderful Impressionist scene from Sweden Painted with a great deal of care this scene is of an outside cafe scene with figures in an extensive landscape and town. The artist was...

Signed oil on board landscape circa 1950 by popular French impressionist painter Alexandre Louis Jacob. The piece depicts a view of a marsh water mill. The yellow glow of the low Nov...

Signed and titled oil on board nude circa 1905 by Belgian neo-impressionist painter Georges Lemmen. The work titled 'Reverie' depicts a red-haired lady who is kneeling down and resting her head on her arm. Signature: Signed lower right and titled on original artist's label verso Dimensions: Framed: 16"x19" Unframed: 10"x13" Provenance: Original artists label verso for Georges Lemmen at 96 Avenue Coghen , Brussels Private collection - Brussels Georges Lemmen was the son of an architect and studied under Amédée Bourson at the academy in St Joost-ten-Node. He was invited in 1889 to join the Group of Twenty ( Cercle des XX) which had been launched in 1884 by Oscar Maus and had in the interim emerged as an influential force in Belgian artistic circles, not least by bringing to public and critical attention the work of such artists as Georges Seurat and Paul Signac. The Cercle des XX would be reborn in 1894 as La Libre Esthétique. In the early days of the Cercle des XX, Lemmen espoused a pointilliste technique. His earlier painting was clearly influenced by the Neo-Impressionists; over time, however, his style became more subtle and nuanced - recalling, perhaps, that of his compatriot Van Rysselberghe, another Cercle des XX member. With the group's rebirth as the Libre Esthétique, Lemmen's work became more intimiste in character, most notably in his portraits, nudes and still-lifes, where the influence of Bonnard and Vuillard is unmistakable, as is that of Renoir, particularly after Lemmen's travels in the Midi in 1911. From this point onwards, he would go on to make a major contribution to the renewal of the graphic and decorative arts in terms of his input to the new 'free' aesthetic and to Art Nouveau. Although his draughtsmanship retained its essential purity and elegance of line, his painting became more fleshy, imprecise and sensual, his compositions governed less by technical considerations than by the urgent need to express his emotions. Between 1889 and 1893, Lemmen exhibited at the Salon des Indépendants in Paris, aligning himself with the Neo-Impressionists. In 1893, Henry van de Velde invited him to participate in the Pour l'Art association that had been created in Antwerp. He travelled to the south of France in 1911. By this juncture, he had already exhibited solo on two occasions (in 1906 and 1908) at the Galerie Druet in Paris. A further solo exhibition in 1913, his first in Brussels, cemented Lemmen's reputation. Museum and Gallery Holdings: Bremen (Kunsthalle): Standing Nude Combing her Hair Brussels (Mus. royaux des Beaux-Arts de Belgique): Children's Room (watercolour); Reading; Couture; Young Girl by the Sea...