Herbert Morton Stoops

Film Noir Curse of the Golden Cross Magazine - Golden Age of Illustration

1925

A somewhat similar Cornwell featuring a strong woman at the center of a the composition just sold at Christie's for $164,000. In this work we also see a strong woman at the center of the composition. Here she surrounded by men. More than 20 beautifully rendered post-impressionist portraits in character, define Dean Cornwell as one of America's great artists. In his time, he was a famous as Norman Rockwell and was Norman Rockwell's favorite illustrator. "One thing puzzled Dirty Dan extremely. That was the perfectly frank, friendly manner in which his employer and this outcast woman greeted each other, the earnestness with which they conversed, and the effect of the woman's low-spoken words upon the color of Hector McKaye's face." Morris Weiss collection...

This painting is as much about the artist's brilliant painting skills and technique as it is about the subject matter. Sundblom's quick bravura brush strokes seem abstract on close i...

Female Illustrator of the Golden Age, Ruth Mary Hallock, paints a sensitive, heartwarming portrait of Mother and Child in a post-impressionist style. Richly saturated hues and gestur...

Bernie Fuchs's painting "Fauve Portrait of Two Women in Blue with Red Abanicos" captures a festive scene of three Spanish women in traditional dress at...

Rare Judaica Art. Jewish genre scene. In the tradition of Moritz Oppenheim, Isidor Kauffman and Maurycy Gottlieb and later of Tully Filmus, Zalman Kle...

Ozer Shabat 1978-1901 Ozer Shabbat was an Israeli painter, a resident of Haifa. Belonged to the Palestine Expressionist group of the late 1920s and early 1930s. Shabbat was born in Wolbrom, Poland. At the end of the First World War he went to Holland for agricultural training in the framework of the HeChalutz movement, prior to his immigration to Palestine. In 1920 he immigrated to Eretz Israel and joined the Hulda group. Later he joined the Merhavia group and there he began painting. Because of his desire to study drawing, he left the group and moved to Jerusalem. In 1921, he wrote articles in the newspaper "HaSadeh" on the subject of agriculture and Dutch cheese. Ozer Shabath won the first prize in a competition for the design of the Dutch Consulate's Garden in Jerusalem, enabling him to travel to Paris in 1923 to study painting. Until 1925 he studied painting at the Grande Chaumiere Academy in Paris. This year he returned to Eretz Israel and settled in Haifa, where he lived until his death. In 1928 he participated for the first time in an exhibition of Eretz Israel artists at the Tower of David. Since then he has participated in all the general exhibitions of Israeli artists. In 1934, together with painters Menachem Shemi, Avraham Mohar, Zvi Meirovitch and others, he founded the Haifa Artists' Group. In 1935-36 he toured Europe and visited Italy, France and England. During his visit, he maintained contacts with artists from the Jewish school of Paris. He has exhibited in several solo exhibitions, represented Israel in exhibitions in Europe and participated in international exhibitions in New York, Johannesburg and Zurich. In 1958 he represented Israel in the Venice Biennale. In 1960, Shabat, together with Elchanan Halpern he represented the Israeli Painters Association at the International Congress of Plastic Arts held in Vienna, Austria . In the 40s and 50s he focused on landscape pictures. However, despite the focus on the Israeli landscape, the approach is universal in the framework of the post-Impressionist painting school. In the 1960s, his approach changed and he turned more to abstraction. The abstract direction gradually evolved. The point of departure of the abstract approach is the architectural landscape, but this view loses its real character and becomes only imaginary: the buildings lose their real character and turn into exclusive geometric areas that are usually set against a dark background. Over time, architecture captured the lion's share of his paintings. Cities like Safed, Jaffa and Jerusalem are the subject of many pictures. He taught painting and art at the schools of the kibbutzim in Ramat Yochanan and Kfar Yehoshua, in high schools in Haifa and in the IDF and Gordon seminars. His paintings were purchased and are in the permanent collection of the Bezalel National Museum (now the Israel Museum), Haifa Museum of Art, Haifa Maritime Museum, Acre Municipal Museum. Select Solo exhibitions 1936 - Nadler Gallery, Haifa. 1943 - The Tel Aviv Museum of Art. 1952 - Artists House, Haifa. 1953 - Bezalel House, Jerusalem. 1955 - Gallery in Geneva, Switzerland. 1955 - The Writers' Club, Haifa. 1959 - Artists House, Haifa. 1960 - Museum of Modern Art, Haifa. 1962 - Museum of Modern Art, Haifa. 1963 - Gallery 220, Tel Aviv. 1968 - The Municipal Museum of Beit Emanuel, Ramat Gan. 1979 - Memorial exhibition marking the first anniversary...

Signed lower left "Di Gesu" for Victor Di Gesu (American, 1914-1988) and dated 1954. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art Center and the Chouinard Art School before moving to Paris where he studied with Andre L’Hote...

Suchitra Bhosle's "Wading Aquamarine" is an original, hand made oil painting that depicts a feminine model kneeling in a white dress at the water's edge. About the Artist: Suchitra...