Henri Valton

Military Portrait - Oil Painting by Henri Valton - 1850 ca.

1850 ca.

Cardinal with missive is an original old master artwork realized in the 17th Century. Mixed colored oil painting on canvas. Provenance: Italy. Avery precoius artwork depicting a ca...

Oil on wooden panel realized by Fausta Settimj in 1930s. Good condition except for some minor missing parts on edges.

Oil on canvas mounted on cardboard. Very good condition.

Oil painting on Board realized by Balla as portrait of his second daughter Elica. A beautiful, top quality portrait among the most beautiful of his figurative painting. It includes an original contemporary wooden frame designed and colored by Balla himself (he used to often produce himself the frames for his works). Signed on top left "BALLA" in capital letters. Giacomo Balla (Turin, 1871 - Rome, 1958) Giacomo Balla was born in Turin in 1871. Since he was a young boy, when he begins to attend the Albertina Academy, he dedicates his studies to the violin and painting. His first artistic accomplishment dates back to 1894, a self-portrait. In 1895 Balla moves to Rome with his mother and then in 1900 he moves to Paris for several months. His early years as a painter indicate an interest in the divisionist paintings of Pellizza da Volpedo...

18th century, antique painting, oil on canvas, old master. Mother with child. Relined canvas. Stretcher frame also renewed. Artist unknown.

This striking devotional image, painted by a follower of Jan Gossaert, represents one of the most influential compositions of the Northern Renaissance: Christ on the Cold Stone, or C...

This beautiful Italian 18th Century old masters oil painting on oval canvas with giltwood frame is attributed to Solimena and features a religious scene. In this splendid oval-shaped painting are depicted Saint Dominic...

Provenance: with Leo Blumenreich and Julius Böhler, Munich, 1924 Dr. Frederic Goldstein Oppenheimer (1881-1963), San Antonio, Texas; by whom given to: Abraham M. Adler, New York, until 1985; thence by descent to the present owners While old inscriptions on the verso of this panel propose its author to be Hans Holbein and the sitter Sir John More—a lawyer, judge, and the father of Sir Thomas More—this fine portrait has long been recognized to be by a Flemish hand. Max Friedländer gave the painting to Bernard van Orley (1487/1491 – 1541) in 1924, but did not include it in the volume dedicated to the artist in his Early Netherlandish Paintings...