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Henri Ottmann'Equestrienne', Salon d’Automne, Musée du Luxembourg, French Post-ImpressionismCirca 1915
Circa 1915
About the Item
Signed lower right, 'Henry Ottmann' (French, 1877-1927) and created circa 1915.
An elegant pencil and ink-wash drawing showing two women conversing, one seated side-saddle on horse and the second framed in a window. This unusual and intimate figural scene which shows this French Post-Impressionist at the height of his expressive powers.
Born in 1877 in the Loire Valley, Henri Ottmann first exhibited in the Salon de la Libre Esthétique in Brussels in 1904 and, from 1905, at the Salon d’Automne, the Société Nationale des Beaux-Arts and the Salon des Tuileries among other Parisian Salons.
Benezit, which also gives a signature sample, calls Ottmann “…a delicate expressionist colorist filled with sensitivity…” Ottmann’s cityscapes of Paris, still-lives and figural works are all composed with a subtle elegance and painted in a dramatic, yet refined, palette. Henri Ottmann exhibited widely and with success and his work is held in the permanent collections of numerous national museums including the Musée du Luxembourg (Paris), La Courtisane Endormie; and the Musée d'Art Moderne de la ville (Paris), Le Pont de Meulan. Benezit further observes “…(Ottmann) became, and remains, a charming painter of women. It is in his nudes that he finds his most perfect expression.”
Reference:
Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, Vol. 10, p. 447; Thieme-Becker, Allgemeines Lexikon der Bildenden Kunstler, Vol. 26, p. 90; Davenport’s Art Reference Guide, 2007/8 Edition, p. 1780; et al.
- Creator:Henri Ottmann (1877-1927, French)
- Creation Year:Circa 1915
- Dimensions:Height: 14.5 in (36.83 cm)Width: 10 in (25.4 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:age-toning, minor stains, minor foxing, minor restoration; shows well.
- Gallery Location:Santa Cruz, CA
- Reference Number:1stDibs: LU34415207382
Henri Ottmann
Henry Ottmann was born on 10 April 1877 in Ancenis. He made his debut at the Salon La Libre Esthétique in Brussels in 1904 and took part in the Salon des Indépendants in Paris from 1905, the Salon d'Automne, the Salon de la Société Nationale des Beaux-Arts and the Salon des Tuileries.
In 1911 and 1912, Ottmann exhibited at the Artistes de la Société Moderne at the Gallery Paul Durand-Ruel together with Armand Guillaumin, Henri Lebasque and others. In 1912, he exhibited at the gallery Eugène Druet.
In 1920, Ottmann exhibited at the gallery Marcel Bernheim together with Manguin, Tirman, Alexandre-Paul Canu and others.
In 1922, he exhibited at the Exposition du Cercle Artistique de Bruxelles together with those of Paul-Albert Besnard, Pierre Bonnard, Raoul Dufy, Othon Friesz, Charles Guérin, André Lhote, Henri Matisse, Paul Signac, Maurice de Vlaminck and others.
In 1926, Ottmann exhibited at the gallery L.Dru (Paris) and at the Parisian gallery La Palette Française and in March 1927 in the gallery Armand Drouand.
He died in Vernon on 1 June 1927 after a car accident.
The Museum of Fine Arts in Nantes has a dozen paintings by the painter, including L'Étal Marseillais, L'Erdre at the bridge of Orleans and Portrait of the artist . The painting La Gare du Luxembourg à Bruxelles is now exhibited at the Musée d'Orsay in Paris.
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