Gustavo Ubeda

Surrealist cubism acrylic on board painting picassian

c.1975

Artist: Gustavo Úbeda Romero (Herencia, Ciudad Real, Spain, 1930 – São Paulo, Brazil, 1994) Title: Homage to Picasso Medium: Acrylic on tablex Style: Abstract Figurative with Pica...

Josep Coll Bardolet (1912-2007) - Musicians and dancers Mallorca - Oil on panel Oil measurements 33x41 cm. Frame measurements 44x52 cm.

Title: Untitled Artist: Isabel Baquedano (1929–2018) Medium: Oil on canvas mounted on board Dimensions: 44.9 x 44.9 in (114 x 114 cm) Estimated date: 1970s–1980s Signature: Not ...

Artist: Nerea Caos Title: The Woman Who Smiles Without Reason Year: 2025 Technique: Oil on canvas Dimensions: 19.7 x 15.7 in (50 x 40 cm) Framing: Unframed Style: Abstract Expression...

David Hare Summer Land, 1970 Acrylic or oil paint and collage on board Dimensions: 26 X 36 inches. Framed measuring 29 x 38 inches. Hand signed, dated and titled on tape to verso 'Summer Land 1970 Hare'. Provenance: Hamilton Gallery of Contemporary Art, New York David Hare (1917 – 1992) was an American artist, associated with the Surrealist movement. He is primarily known for his sculpture, though he also worked extensively in photography and oil painting. The VVV Surrealism Magazine was first published and edited by Hare in 1942. Born March 10, 1917 in New York City, New York to father Meredith Hare, a lawyer and mother Elizabeth Sage Goodwin, an art collector. In the 1920s the family moved first to Santa Fe, New Mexico and later to Colorado Springs, Colorado, in hope that the fresh air would help heal Meredith Hare's tuberculosis. His mother founded the Fountain Valley School, where David attended high school. After high school Hare married and moved to Roxbury, Connecticut where he worked as a color photographer. He attended Bard College in Annandale-on-Hudson from 1936 to 1937, studying biology and chemistry. In the late 1930s, with no previous artistic training, he began to experiment with color photography. Using his previous education in chemistry Hare developed an automatist technique called "heatage" in which he heated the unfixed negative from an 8 by 10-inch plate, causing the image to ripple and distort. Hare's Surrealist experiments in photography were only one of his many projects. In 1938 he met Susanna Winslow Wilson and the couple soon married. Both David and Susanna pursued their interests in Surrealism and regularly attended Surrealist gatherings in New York Larre French restaurant on 56th street and at Breton's Greenwich Village apartment. In 1940 he received a commission from the American Museum of Natural History to document the Pueblo Indians of the American Southwest, for which he eventually produced 20 prints developed using Eastman Kodak's then-new dye transfer process (a time-consuming and complicated technique). In the same year, he also opened his own commercial photography studio in New York City and exhibited his photographs in a solo show at the Julien Levy Gallery. In the next few years, through his cousin the painter Kay Sage, he came into contact with a number of Surrealist artists who had fled their native Europe because of World War II. Hare became closely involved with the émigré Surrealist movement and collaborated closely with them on projects such as the Surrealist journal VVV, which he co founded and edited from 1941 to 1944 with André Breton, Max Ernst, and Marcel Duchamp. With numerous illustrations by Breton, Leonora Carrington, Marc Chagall, Roberto Matta, Giorgio de Chirico, MarcelDuchamp, Max Ernst, Andre Masson, Joan Miro, Enrico Donati, Dorothea Tanning, and others. Published in only four issues between 1942-44, VVV was an experimental New York-based magazine devoted to the dissemination of Surrealism. Edited by David Hare, the short-lived magazine featured contributions from some of the leading avant-garde artists of the period. David and Susanna divorce in 1945 and Breton’s wife Jacqueline Lamba...

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative takes the audience on a journey into the imagination. In October 2023 Isabel won the Evelyn Williams Drawing Award at the Trinity Buoy Wharf Drawing Prize. Known as the UK’s most prestigious annual open exhibition for drawing; part of the prize is a solo show at Hastings Contemporary, scheduled for 2024. Whilst Isabel always has a tale to tell for each of her images, you may or may not choose to go on the journey with her or you may indeed have a different story, one of your own that jumps off the page at you, that that you decide to follow. Artwork Details: Water, 122 x 152cm, Collaged woodblock print, acrylic inks on Somerset satin paper, 2023 Artwork Provenance: from the Artist Studio photo credits, Isabel working, black and white shots, James Brown In Isabel's own words: Water; Once upon a time there was water. It fell from the sky in clear blue droplets. It made pools and puddles on the ground. The water tasted sweet and pure, it was good to drink, to make soup, to swim in or to wash in. It made the plants and trees grow big and luscious, it was the lifeblood of everything.. Everybody loved water and no one ever questioned where it came from or that one day the rain might stop and there would be no water.  The water women went about their usual business, they made soup, they grew cabbages, they argued and laughed together. The well was always full, there was food aplenty, life thrived. It is sometimes said that ignorance is bliss, and the women did live in bliss although they did not know it. They did not know that one day the rain would stop. It was only when the rain stopped that they knew they had lived in bliss. *Please note we are happy to ship this work rolled in an art tube. Whilst the work is on heavy duty art paper and mixed media, the artist is happy that the painting will be fine rolled in a tube. This is a more cost effective and environmentally sound method of shipping. Shipping via this method is free. About Isabel Rock and her work: Taking inspiration from Japanese woodblock prints and Indian miniature painting Rock has developed a unique collage technique that combines bold structures with large-scale woodblock prints and intricate detailing. The subject is a grand mixture of humour, drama, hidden morals, fanciful characters, modern culture, mythical beings and fantastical situations. Rock creates a world that pulls you in and demands your attention. Quality of line is paramount, the drawings are created using a dipping pen and acrylic ink. An essential tool is a squirrel...

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative take...

Mohamad Khayata’s original figurative artworks are the result of five years of displacement and deal with themes of migration, memory, and identity. Mohamad’s paintings convey an array of emotions, ranging from bliss and comfort to tension and uncertainty. Many of his paintings portray a sense of transience, which is all the more palpable when considering that Khayata's intimate work is a tribute to displaced people and to their daily life stories that, far from familiar surroundings, are filled with effort and hope. Khayata created this original painting with acrylic on canvas. It is 47 inches high by 39 inches wide. It is signed by the artist on the back of the canvas. This painting is stretched, wired, and ready to hang. Free local Los Angeles area delivery. Affordable Continental U.S. and worldwide shipping. A certificate of authenticity issued by the art gallery is included with this original work. Born in Damascus, Syria, artist Mohamad Khayata was forced to flee his home country due to ongoing political conflict. Khayata’s has been living in Beirut, Lebanon since 2012. His work is a resounding call for transformation and unity within his home country. His photography project "Stitching my Syria back" was chosen to be part of Journeys Festival International 2016 as a landmark for the “Look up” project in Leicester, where his photographs were installed on ten buildings. In the last five years, Khayata also participated in ten collective exhibitions across Europe and the Middle East. Holding his BA in Fine Arts obtained at Damascus University, Khayata is a bastion of Syrian legacy, memory, home, and happiness. REPRESENTATION Artplex Gallery Los Angeles, California, USA EXHIBITIONS 2020-23 Artplex Gallery, Los Angeles 2019 “Nota Bene,” Artplex Gallery Los Angeles, California 2018 “Takhalli,” 4th edition of the Laboratory of Arts Programme, partnership with The Goethe Institute, City of Beirut, Lebanon Beirut Art Fair, 392RMEIL393 Gallery, Beirut, Lebanon “Umm Al-Zuluf,” 392RMEIL393 Gallery, Beirut, Lebanon “Aegean Sea,” 392RMEIL393 Gallery, Beirut, Lebanon 2017 “Umm Al-Zuluf,” 392RMEIL393 Gallery, Beirut, Lebanon Beirut Art Fair, Beirut, Lebanon Sharjah Art Bienalle, SAFIR “Stitching My Syria Back Together,” The Alexandria Library, Manchester, UK 2016 “Revealing,” Beirut Art Fair, Gallery One Palestine, Beirut, Lebanon Journeys Festival International 2016 TA’AROF workshop, Sharjah Art Bienalle, SAFIR “Look Up,” Project in Leicester Inside Beirut, The Gallerist, Beirut, Lebanon “The Third Space,” British Council in London and Brussels, UK 2015 “Walking on Thread...