Giacomo Piussi

Twins On A Beach, Florence, Italy, 2021

2021

ABOUT Born in 1967, Piussi was raised in Florence where he studied at the Istituto d’arte, majoring in sculpture and painting and completing his artistic education at Milano’s Brera Art Academy. He lives in Florence, pursuing painting, bas-reliefs in terracotta and in bronze, and bronze sculpture. Piussi presents an ideal, almost childlike world which can be found below everyday events, a step outside the flow of time, yet still a part of contemporary life, with a nod to Alex Katz and David Hockney. The drama, or lack thereof, is played out in simplified, almost abstract spaces. Pure in intent, Piussi’s oeuvre are inspired by the Early Renaissance. Snapshot images of a world reduced to its essence, the apparently comic-book style has echoes of Giotto, Paolo Uccello, of medieval illuminations. Rather than mimicking the appearance of nature, Piussi reaches for its essence, without distracting details. Women stand on the shore of quintessentially peaceful seas...

ABOUT Born in 1967, Piussi was raised in Florence where he studied at the Istituto d’arte, majoring in sculpture and painting and completing his artistic education at Milano’s Brera ...

ABOUT Born in 1967, Piussi was raised in Florence where he studied at the Istituto d’arte, majoring in sculpture and painting and completing his artistic education at Milano’s Brera ...

ABOUT Born in 1967, Piussi was raised in Florence where he studied at the Istituto d’arte, majoring in sculpture and painting and completing his artistic education at Milano’s Brera Art Academy. He lives in Florence, pursuing painting, bas-reliefs in terracotta and in bronze, and bronze sculpture. Piussi presents an ideal, almost childlike world which can be found below everyday events, a step outside the flow of time, yet still a part of contemporary life, with a nod to Alex Katz and David Hockney. The drama, or lack thereof, is played out in simplified, almost abstract spaces. Pure in intent, Piussi’s oeuvre are inspired by the Early Renaissance. Snapshot images of a world reduced to its essence, the apparently comic-book style has echoes of Giotto, Paolo Uccello, of medieval illuminations. Rather than mimicking the appearance of nature, Piussi reaches for its essence, without distracting details. Women stand on the shore of quintessentially peaceful seas, self-contained, at ease, unwitting replicas of classical goddesses - a proud diver echoes Neptune holding a trident. “Queen Kong...

A. Laurenti has been exhibiting since 1984 universal, visionary and contemporary paintings. His images bring back to us through his colors, landscapes and personalities that have exi...

Sporting a skull cap and a multitude of colorful tattoos, artist Bruno Surdo has painted this self portrait posed as a biker with a puzzled look . As the titled indicates, a storm i...

Tracy Stuckey received his BFA in painting from Florida State University and his MFA from the University of New Mexico. He has exhibited his work extensively throughout the United States, with numerous solo and group exhibitions, including shows curated by gallery owner Linda Durham and artist Joel Peter Witkin. He has been the recipient of numerous grants and awards, most recently the Professional Development Grant from the West Virginia Division of Culture and History. In 2009 he was an artist-in-residence at the Center for Land Use Interpretation in Wendover, Utah. Also a professor, Stuckey has taught at West Virginia University, and most recently, Colorado State University. Tracy and his wife, artist Erika Osborne, live in Fort Collins, Colorado. ARTIST STATEMENT My paintings operate in a fictitious world that utilizes the mythologies and realities of the modern American West. Because of its unique history, the Western United States is more than just a location; it is a label, a persona and most importantly a cultural identity. The word "Western" is a category; it is used to describe films, literature, music, art, and fashion. In my work I use the cowboy and cowgirl and other stereotypical Western themes coupled with pop cultural depictions of the region to reflect my own interpretations of the contemporary West. I am interested in historian Michael Johnson...

Victor Wang's subject is a female seemingly caught in a contemplative moment yet a war rages behind her. She dons a hat shaped as a boat and carries and oar as if to "Dream Away" these other thoughts. Wang uses a blend of luminous colors and buttery textures to evoke these enigmatic moments of meditation. Influence by the Renaissance Masters Titian and Rembrandt for their glazing and layering techniques respectively, the artist builds the surface using heavy paint, swirling and mixing the color on the canvas. The end result is a poetic and emotionally powerful representation of the human form. Victor Wang Dreaming Away, 2017 oil on canvas 42h x 56w in 106.68h x 142.24w cm VWG009 My path through life has been adventurous, exciting, and dream-like. My experience of settling into America in search of better opportunities has been both challenging and inspiring. I use the human face as a vehicle to paint human experiences - worry and wonder, sadness and pleasure - which reflect the emotional stage directly tied to my immigration experiences. I grew up amongst the sunflower fields in northern China. In my childhood years, I played under the bright, yellow sunflowers with my brothers everyday. China’s Cultural Revolution played an important part in my life. During that time, sunflowers were used as political allegories to depict how citizens of China should follow Mao who represented the sun, since sunflowers follow the sun’s movements. People eventually inferred the deception that this symbol masked. After graduating from high school, I was sent to a labor camp in the country for ‘reeducation’ during China’s Cultural Revolution. There, I was subject to grueling farm work. Often, I worked in corn and sunflower fields from sunrise to sunset. Thus, for me, sunflowers evoke both personal joy and sadness. Therefore, to deliver my complex feelings, I use sunflowers as a metaphor to connote my background and emotional stage. My incorporation of collages of figures from China’s Tang Dynasty represents my Chinese heritage and is a constant reminder of where I came from. The texture and earthiness on the canvas’s surface are inspired by the texture of the soil on the farm where I worked in China. Although I often gain great pleasure from the process of painting, it is most important to unfold expressively those feelings within myself. Wang belongs to a generation of immigrant painters from China, whose artistic background was defined by socialist realism but took advantage of their skills and broke away from that tradition to create new subjects in the U.S. “When I was a student during Cultural Revolution, Soviet realism art was among the dominant source of influence and it grabbed us like lightening rod...