Claire Denarie-Soffietti

French Contemporary Art by Claire Denarie-Sofietti - Samsara

2021

Mixed composition on canvas Shin Seung-Hun is a South-Korean artist born in 1979 who lives & works in Jeju Island, Korea. He is considered by critics as the new Korean Takashi Murak...

Mixed media on canvas Helen Warner is a British artist born in 1978 who lives and works in Southampton, UK. She studied Art, Sport Studies and Human Biology at college and being a p...

Acrylic & mixed media on canvas Liubov Juravliova is a French painter born in Chisinau, Moldova in 1963 who lives and works in Argenteuil, near Paris, France She has been listed at ...

Mixed media on canvas Danielle Launay is a French artist born in 1954 who lives and works in Paris, France. She started to work in the world of photography by working for L’Oréal as...

"Because of Amani" is an elegant example of contemporary Abstract Expressionism by San Jose-based artist Helen Bellaver. This work has a subtle background with faded stripes in pale ...

Diptych Her inspiration is the small, often unnoticed details which make up everyday life: Chimney smoke, burnished gold, patterns under peeling paint, broken stairs leading nowhere...

Victor Wang's highly textured paintings involve thick layers of paint over collaged images from the Tang Dynasty. In "Let Her Go", the foreground shows a modern female figure sitting upon the side of a boat which gives the impression she is wearing wings and about to take flight. Upon closer look, there are various scenes taking place around her in the water - warriors with knives drawn, a jeep in pursuit of some unseen enemy, a cauldron boiling over. Influence by the Renaissance Masters, Titian and Rembrandt for their glazing and layering techniques respectively, the artist builds the surface using heavy paint, swirling and mixing the color on the canvas. The end result is a poetic and emotionally powerful representation of the human form. Victor Wang Let Her Go oil on canvas 48h x 60w in 121.92h x 152.40w cm VWG011 My path through life has been adventurous, exciting, and dream-like. My experience of settling into America in search of better opportunities has been both challenging and inspiring. I use the human face as a vehicle to paint human experiences - worry and wonder, sadness and pleasure - which reflect the emotional stage directly tied to my immigration experiences. I grew up amongst the sunflower fields in northern China. In my childhood years, I played under the bright, yellow sunflowers with my brothers everyday. China’s Cultural Revolution played an important part in my life. During that time, sunflowers were used as political allegories to depict how citizens of China should follow Mao who represented the sun, since sunflowers follow the sun’s movements. People eventually inferred the deception that this symbol masked. After graduating from high school, I was sent to a labor camp in the country for ‘reeducation’ during China’s Cultural Revolution. There, I was subject to grueling farm work. Often, I worked in corn and sunflower fields from sunrise to sunset. Thus, for me, sunflowers evoke both personal joy and sadness. Therefore, to deliver my complex feelings, I use sunflowers as a metaphor to connote my background and emotional stage. My incorporation of collages of figures from China’s Tang Dynasty represents my Chinese heritage and is a constant reminder of where I came from. The texture and earthiness on the canvas’s surface are inspired by the texture of the soil on the farm where I worked in China. Although I often gain great pleasure from the process of painting, it is most important to unfold expressively those feelings within myself. Wang belongs to a generation of immigrant painters from China, whose artistic background was defined by socialist realism but took advantage of their skills and broke away from that tradition to create new subjects in the U.S. “When I was a student during Cultural Revolution, Soviet realism art was among the dominant source of influence and it grabbed us like lightening...

Love hate. 2006, oil on canvas, 120x100 cm Erotic portrait of two women on pink background in BDSM style. Stencil art Kristians Brekte (1981) Educati...