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Anton KushaevUntitled by Anton Kushaev - Surrealist painting, oil and acrylic on canvas, 20222022
2022
About the Item
The Untitled is part of the series "Frame of Sorrows" created by Anton Kushaev for the installation at Voskhod Gallery's showcase in Basel in 2022. This painting was exhibited in the right side of the central window.
In this series the artist explores grief and loss as a pervasive social condition. The surrealistic paintings can be seen as deconstructed icons, where faces are substituted by architectural elements falling apart, foreshadowing an impending end. The installation enhanced the perception thanks to its industrial surroundings: the murals behind the paintings created mystical portals of grief within mechanical world, immersing viewers in irrational anxieties.
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Anton Kushaev, born in. 1983, graduated from an icon painting school, but his main inspiration has always been the visual style of metaphysical paintings and surrealism, what can be seen in paintings (e.g., frequent reference to Dali's crutches). In his artistic practice Anton continuously revises the symbolic systems of the art history, always questioning: "What is an image? How it is related to the inconceivable and where are the boundaries of the language as a structure of knowledge?" His recent solo exhibitions include:
2022 - "Frame of sorrows" / Voskhod Gallery / Basel
2020 - "Barren flower" / Szena gallery / Moscow.
2018 - "You, only after" / Szena gallery / Moscow.
2017 - "Without support" / Elektrozavod gallery / Moscow.
2017 - "Unfit place" / space "Red" / Moscow.
2017 - "Questionable basis" / project START Winzavod / Moscow.
- Creator:Anton Kushaev (1983, Russian)
- Creation Year:2022
- Dimensions:Height: 35.44 in (90 cm)Width: 31.5 in (80 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Basel, CH
- Reference Number:1stDibs: LU1914213303492
Anton Kushaev graduated from Moscow Art College of Applied Arts (2001), The Icon Paintings School of The Moscow Theological Academy (2004), and Moscow Institute of Contemporary Art "BAZA" (2017). In his paintings, Anton centers on the problems of revising symbolic systems in the history of art, the circulation of analog images in the digital age, as well as attempts to demythologize the "spiritual" in art. Kushaev sees the world as dehumanized, and it is unclear whether this is more nostalgic or predictive.
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Accompanied by a Certificate of Authenticity (Issued by the Gallery)
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