Robert McCauley

Collateral Damage

2019

Artist Statement: My interest is in creating a permanent record of the impermanence of our world. In considering the exquisiteness of a moment shared, of a new connection, a new tho...

Enthralled with the lore and spirituality of American Indian cultures, his work often depicts these traditional subjects in nontraditional ways. Hawkins captures the raw sense of ele...

Enthralled with the lore and spirituality of American Indian cultures, his work often depicts these traditional subjects in nontraditional ways. Hawkins captures the raw sense of ele...

Les Thomas' animal paintings tend to play with the relationship between culture and nature. The special encaustic wax finish that he applies, he explains, "may very well pertain to m...

I am always fascinated with human perception - you could say that it is why I became an artist. One of the most elusive qualities of perception, and therefore one of the greatest ch...

The ocean never sleeps. For pelagic species such as Blue Trevally this is especially true. While few have the desire to swim in open water at night, these fish have no choice… the ...

Zebras are one of the most interesting and amusing of African animals. They share the genus Equus with horses and donkeys. In a group it is believed their dizzying stripes confuse prey - or perhaps make them dizzy. An artist's delight, zebras' black and white stripes call out to be painted. Taking it a step further, Carole Garland attempts to confuse the viewer with a "Now you see it, now you don't" look at the zebras standing in a streambed in South Africa. Painted in oil on a 30"x40" wood panel, the wood sides serve as a frame around the painting. Carole Garland graduated from Knox College, Galesburg, Illinois and studied art at the Art Institute of Chicago and the University of the Americas in Mexico City. She has worked privately with Keith Finch and Rick Pekar, taken workshops with numerous plein air painters and was mentored by David Gallup...

"In the world of still life and landscape, conceptual events meet one another – the structural meets the narrative, the small stands in the space of the large, and color has a chance...