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Michael Coleman"Gyrfalcon" LARGEST OF THE FALCONS Exquisite painting1990
1990
About the Item
Michael Coleman
Born 1946
Utah Artist
Image Size: 15.5 x 10
Frame Size: 22 x 16
Medium: Oil on Masonite
Dated 1990
"Gyrfalcon" Largest of the Falcons
Michael Coleman Born 1946
Born and continuing to live in Provo, Utah, Michael Coleman is a prominent Southwestern landscape painter in a traditional style and is much influenced by 19th-century painters Henry Farny, Thomas Moran and George Inness and by 19th and 20th century animal painter, Carl Rungius. Coleman is known for his landscapes of rich colors in a combination of realism and atmospheric styles, often with animals depicted and the suggestion of natural harmony between the artist, the animal, and the wide world of nature.
He grew up fishing and hunting and seemed always to want to be an artist. He majored in fine arts at Brigham Young University and then traveled widely for subject matter.
Coleman paints primarily with gouache on Masonite primed with gesso and then marks out key areas including the horizon line. He works from the top to the bottom of the canvas and adds highlights towards the end.
He has exhibited at the National Academy of Western Art and at Kennedy Galleries in New York. In 1978, he was given his first retrospective at the Buffalo Bill Historical Center at the age of 32, and in 1999, he won the Prix de West Award at the National Cowboy Hall of Fame for his bronze of a moose titled "September 39." The work will join the permanent collection of the Hall of Fame. He has also exhibited with the National Park Academy in their exhibitions called "Arts for the Parks", intended to direct artists back to landscape painting of western national parks. In 1987, he was in the "Arts for the Parks" inaugural exhibition with his entry "Yellowstone Park".
- Creator:Michael Coleman (1946, American)
- Creation Year:1990
- Dimensions:Height: 15.5 in (39.37 cm)Width: 10 in (25.4 cm)Depth: 3 in (7.62 cm)
- More Editions & Sizes:Image Size: 15.5 x 10 Frame Size: 22 x 16Price: $3,900
- Medium:
- Movement & Style:
- Period:
- Framing:Frame IncludedFraming Options Available
- Condition:Please visit my 1stdibs storefront for other great paintings, sculptures, pottery, Silver Parade Saddle and more!!! Michael Coleman Born 1946.
- Gallery Location:San Antonio, TX
- Reference Number:1stDibs: LU769315419702
Michael Coleman
Michael Coleman (b. 1946) born and continuing to live in Provo, Utah, Michael Coleman is a prominent Southwestern landscape painter in a traditional style and is much influenced by 19th-century painters Henry Farny, Thomas Moran and George Inness and by 19th and 20th century animal painter, Carl Rungius. Coleman is known for his landscapes of rich colors in a combination of realism and atmospheric styles, often with animals depicted and the suggestion of natural harmony between the artist, the animal, and the wide world of nature.
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Michael Coleman
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Image Size: 15.5 x 10
Frame Size: 22 x 16
Medium: Oil on Masonite
Dated 1990
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Image Size: 36 x 28
Frame Size: 42.5 x 34.5 Newcomb Macklin Frame.
Medium: Oil
Dated 1889
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Edward Chalmers Leavitt (1842 - 1904)
Edward Chalmers Leavitt, artist, was born in Providence, Rhode Island, March 9, 1842, the son of Rev. Jonathan and Charlotte Esther (Stearns) Leavitt. His paternal ancestor was John Leavitt, who came to Massachusetts Bay in the first ship and settled in Hingham. On the maternal side, he is descended from John Alden and Priscilla Mullens, who came to Plymouth in the Mayflower.
Leavitt was educated in private schools in Providence, and at Kimball Union Academy, Meriden, New Hampshire. During the Civil
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He exhibited in the National Academy for several years and has made many successful exhibitions in Providence and Boston. He was a member of the Boston and Providence art clubs, and the Providence Press Club. He was also a member of the Grand Army of the Republic. In politics his proclivities are mainly Republican. He has been twice married: first, May 19, 1877, to Ellen M. Fuller; and second, April 22, 1880, to Elizabeth S. Chace.
Submitted November 2004 by Edward Bentley, Art Collector and Researcher from Lansing, Michigan.
Source is the publication "Men of Progress: Biographical Sketches and Portraits of Leaders in Business and Professional Life from the State of Rhode Island." New England magazine. 1896.
Edward C. Leavitt, born in 1842, has been described as "Providence, Rhode Island's leading still-life painter" in the late 19th Century. (Zellman 324) His teacher, James Morgan Lewin, was a prominent still-life painter in Fall River, Massachusetts, a neighboring town.
Leavitt, a detailed, sharp-focused, realistic painter, was in love with texture and light, and was prolific and successful, painting a variety of still life subjects including flowers, fruit and even fish and dead game animals. His objects, including costly antiques and household decorative items, were often placed on ornamental, gleaming surfaces.
He was a frequent exhibitor at the National Academy of Design in the 1870s and 1890s. The artist, who died in 1904, moved from a position of success and popularity to being ignored for many years until the publication of William H. Gerdts and Russell Burke's American Still-Life Painting in 1971. It is uncertain whether this disastrous loss of respect took place because Leavitt's work declined in quality during the last decade of his life, or because he was a victim of the periodic shifts in taste and fashion that afflict the arts.
Sources:
Michael David Zellman, 300 Years of American Art
Peter Hastings Falk, Editor, Who Was Who in American Art
Biography from Roger King Fine Art
Edward Leavitt was one of the leading still life artists of nineteenth century New England. He lived and worked in Providence, and studied with James Morgan Lewin, a leading painter of the Fall River School, which, in the late 19th Century, was one of the most important centers of still life painting.
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