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Tadeusz Zych
"Bat and Him" Green / Oil Pastel on cardboard / 70 x 50 cm

2013

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Jazz abstraction / Oil pastel / 50 x 70 cm
Located in Kraków, Województwo małopolskie
Memories of a jazz trip around New Orleans, transferred into a work of art in the technique of oil pastels. Expressive abstraction. Framed in Passe-Partout and a beautiful wooden fra...
Category

2010s Abstract Expressionist Abstract Paintings

Materials

Oil Pastel

Depth of Darkness / Oil Pastel on cardboard / 70 x 50 cm
Located in Kraków, Województwo małopolskie
Oil pastel on cardboard "Trees I". A reflective and nostalgic painting painted with white oil pastel on black cardboard. Catalog Number P0040. The painting is framed in a passe-part...
Category

2010s Abstract Expressionist Abstract Paintings

Materials

Oil Pastel

Colorful expression of joy / Oil Pastel on cardboard / 50 x 70 cm
Located in Kraków, Województwo małopolskie
"Colorful expression of joy" from 2013 is a painting full of expression and energy, emanating warmth and inducing well-being. The painting is framed in a passe-partout and a black w...
Category

2010s Abstract Expressionist Abstract Paintings

Materials

Oil Pastel

"Blue" / Abstract painting / Oil Pastel / 59 x 40 cm
Located in Kraków, Województwo małopolskie
One of a series of paintings painted with shades, stronger or weaker light of one color, here blue. The intention of the author is to show different states ...
Category

2010s Abstract Abstract Paintings

Materials

Oil Pastel

"Bat and Him" Blue / Oil Pastel on cardboard / 68 x 48 cm
Located in Kraków, Województwo małopolskie
Oil pastel on cardboard, one of a series of three paintings under the common title "Bat and Him". The images are characterized by a similar scenery, differing only in the color of the background. Catalog Number A0142. The picture is ready to hang. Signed on the front. The painting is accompanied by a certificate of authenticity signed by the author. Tadeusz Zych b. 1968 in Krakow, Poland. Painter artist, photographer. He presented his works at dozens of individual painting and photographic exhibitions in Poland and abroad. From the history of painting...
Category

2010s Abstract Abstract Paintings

Materials

Oil Pastel

"Bat and Him" Red /Oil Pastel on cardboard/ 70 x 50 cm
Located in Kraków, Województwo małopolskie
Oil pastel on cardboard, one of a series of three paintings under the common title "Bat and Him". The images are characterized by a similar scenery, differing only in the color of th...
Category

2010s Abstract Abstract Paintings

Materials

Oil Pastel

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10 X 17 without frame. Seymour Boardman (1921–2005) was a New York abstract expressionist. Since his first solo exhibition in Paris in 1951, Boardman developed a personal vision and style of his own, following his own path of abstraction. As a painter he sought to reduce the image to its bare essence. Initially working in the freely brushed manner of Abstract Expressionism, Boardman gradually eliminated the arbitrary aspects of his work until only straight lines and two or three areas of flat, sometimes somber, tones remained. He could hardly have achieved more with less. In a career that was steady and determined, Seymour Boardman created paintings that are unique, while avoiding fashion and trends. His work stands alone because it derives from the Romantic landscape previously articulated by Milton Avery and early Mark Rothko (who was a friend) and later developed into almost hard edged painting. Seymour Boardman majored in art at City College of New York in 1938-1942. He served in the United States Air Force from 1942–1946, during which he was hospitalized for over a year due to a wound to his left shoulder, which resulted in partial paralysis of the arm and hand. After a full medical discharge from the service in 1946, he left for Paris to continue his art education at the École des Beaux-Arts, Académie de la Grande Chaumière, and Atelier Fernand Léger. Boardman's work became more abstract but still based on figure and landscape. He returned to New York in 1949 and went to the Art Students League. Boardman continued to paint dark, moody paintings using a limited palette of black, white, grey, and an occasional additional color. Departed Le Havre France on the Liberte, arriving with his wife in New York on Jan. 22, 1952. In 1955, he had his first one-man show in New York at the Martha Jackson Gallery. It was favorably reviewed by Hilton Kramer, Emily Genauer, Fairfield Porter, and others. "…inscrutable, dark, mostly in blacks stained here and there with calm whitish shapes, they yet manage to suggest something inhuman and romantic…" (N.Y.Times, March 26, 1955). He began to acquire recognition in the 1950s with his paintings of griddled facets seen as if through a frosted glass, without any crisp lines, and in bright colors favoring reds. Boardman's friends included Lawrence Calcagno, Perez Celis, John Hultberg, Burt Hasen, Frank Lobdell, Richards Ruben, Robert Ryman and Nassos Daphnis. Throughout the 1960s, Boardman showed at both the Stephen Radich Gallery and the A.M. Sachs Gallery; in 1967, The Whitney Museum of American Art and the Guggenheim Museum acquired a painting each. In the early 1970s Boardman had a large exhibition of paintings at the Andrew Dickson White...
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