Polly Dutton

Polly Dutton, Spring Song, Semi Abstract Art, Original Oil Painting

2020

Cotswold Track II by Eleanor Woolley [2021] Cotswold Track II is an original oil painting on a deep edged wooden panel by artist Eleanor Woolley. A small scale landscape...

Coming up for air [2022] original Mixed media on wood panel Image size: H:67 cm x W:67 cm Complete Size of Unframed Work: H:51 cm x W:51 cm x D:2cm Frame Size: H:67 cm x W:67 cm x D:2.8cm Sold Framed Please note that insitu images are purely an indication of how a piece may look "Coming up for air" is part of my Tapestry series of semi abstract paintings that explore the simplification of shape and texture in the places I have visited as the seasons change. Tapestry-like landscapes with bold mono-tone blocks and a cooler palette are evident as Autumn changes to Winter. Layers of paint are carved to reveal complex textures and marks with underlaying warmer tones. Change always sparks new ideas. This painting is framed in a hand-painted St.Ives frame in white. Tamara Williams...

-In light of new tariffs, we’ve applied a 20% discount off the market price of this piece to support our collectors in facing potential added costs. At the gallery, we work closely w...

Edward Avedisian ( 1936-2007 ) 8 X 9 Oil paint on wood plank panel with gold and purple figure This is not signed on front. It bears his name verso. Provenance: Hudson, N.Y. estate of noted Art Collector Albert Burnette Roberts (1932-2021) Edward Avedisian (June 15, 1936, Lowell, Massachusetts – August 17, 2007, Philmont, New York) was an American abstract painter who came into prominence during the 1960s. His work was initially associated with Color field painting and in the late 1960s with Lyrical Abstraction and Abstract Expressionism. He studied art at the School of the Museum of Fine Arts, Boston. By the late 1950s he moved to New York City. Between 1958 and 1963 Avedisian had six solo shows in New York. In 1958 he initially showed at the Hansa Gallery, then he had three shows at the Tibor de Nagy Gallery and in 1962 and 1963 at the Robert Elkon Gallery. He continued to show at the Robert Elkon Gallery almost every year until 1975. During the 1960s his work was broadly visible in the contemporary art world. He joined the dynamic art scene in Greenwich Village, frequenting the Cedar Tavern on Tenth Street, associating with the critic Clement Greenberg, and joining a new generation of abstract artists, such as Darby Bannard, Kenneth Noland, Jules Olitski, and Larry Poons. Avedisian was among the leading figures to emerge in the New York art world during the 1960s. An artist who mixed the hot colors of Pop Art with the cool, more analytical qualities of Color Field painting, he was instrumental in the exploration of new abstract methods to examine the primacy of optical experience. One of his paintings was appeared on the cover of Artforum, in 1969, his work was included in the 1965 Op Art The Responsive Eye exhibition at the Museum of Modern Art and in four annuals at the Whitney Museum of American Art. His paintings were widely sought after by collectors and acquired by major museums in New York and elsewhere. He has been exhibited in prominent galleries, such as the Anita Shapolsky Gallery and the Berry Campbell...