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Pierre Morquin"Birth of a Djinn" abstract acrylic, spray, charcoal, linen canvas 162x130cm2023
2023
About the Item
In this abstract painting, Pierre Morquin explores the theme of the birth of a Djinn, a supernatural creature from Islamic tradition. Bright colors and dynamic forms create an atmosphere of mystery and wonder.
The background is a mix of bright colors, including green, yellow and blue. These colors evoke life, nature and the spirit world. In the center of the canvas, an organic form takes shape. This form is fluid and changing, as if in motion. It evokes birth, transformation and the power of imagination.
The painter uses a mixed technique, combining acrylic, spray and charcoal. This technique creates a rich, varied texture, which contributes to the spellbinding atmosphere of the canvas.
"Birth of a Djinn" is a powerful, evocative work. It invites the viewer to meditate on the mysteries of existence and the spirit world.
Pierre Morquin paints a supernatural creature in a world of vivid colors and dynamic shapes. The work evokes birth, transformation and the power of imagination.
- Creator:Pierre Morquin (French)
- Creation Year:2023
- Dimensions:Height: 63.78 in (162 cm)Width: 51.19 in (130 cm)Depth: 1.19 in (3 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Saint Pol de Léon, FR
- Reference Number:1stDibs: LU1501212753982
Using different techniques (acrylic, spray, oil pastels, charcoals) and supports (coated canvas or not, assembled wood) I trace my path between abstract expressionism, a decisive Aboriginal inspiration, modern influences, urban and my youth in Africa. It is a set of contemporary painters who, through Hélène Frankenthaler, Cy Twombly, Basquiat, Kikuo Saito to Oscar Murillo, Joe Bradley, Ida Ekblad, André Butzer..., inspires me. When I paint I make incursions into my reason, my knowledge and then I let myself be carried away by shapes, colors and emotion. The painting then comes of itself, a form by leading to another, a color by calling another until an imbalance of tasks and traits speaks to me and finally satisfies (but momentarily...) the hope that creation has generated in me.
As the idea is and remains intuitive, the artist is not aware in abstracto of the intention and purpose of his work: it is not a concept, but an idea that guides him: so he cannot give any explanation of his way of doing things: he works, as we say unconsciously, actually instinctively.”
Schopenhauer, The World as Will and Representation
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