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Melisa Taylor MetzgerAt Sea Between Fossils & Satellites (large-scale textured painting sand organic)2025
2025
About the Item
"At Sea Between Fossils and Satellites" is a large-scaled textured mixed-media painting that explores the connection between the ancient and the celestial. Created with acrylic, latex, copper and bronze pigments, sand, glass, and collaged found objects, the artwork combines impasto texturing, staining, washes, and metallic dispersion. Its highly tactile surface evokes an archaeological bas-relief, merging natural and human-made elements.
The title captures the duality of the work, situating the viewer between primordial, fossil-like textures and futuristic, satellite-inspired metallic sheens. Earthy tones suggest sedimentary layers and tidal landscapes, while shimmering pigments echo the light of stars or distant orbits. Materials like sand and glass symbolize nature’s rawness and human innovation, emphasizing transformation and interconnectedness.
Guided by gravity, chance, and intervention, the painting invites interpretations of oceanic, geological, and cosmic phenomena. It celebrates the harmony of natural cycles and human ingenuity, offering a poetic meditation on time and space.
The painting on canvas comes ready-to-hang with clean painted edges.
- Creator:Melisa Taylor Metzger (1977, Canadian)
- Creation Year:2025
- Dimensions:Height: 60 in (152.4 cm)Width: 84 in (213.36 cm)Depth: 1.5 in (3.81 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Quebec, CA
- Reference Number:1stDibs: LU907114928132
Melisa Taylor Metzger
In Melisa Taylor’s work, the natural world acts as blueprint while ideas are sourced from historical art and contemporary culture. She pursued studies in Marine Biology before training in classical art of the Old Masters. She grew fascinated by the works of Flemish painters Vermeer and Rembrandt whose symbolic use of light influences her practice up to this day. Melisa explores the notion of the sublime through blur and precision. She develops an aesthetic of duality by hybridizing divergent approaches to art. Her studio practice is labor-intensive; various instruments and electric tools are used out-of-context to inject unpredictability in the painting gesture. She has assimilated in her practice an eclectic multilayering process combining pyrography, sanding and detailed stencil compositions on wood. Wabi-sabi -embracing chance- is a central idea in her work, equally so is meticulous control. This results in a subterranean tension that jeopardizes the ethereal appearance of her pieces; arbitrariness and mechanical execution fuse to create what she calls "systèmes faillibles" where spectral motifs seek to emerge out of obscuring lattices. Her work has been exhibited internationally and acquired in private and corporate collections across North America and abroad.
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"At Sea Between Fossils and Satellites I1" is a textured mixed-media painting that explores the connection between the ancient and the celestial. Created with acrylic, latex, copper ...
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