Tar Abstract Paintings

Artist's Statement: "Part a new series of paintings I have been working on that I am really excited about. I am incorporating a lot of media I have been exploring over the years -- ...

A monumental unique painting in four 48 x 48 inch panels by Donald Sultan. Artist: Donald Sultan, American (1951 - ) Title: Two Dog Pass Year: January 12th, 1988 Medium: Tar and L...

Artist's Statement: "Part a new series of paintings I have been working on that I am really excited about. I am incorporating a lot of media I have been exploring over the years -- ...

(Comes framed and ready to hang in a high-profile maple frame.) Artist’s Statement: “I have been working on more formal and restrained paintings lately, and decided to loosen up by ...

Artist's Statement: "A tribute to Donald Sultan, who influenced me long ago (along with Sam Gummelt, Michael Whitehead and others) to incorporate industrial and 'homely' materials i...

Painted on deep-profile gallery-wrapped canvas, comes ready to hang. Artist's Statement: "A new take on an earlier series of paintings I did called "Aggregate," this time with fewe...

Shitomi Murakami Shitomi Murakami was born in 1941 in Osaka, Japan 1964 Graduated from Musashino School of Fine Arts, Tokyo. 1964-70 Laboratory of Sc...

Signed lower right, on stretcher bar, 'T H N' for Toi Hoang (Vietnamese-American, born 1962) and dated 1990; additionally signed, verso, on label and indistinctly titled. The scholar Amy Feldman...

"Buddha with Wings", contemporary abstract painting by artist Martha Lloyd. Framed dimensions: H: 45.5 x W: 41.5 x D: 2 in. Canvas is framed in a wood floating frame, painted blac...

Part of the current series of paintings using tar and house paint in addition to more conventional artists' media such as oil and acrylic. Artist's Statement: "I have been making t...

Comes framed and ready to hang. Artist’s Statement: “I did some paintings years ago incorporating simple, meditative iconic forms, and they had a quiet, brooding formality about the...

Artist's Statement: "This painting harkens back to a series called "Gridish" that I created over the past couple of years, comprising similar rectangular shapes with complex surfaces incorporating tar, house paint, enamel safety paint and other materials. Here, though, the forms are isolated in negative space rather than stacked in a grid, which gives them a more iconic quality." “Lyman’s work evolves restlessly, with the common elements generally being deft and unusual color choices that balance assonance and dissonance, and vestiges of the hand and facture purposely left in the paintings. The negative space is often so meticulously worked that it’s almost as if the objects – usually simple shapes – are there as much to complement the background as vice versa. Despite the often bold colors there is an elegance about his paintings that prevents them from being either loud or decorative. " Artbeit Zeitschrift “His paintings are a refreshing departure from the current abstract art world’s seemingly endless parade of fields of color with scribbles providing form, a style that is easily mimicked and has become a sort of “safe,” accessible go-to. There are confident decisions in these paintings appearing as commitments of strongly delineated forms and unexpected collisions of color that give the work a visceral, confident and playful soul, increasingly missing from contemporary expressionist abstraction. They are the paintings of a real painter rather than a decorative artist.” ArtSeen, 2018 (from a collector): "Love your work. We collect colorists like Wolf Kahn and Jennifer Bartlett, whom I commissioned a piece from that is in the entrance of Mayo Clinic. We are old fans...

Artist's Statement: "I typically paint abstractly, but this is part of a recent series of paintings that is figurative and symbolic. They harken back to 80s neo-Expressionism - my favorite contemporary art movement. I tend not to beat collectors over the head with fatuous "meanings" of my work, but this one does have a subtext, a rather personal one. But you are welcome to read whatever you want into it." Comes framed in a professional high-profile float frame. “Lyman’s work evolves restlessly, with the common elements generally being deft and unusual color choices that balance assonance and dissonance, and vestiges of the hand and facture purposely left in the paintings. The negative space is often so meticulously worked that it’s almost as if the objects – usually simple shapes – are there as much to complement the background as vice versa. Despite the often bold colors there is an elegance about his paintings that prevents them from being either loud or decorative. " Artbeit Zeitschrift “His paintings are a refreshing departure from the current abstract art world’s seemingly endless parade of fields of color with scribbles providing form, a style that is easily mimicked and has become a sort of “safe,” accessible go-to. There are confident decisions in these paintings appearing as commitments of strongly delineated forms and unexpected collisions of color that give the work a visceral, confident and playful soul, increasingly missing from contemporary expressionist abstraction. They are the paintings of a real painter rather than a decorative artist.” ArtSeen, 2018 (from a collector): "Love your work. We collect colorists like Wolf Kahn and Jennifer Bartlett, whom I commissioned a piece from that is in the entrance of Mayo Clinic. We are old fans...

Artist's Statement: "The first in a new series of paintings I have been working on that I am really excited about. I am incorporating a lot of media I have been exploring over the y...

Artist's Statement: "I typically paint abstractly, but this is part of a recent series of paintings that is loosely figurative. They harken back to 80s neo-Expressionism and Figurat...

Artist's Statement: "Having a good time with metaphor and all kinds of odd media. To me, harkens back a bit to late 50's/early 60's Rauschenberg, Johns and Dine, some of my all-time...

Part of the current series of paintings using tar and house paint in addition to more conventional artists' media such as oil and acrylic. Artist's Statement: "I have been making t...

Artist's Statement: "This is part of a series of work I created using a complex mix of media to evoke age and tropes and paradigms of human culture. Our obsession with the new somet...

A stunning oil and pastel on tar paper by world-renowned Giancarlo Impiglia. Born in Rome, Impiglia moved to New York in the 70s, where he established a signature style on the sho...

A large and imposing painting from the recent series combining tar with oil and acrylic, a painting using a limited palette to powerful effect. There are echoes of Robert Motherwell ...

Part of the current series of paintings using tar and housepaint in addition to more conventional artists' media such as oil and acrylic. Free shipping on this piece: Artist's State...

From the recent series combining tar with oil and acrylic, a painting using a limited palette to powerful effect. Artist's statement: "After a period of making big, colorful acrylic...

A stunning oil and pastel on tar paper by world-renowned Giancarlo Impiglia. Born in Rome, Impiglia moved to New York in the 70s, where he established a signature style on the sho...

The Forgotten America. Mixed Media oil paint, tar, gravel. metal, resin on wood panel artist unique style and technic, the frame is part of the artwork. Randi Grantham...

A recent, large work by the masterful Giancarlo Impiglia, whose value has been steadily increasing. Born in Rome, Impiglia moved to New York in the 70s, where he established a signa...

A playful acrylic and pastel on tar paper by world-renowned Giancarlo Impiglia. Born in Rome, Impiglia moved to New York in the 70s, where he established a signature style on the ...