Silk Abstract Paintings

Colorful Floral Abstract Painting Acrylic on Silk 56" x 75 3/4" Housed in a Black Metal Frame Overall Size: 56 1/2" x 76 1/4" This monumental painting was recently discovered...

Silk elements, oil and acrylic on linen create a dynamic surface in this contemporary geometric abstract painting in shades of dark blue from navy to deep cobalt. Variations of soft ...

Tactile memory #134, by Natasha Zupan Mixed media: acrylic, silk, pigments on Canvas Size: 9.5 in. H x 7.5 in. W x 3 in D. canvas on a stretcher Natasha Zupan beautifully unites th...

Modern Geometric Green & White Kimono, Abstract Expressionist Collagraph Plate #3 Stunning modern minimalism meets abstract expressionism with green, white and black in this unique ...

Fantastical abstract composition in green, red, and black by unknown artist Helen (20th century). Signed and dated "(indecipherable) '88" in the lower right corner. No frame. Image, ...

Framed work On a white background, JonOne interprets dense, modern calligraphy in black. The repetition of free-form shapes and the dripping effect create a dense, expressive motif....

Contemporary abstract painting by Hungarian artist Gabor Erdélyi titled, "Shock," acrylic and silk on canvas. Size: 37.5 x 55 inches. Gabor Erdélyi's art attaches itself to minimali...

Schwartz received a degree in fine art from the Victorian College of the Arts in Melbourne, Australia, and later studied sculpture at Columbia University. Her work has been shown in...

oil and wax on silk Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she attended the...

Chicago-based artist Michael Thompson creates unique kites crafted from split bamboo frames covered with stretched muslin and a collage of vintage Asian ephemera—including fragments ...

A wonderful, museum caliber painting by Craig Kauffman. Initialed "CK" and dated "82" in the lower right corner. PROVENANCE: Asher Faure Gallery Luther Vandross Luther Vandross Estate Private Collection, New York Private Collection, San Diego, CA EXHIBITED: Asher Faure Gallery, Los Angeles, California, CRAIG KAUFFMAN: NEW PAINTINGS April 23 through May 21,1983 CATALOGUE: Craig Kauffman Estate Archive Number CR No: P.1982.2 The following is from The New York Times, May 15, 2010, By Douglas Martin Craig Kauffman, who in the 1960s helped put Los Angeles on the art map with audacious experiments in molding industrial plastic to create ethereal wall-mounted sculptures — some resembling giant pieces of jelly candy — died Sunday in Angeles City in the Philippines. He was 78. The cause was complications of pneumonia following a recent stroke, said Frank Lloyd, his friend and dealer. Mr. Kauffman was eminent in an eclectic group of artists who reveled in the light, space and energy of postwar Southern California to forge new Minimalist, often glossy artistic approaches. Richard Armstrong, director of the Guggenheim Museum said that these Californians, sometimes called the Cool School — along with Chicago Imagists and Washington, D.C., painters called the Color School — were counterpoints to the Abstract Expressionists who ruled New York. "California was never ashamed of being a new society," Mr. Armstrong said in an interview on Thursday, "it all fit together nicely." Los Angeles was then ascending to the status of a metropolis, with a growing number of major-league sports teams, fresh industries and a surging population. There were new quarters for public galleries and the burgeoning of commercial ones. At the center of the action was the Ferus Gallery, which staged the first solo exhibition of Andy's Warhol's pop art and the first American retrospective of Marcel Duchamp. Mr. Kauffman was a featured artist at the gallery's inaugural exhibition in 1957, "Objects on the New Landscape Demanding of the Eye." Peter Plagens, in his book Sunshine Muse: Art on the West Coast, 1945-1970, (1974, 1999), wrote, "'Culture' meant 'art' and 'art' implied 'new,' and 'new,' as everybody was informed, meant California — particularly Los Angeles." The artists who seized this historic opportunity included Billy Al Bengston, Ken Price and Robert Irwin, among others. In an interview on Wednesday, Arne Glimcher, founder and chairman of Pace Gallery, which had Mr. Kauffman's first New York show in 1967, called the California scene in the late '50s and early '60s "a pressure cooker of ideas." Referring to artistic styles, he said, "It was California perfection against New York messiness." Mr. Kauffman's early paintings were critical in defining this new style. Mr. Plagens called them "the first evidence of a Los Angeles sensibility." Mr. Kauffman's later work blazed splashier trails, as he experimented with the effects of light on works that were painterly yet three-dimensional. "The true power of what he did was his incorporation and then redirection of light inside sculpture," said Mr. Armstrong, who was the curator of a show of Mr. Kauffman's work at the Whitney Museum of American Art in 1987. "Many of them glowed," he said. "Others were translucent. Even the supposedly opaque had a noteworthy shimmering quality to them." What Mr. Kauffman made reflected a wide range of inspirations. In a 2008 video interview in conjunction with a show at the Armory Center for the Arts in Pasadena California, he said that the famed lingerie store Frederick's of Hollywood provided artistic nurture. With a smile, he confessed to a "shoe fetish" that had influenced some of his art. Robert Craig Kauffman was born on March 31, 1932, in Los Angeles. He started painting regularly at age 7 and went to theUniversity of Southern California to study architecture in 1950. But art soon won out over architecture, and he transferred to the University of California Los Angeles, to study painting. He earned Bachelor's and Master's degrees there. A breakthrough came in the early 1960s when he experimented with painting on glass, but found it too fragile. He then painted on flat acrylic plastic. His next inspiration came from the plastic packaging increasingly used to wrap merchandise. He sought out craftsmen at commercial factories to learn the technique, Time magazine reported in 1968. The results were several series of three-dimensional wall hangings. Some were inspired by large plastic fruit clusters on the wall of a doughnut shop he frequented in Los Angeles. These lozenge-shaped reliefs were sometimes called "bubbles." Barbara Rose, in a catalog essay for an exhibition at the Washington Gallery of Modern Art in 1967, wrote, "Shaping the brittle sheet plastic into a series of voluptuous curves, Kauffman achieves a kind of abstract eroticism that is purely visual." Mr. Kauffman's work was shown in countless exhibitions and many one-man shows. It has been acquired by the Museum of Modern Art in New York, the Tate Modern in London, the Art Institute of Chicago and the Los Angeles County Museum of Art, among others. In 2006, one of Mr. Kauffman's reliefs fell from a wall of the Georges Pompidou Center in Paris, where it was part of an exhibition titled "Los Angeles: Birth of an Art Capital, 1955-1985." It shattered. After storms of publicity, the Pompidou provided technical help and money to make a new version. Mr. Kauffman was married several times. He is survived by his daughters from his marriage to Dana Kauffman, from whom he was separated: Wilhelmina, Vida Rose and Georgia Kauffman. When they started in the 1960s, Mr. Kauffman and his artistic compatriots did not foresee a legacy, much less earning an income, Larry Bell, a prominent artist in the group, said in an interview on Wednesday. "The troops sort of banded together to be our own audience," he said. "Every once in a while, we'd sell...

Japanese Botany, Original Contemporary Abstract Mixed Media Textile Wall Hanging Artist Commentary: INSPIRED IN JAPANESE AESTHETICS Keywords: Abstract, Nature, patterns, circles, ovals, white Artist Biography: My artwork is engaged to nature and its recurrent patterns and rhythms. I use them as a base in order to create my compositions. I´m attracted to repetitive sequences, combining separate elements to form a cohesive group. It isn’t a strict conceptual idea of repetition on itself; my work doesn’t seek to impose an order or structure, but rather to enjoy the rhythm of repetition. Silk and paper have the softness and malleability that I need in order to create my desired forms, shapes and even shadows. The process to carry out my work is thorough and methodical. I choose as materials small and simple elements; such as feathers made out of paper and silk and then organized in a precise order. This allows me to build a group of entities that end up being the final artwork. My goal is to create projects that inspire, connect and touch people emotionally, taking the viewer on a journey through different ethereal, botanical and peaceful landscapes. I was Born in Santiago, Chile in 1973. I grew up surrounded by Chilean...

Ricardo Mazal Tee 2 (Beige 2), 2023 Acrylic on natural silk mounted on aluminum panel 18 x 19 inches RM541 Ricardo Mazal is perhaps best known for his near decade-long investigation...

Chicago-based artist Michael Thompson creates unique kites crafted from split bamboo frames covered with stretched muslin and a collage of vintage Asian ephemera—including fragments ...

Interested in communicating ideas of history, place and nature in her painting practice, Jennifer Wolf utilizes natural dyes and minerals to feature a historically significant palett...

Interested in communicating ideas of history, place and nature in her painting practice, Jennifer Wolf utilizes natural dyes and minerals to feature a historically significant palett...

This 24" x 36" oil and silk on canvas painting created in 2015 by artist Diane Coady, depicts an abstracted environment with boats and rabbits in a palette...

Eric Blum mines the indeterminate area on the periphery of what is actually seen. The mostly monochromatic paintings employ his signature ingredients of ink, silk and beeswax. Transp...

You might assume that this is a watercolor work. But that's not true! "This painting was painted with acrylic paints directly on silk, which I later stretched on a plywood board and...

Tactile memory #136, by Natasha Zupan Mixed Media on canvas: oil, acrylic, silk, glass, pigments Size: 9.5 in. H x 7.5 in. W x 3 in D. Canvas on a stretcher Natasha Zupan beautiful...

Debra Smith Seeing Red Series, 2, 2019 pieced vintage silk 28 x 19 in. This large abstract textile collage by Debra Smith features bold patte...

Michael Tracy Untitled, 2006 Paint on silk 52 x 44 in (132.1 x 111.8 cm) JPHB 1166

A unique and utterly gorgeous painting by the indelible Impiglia, whose works have been steadily going up in value. Born in Rome, Impiglia moved to New York in the 70s, where he es...

Tactile memory #122, by Natasha Zupan Mixed Media on Wood, silk petals, eyelashes, glass, acrylic, and oil Size: 18 in. H x 15 in. W x 3 in D. Mounted on a stretcher Natasha Zupan b...

Tactile memory #135, by Natasha Zupan Mixed Media on canvas: oil, acrylic, silk, pigments Size: 9.5 in. H x 7.5 in. W x 3 in D. Canvas on a stretcher Natasha Zupan beautifully unit...

Eric Blum mines the indeterminate area on the periphery of what is actually seen. The mostly monochromatic paintings employ his signature ingredients of ink, silk and beeswax. Transp...

‘Starting with a drawing of "real" flowers, I create layers of thinly veiled surfaces. They become abstracted through the process of multiple printings. The essence of flowers become...

Eric Blum Untitled no. 972, 2022 ink, silk & beeswax on panel 59 x 47 in. (blum075) In Eric Blum’s mostly monochromatic paintings, ink permeates silk in soft gradients, which abrupt...

The Essence is a unique modern abstract expressionist painting in subtle tones of acrylic wash on silk satin by British contemporary artist Rose Fulbright. The artwork is signed, a...

Debra Smith Seeing Red Series, 5, 2019 pieced vintage silk 28 x 19 in. This large abstract textile collage by Debra Smith features bold patte...

Debra Smith Talking Stories 9, 2020 pieced vintage silk 13 1/2 x 11 1/4 in. This work will be on view as part of "Seeking Balance," a solo exhibition of new work by Debra Smith, at ...

Debra Smith Seeing Red Series, 6, 2019 pieced vintage silk 28 x 19 in. This large abstract textile collage by Debra Smith features bold patte...

Hannah Reeves Notice 2023 Acrylic on raw silk and organdy 8 x 8 inches

Eternal Recurrence #22, 2022 by Natasha Zupan From the series Eternal Recurrence Mixed media on wood (silk fabric, oil) Size: 18 in. H x 15 in. W x 3 in D. Unique ___________________...

Tactile memory #133, by Natasha Zupan Mixed Media on canvas: oil, acrylic, silk, glass, pigments, lashes Size: 9.5 in. H x 7.5 in. W x 3 in D. Canvas on a stretcher Mounted on a str...

A unique and utterly gorgeous oil on silk painting by the indelible Impiglia, whose works have been steadily going up in value. Born in Rome, Impiglia moved to New York in the 70s,...

Spirals 2021 The artist is moving out of the Country by the end of April, and large paintings no longer will be available unless ship from Europe, please let us know if you have any questions. Jerzy Kubina Polish/American Artist: Jerzy was born in Zamosc, Poland, 1956. Studied at the Academy Of Fine Arts in Krakow 1981/1986 in the painting department under individual instructions of prof. Jan Szancenbach. He decided to immigrate to New York in 1986. Jerzy constructs large scale images on silk using technologies to create layers, textures, translucency. He is searching for a language that expresses the ideas inside. Sometimes the paintings are quiet and translucent, and then suddenly become very dramatic. There is a symbiotic relationship between him and the materials. Jerzy Kubina has exhibited his work widely in the US, including at Soho New York's first-ever gallery, the esteemed O. K. Harris. He has also shown internationally, in Paris, Poland and Mexico. Kubina graduated Magna Cum Laude from the M. A. program of The Academy of Fine Arts, Cracow, Poland. Artist Statement. "I do not limit myself to a classical representation of an image. I'm in constant search of new media which not only enriches the subject but also inspires me to new forms of expression. Visual appreciation is a creative exercise performed in a specified time and a specific emotional state. The subject must be individual and unique. I do not attempt to keep a tight rein on my art’s framework, but give myself the opportunity to individualize each of the works. My present concerns are of the sacred and the profane, always longing for harmony, accompanied by destruction and devastation, my inner world translates that pulse into color images. My new works are a continuation of the process of creating art for art's sake. Selected Exhibitions: 2016 Square Peg Gallery, Hasting on Hudson, NY 2015 Roshkowska Gallery...

Lime Glow, Jo Barker, woven on cotton warp using wool, cotton, linen, silk, embroidery threads, 29" x 30.75" x 1.5", 2010 This colorful contemporary abstract textile is by British...

David Collins has an ongoing interest in space and memory. Many of Collins’ memories relate to his family’s history in inventing Cold War era technology. Personal recollections of sp...

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his...

Samuel - Silk Fabric on Canvas - Abstract Mixed Media Art by Beverly Bigwood Experience the captivating new art abstract collection by Beverly Bigwood, where fabric meets canvas to ...

A beautiful acrylic on silk brocade with a gold leaf-covered frame made by Impiglia himself, an artist whose value has only increased over the years. Born in Rome, Impiglia moved to New York in the ‘70s, where he established a signature style on the shoulders of Futurism and Cubism, his technical skill underpinning his eclecticism and allowing him to indulge in an appetite for complexity. His work has been exhibited in numerous galleries around the world and is part of prominent collections including that of The Victoria and Albert Museum and the Absolut Art...

Mixed media on silk Liubov Juravliova is a French painter born in Chisinau, Moldova in 1963 who lives and works in Argenteuil, near Paris, France She has been listed at Drouot since...

Pima cotton broadcloth with reactive dyes, silk batting, cotton backing. Raised in the American South, Rodger Blum received a BFA at North Carolina University of the Arts and an MFA...

oil and wax on silk Mala Breuer grew up attending classes in painting and drawing from a young age at the California College of Arts and Crafts. After high school she attended the...

Hannah Reeves Too Good a Hiding Place 2023 Acrylic and dye on cotton and organdy 42 x 42 inches

Bob Stanley (b. 1932 - d. 1997 New York, United States), an American painter renowned for his gritty depictions on canvas, which ingeniously incorporated photographs. His artistic jo...

Ricardo Mazal Xna (Red), 2023 Acrylic on natural silk, hand-dyed with Brazilian cherry, mounted on aluminum panel 18 x 19 inches RM542 Ricardo Mazal is perhaps best known for his ne...

Chicago-based artist Michael Thompson creates unique kites crafted from split bamboo frames covered with stretched muslin and a collage of vintage Asian ephemera—including fragments ...

Ricardo Mazal Biosa Te (Violet), 2023 Acrylic on natural silk, hand-dyed with cochineal grain and indigo, mounted on aluminum panel 18 x 19 inches RM531 Ricardo Mazal is perhaps bes...

Painting on silk, textile paints Framed, 121 x 52 x 3 cm (wooden frame) Dali Nazarishvili is a Georgian female artist born in 1958 who lives and works in Tbilisi, Georgia. Since 20...

Painting on silk, textile paints Framed, 88 x 91 x 3 cm (wooden frame) Dali Nazarishvili is a Georgian female artist born in 1958 who lives and works in Tbilisi, Georgia. Since 200...

Interested in communicating ideas of history, place and nature in her painting practice, Jennifer Wolf utilizes natural dyes and minerals to feature a historically significant palett...

Brooklyn artist, Molly Herman, creates beautiful, colorful abstract paintings. This is a stunning example with black and bright pink She is most interested in playing with the langu...

Jennifer Wolf utilizes layers of painted silk and mineral pigments to add luminous depth to her exquisitely moody abstract landscapes.