Items Similar to 'Roofs of Ravello', Mid-Century Abstract, Harvard Fogg Museum, SFAA, Carmel, AIC
Want more images or videos?
Request additional images or videos from the seller
1 of 15
Margaret Wentworth Millard Owings 'Roofs of Ravello', Mid-Century Abstract, Harvard Fogg Museum, SFAA, Carmel, AIC1959
1959
About the Item
Initialed lower right, 'M. W.' for Margaret Wentworth (American, 1914-1999) and dated 1959.
Exhibited: Feingarten Galleries, Carmel, California, 1960, and titled on label, verso, 'Roofs of Ravello'.
Accompanied by old exhibition information, laid down on card.
A complex, cabinet-size abstract comprising contiguous, rectangular areas of scumbled rose and tan overlain with diagonal and geometric elements in turquoise, parchment and slate; a finely composed, mid-century work with elegant palette and exceptional attention to detail.
Born in Berkeley, California, Wentworth first studied at Radcliffe College and with Roi Partridge at Mills College. She subsequently attended the Art Institute of Chicago and the Fogg Museum at Harvard University. During her first marriage, she also painted under the name Margaret Millard (1934-49). A lifelong resident of California, she married architect Nathaniel Owings in 1952 and settled on the coast in Big Sur. A member of the Carmel Art Association and the San Francisco Art Association, Wentworth exhibited widely and with success including at the Santa Barbara Museum, Mills College, Stanford Art Gallery, the Carmel Art Association Gallery, San Francisco's de Young Museum and Carmel's Feingarten Gallery, where this particular piece was exhibited in 1960.
Reference:
Artists in California 1786-1940, Third Edition, Edan Milton Hughes: Crocker Art Museum, Sheridan Books 2002, Vol. 2, page 1178; Who Was Who in American Art 1564-1975: 400 Years of Artists in America, Peter Hastings Falk, Sound View Press 1999, Vol. 3, page 3517; et al.
- Creator:Margaret Wentworth Millard Owings (1914 - 1999, American)
- Creation Year:1959
- Dimensions:Height: 6.25 in (15.88 cm)Width: 19.25 in (48.9 cm)Depth: 0.13 in (3.31 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:minor restoration, minor losses; unframed; shows well.
- Gallery Location:Santa Cruz, CA
- Reference Number:1stDibs: LU34412906492
About the Seller
5.0
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 1982
1stDibs seller since 2013
720 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Shipping from: Santa Cruz, CA
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View All'Mid-century Abstract', NYMoMA, Paris, XXXII Venice Biennale, MALI, Lima, Peru
By Emilio Rodríguez Larraín
Located in Santa Cruz, CA
'Midcentury Biomorphic Abstract', NYMoMA, Paris, XXXII Venice Biennale, MALI, Lima, Peru
Signed, lower right, 'E.R. Larrain' for Emilio Rodríguez Larraín (Peruvian, 1928-2015), and inscribed 'Roma, Nov 1963, Enero 1964'. (Rome, Nov 1963-January 1964). Verso titled, "L'Homme C'est Sujet à Errer" (Man Tends to Wander), and bearing the artist's self-portrait in india ink and wash.
Exhibited: XXXII Venice Biennale, 1964. (original exhibition label verso)
Previously with Staempfli Galleries, New York. This painting is registered in the Archives of American Art as 'Staempfli Gallery, inventory #775'.
A monumental and historically distinguished work by this groundbreaking Peruvian Modernist who drew inspiration from Peruvian indigenous and pre-colonial culture. The paintings of Emilio Rodríguez Larraín are held in the permanent collections of museums worldwide including the Musée de la Ville de Paris, Peru's Museo de Arte de Lima and the Museum of Modern Art in New York. This painting was selected by the Peruvian Government for exhibition at the XXXII Venice Biennale in 1964 and is the largest single recorded work by the artist.
Emilio Rodríguez Larraín received his Bachelors of Architecture in 1949 from Peru's Universidad Nacional de Ingeniería and held his first solo exhibition in Lima after visiting Europe in 1950. In 1951, he returned to Europe in the company of the artists Alfredo Ruiz Rosas and Joaquín Roca Rey...
Category
1960s Abstract Abstract Drawings and Watercolors
Materials
Fiberboard, Laid Paper, Oil
'Dynamic Abstract', California San Francisco Bay Area Modernism, Thiebaud
By Robert George Gilberg
Located in Santa Cruz, CA
A substantial, mid-century watercolor abstract comprising interrelated geometric and biomorphic elements in a palette of primary and secondary colors.
Signed upper left, 'Gilberg' ...
Category
1940s Abstract Abstract Drawings and Watercolors
Materials
Paper, Watercolor, Gouache, Pen
'Pointillist Abstract', Paris, Étretat, New York, Whitney Museum, MoMA, PAFA
By Manfred Schwartz
Located in Santa Cruz, CA
Estate stamp, verso, for Manfred Schwartz (American, 1909-1970) and painted circa 1960.
Paper dimensions: 15 x 19.75 inches.
Born in Lodz, Poland, Manfred Schwartz immigrated to Am...
Category
1960s Abstract Expressionist Abstract Drawings and Watercolors
Materials
Paper, Gouache, Pen
'Pointillist Still Life', Royal Society of Artists, Edinburgh Academy, Palo Alto
By Thomas Guise
Located in Santa Cruz, CA
Signed lower right, 'T.G.M. Guise' for Thomas Gladstone Middleton Guise (Scottish, 1916-1984) and dated 1966.
Thomas Guise studied art at Edinburgh College of Art under Thomson Adam Bruce, RSA (1947-1949) before serving with the Royal Artillery between 1939 and 1946. After returning to Scotland, Guise began working professionally as an artist and commenced his fruitful association with the Featherhal Press. Over the course of his career, he was the recipient of numerous prizes, medals and juried awards including the Award for Life Drawing (1947). Guise exhibited internationally with success and was a member of the Royal Society of Arts, the Royal Society of British Artists and the Royal Scottish Society of Painters in Watercolor among others.
Selected Mixed Shows 1948 - 1984:
RBA, RSA, RI, RSW, RGI, SSA, NEAC.
Arun Art Centre
The Bath Festival Exhibition
Selected Solo Shows:
1966 - Randolph Gallery, Edinburgh Festival
1967 - Encina Gallery Stanford University, California, United States
1968 - Los Robles Gallery, Palo Alto, California, United States
1968 - Randolph Gallery Edinburgh Festival
1970 - Clarkson Gallery, Victoria Street...
Category
1960s Abstract Abstract Drawings and Watercolors
Materials
Watercolor, Pen
'Sunset Landscape', Hamburg, Rivne, Volhynia, Rivne Museum
Located in Santa Cruz, CA
Signed lower right, 'G. Kosmiadi' for Georg Kosmiadi (Ukranian-German, 1886-1967) and dated, '66'; additionally signed verso, 'Georg Kosmiadi', inscribed with serial number and dated, '20/9/66'.
Georg Kosmiadi was a resident of Rivne before moving to Hamburg in 1940 where he worked as an art teacher. Kosmiadi exhibited at the Rivne Regional Museum and a regional art...
Category
1960s Abstract Impressionist Abstract Drawings and Watercolors
Materials
Paper, Gouache
'Birdwalk', Royal Society of Artists, Edinburgh Academy, Scotland, Palo Alto
By Thomas Guise
Located in Santa Cruz, CA
Signed lower right, 'T.G.M. Guise' for Thomas Gladstone Middleton Guise (Scottish, 1916-1984) and dated 1963; titled verso, 'Birdwalk'.
Thomas Guise studied art at Edinburgh College...
Category
1960s Abstract Abstract Drawings and Watercolors
Materials
Watercolor, Paper
You May Also Like
Black White Abstraction 015 Painting by Anastasia Vasilyeva, 2020
By Anastasia Vasilyeva
Located in Zofingen, AG
Anastasia Vasilyeva - Black white abstraction 015 (2020)
Painting on high quality, acid free, high density paper. Conceptual minimalist abstract painting designed in calligraphic st...
Category
21st Century and Contemporary Abstract Geometric Abstract Paintings
Materials
Paper, Acrylic
Black White Abstraction 014 Painting by Anastasia Vasilyeva, 2019
By Anastasia Vasilyeva
Located in Zofingen, AG
Anastasia Vasilyeva - Black white abstraction 014 (2019)
Painting on high quality, acid free, high density paper.
Conceptual minimalist abstract painting designed in calligraphic st...
Category
21st Century and Contemporary Abstract Geometric Abstract Paintings
Materials
Paper, Acrylic
Black White Abstraction 013 Painting by Anastasia Vasilyeva, 2019
By Anastasia Vasilyeva
Located in Zofingen, AG
Anastasia Vasilyeva - Black white abstraction 013 (2019)
Painting on high quality, acid free, high density paper.
Conceptual minimalist abstract painting designed in calligraphic st...
Category
21st Century and Contemporary Abstract Geometric Abstract Paintings
Materials
Paper, Acrylic
Black White Abstraction 016 Painting by Anastasia Vasilyeva, 2020
By Anastasia Vasilyeva
Located in Zofingen, AG
Anastasia Vasilyeva - Black white abstraction 016 (2020)
Painting on high quality, acid free, high density paper. Conceptual minimalist abstract painting designed in calligraphic st...
Category
21st Century and Contemporary Abstract Geometric Abstract Paintings
Materials
Paper, Acrylic
Blue Mother Drawing #3 (Geometric Abstract Watercolor Painting in Blue & Black)
By Jeanette Fintz
Located in Hudson, NY
Blue Mother Drawing #3, by Jeanette Fintz in 2020
22 x 30 inches watercolor, gouache on Fabriano paper
Signed lower right corner
Framed: 32 x 39.5 inches, custom white frame, 8 ply w...
Category
2010s Abstract Geometric Abstract Paintings
Materials
Watercolor, Gouache, Archival Paper
Blue Mother Drawing #2 (Geometric Abstract Watercolor Painting in Blue & Black)
By Jeanette Fintz
Located in Hudson, NY
Blue Mother Drawing #2, by Jeanette Fintz in 2020
22 x 30 inches watercolor, gouache on Fabriano paper
Signed lower right corner
Framed: 32 x 39.5 inches, custom white frame, 8 ply w...
Category
2010s Abstract Geometric Abstract Paintings
Materials
Watercolor, Gouache, Archival Paper