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Margaret Evangeline
Infrastructure Camellia
2024

Name: Infrastructure Camellia
Brand: Margaret Evangeline
Price: 13940.29 CHF
Availability: InStock
Rating: 5 (36 reviews)

About the Item

Margaret Evangeline is a contemporary painter, sculptor, and installation artist who lives and works in New York City. She was the first female recipient of an MFA in Fine Arts from the University of New Orleans in 1978. Shortly thereafter, she began exhibiting at Galerie Simonne Stern and teaching at Delgado Community College, where she pioneered the school’s first fine arts program. It was during this time that Evangeline’s interest in using unconventional and aesthetically resistant materials emerged in her painting, a technique that has come to define her formal practice. Evangeline began creating large-scale abstract oil paintings on canvas, layering crystallina, flocking, and other cultural detritus with her oil paints. Working during the Persian Gulf War, Evangeline created a body of paintings that were intended as a response to the political turmoil internationally at hand, and the social issues particular to the environment of New Orleans. These works were the first in a long line of paintings and sculpture that Evangeline created to reflect on the cultural climate of our times. In 1992 Evangeline had her first show in New York City, a solo exhibition curated by Elizabeth Moore Fine Arts in conjunction with Res Nova Gallery, a recent New Orleans transplant at the time. The exhibition was well received and went on to garner a particularly insightful review by Eleanor Heartney in Art in America. This experience had a profound effect on Evangeline and ultimately led her to permanently relocate to New York, where she continues to live and work today. It was upon settling in Manhattan that Evangeline was able to begin processing the impact of the south on her work, and experimenting with the way in which location affected her practice. Today, the experience of growing up in Louisiana has come to define her work as an artist. During a residency at Art OMI in 1999 Evangeline borrowed a rifle from a local farmer and fired a single shot through a piece of metal. While for her grandfather shooting had been a means of survival, for Evangeline the process of shooting served as a direct line from her life in contemporary art to his experience, and that of his ancestral lineage of explorers, traders and gunsmiths. The long, circuitous history of Evangeline’s Acadian forebears, through the Hudson Bay down to Louisiana, forms a rich backdrop for her reflections upon and responses to current political questions, especially those centered on the gun. In 2002, during a residency at the Santa Fe Art Institute dedicated to supporting artists affected by 9/11, Evangeline began to further explore the act of shooting. Confronted by the vastness of the landscape and mired in the unanswerable questions left in the wake of the national tragedy, Evangeline began shooting holes in giant aluminum panels, engaging the landscape of the place through the absence she had created in the works, thereby finding a language to explore the collective loss the country was feeling. Evangeline has since gone on to create a stunning collection of shot metal sculptural works and large-scale installations that provide an abstract reflection on collective memory, loss, growth, and the passage of time. In addition to solo and group exhibitions at notable institutions internationally, public installations of Evangeline’s work are in place around the world. In 2004 she received her first commission to create a site-specific work for the permanent collection of The Fields sculpture park at Art Omi near Ghent, New York. There, drawing on the tradition of shooting road signs in rural areas, Evangeline constructed a double-sided, mirror-polished stainless steel panel that she shot with a .22 caliber rifle. The work, which reflects the landscape, draws on the notion of place, reality, and space as a medium, as visitors are confronted by both ethereal distortions of their surroundings and focused glimpses of the material place itself within the bullet holes on the piece’s mirrored surface. Evangeline further elaborated on the notion of space in a 2008 commission by Illuminate Productions, for which she created a site-specific installation on the River Thames, opposite the Tate Modern in London. The work, Saved from the Waters, was a fifteen by thirty-foot floating sculpture that featured reflective steel transpierced with gunshot, memorializing the pleasure boat Marchioness, which sank on the Thames over thirty years before. In 2014, Evangeline’s work was featured in a solo exhibition titled, Sabachthani, which opened in 2014 at Michigan State’s new Eli and Edythe Broad Museum of Art. Evangeline began creating Sabachthani in 2011 as a collaboration with her son, then a lieutenant colonel stationed at a US Air Base in Balad, Iraq. Conceived of as a way to comprehend and process the war, Sabachthani features a series of metal bars which Evangeline mailed to her son and his unit in Iraq, in the year before the withdrawal of the troops. These active-duty soldiers shot through the bars using military ballistics before sending them back to Evangeline, creating a figurative dialogue between Americans and their distant war. Today, Evangeline continues to explore new modes of mark making in her diverse and ever-evolving practice.

Creator:

Margaret Evangeline (American)

Creation Year:

2024

Dimensions:

Height: 48 in (121.92 cm)Width: 48 in (121.92 cm)

Medium:

Canvas,Oil

Movement & Style:

Contemporary

Period:

2010-

Condition:

Gallery Location:

New Orleans, LA

Materials

Canvas, Oil

Anastasia Pelias
Loulouthia (lemon yellow, golden green), 2011

$30,000

2010s Contemporary Landscape Paintings

Materials

Canvas, Linen, Oil

Alyson Kinkade
Horse Candy no.3, 2021

$2,800

$3,750

Abstract Mixed Media Collage Oil Painting Sports, Leather Baseball Mitts

By Patrick LoCicero

Located in Surfside, FL

Title: (Baseball) Mits 25.5" W x 25.5" H x 2.25" framed; canvas measures 24" W x 24" H. Provenance: The Rails Collection, Washington, DC (with their label verso) This depicts floating baseball gloves inn an abstract pattern. This is not signed on the front and might be signed verso. We have not examined out of frame. Patrick LoCicero was born in Youngstown, Ohio, in 1959. He attended Youngstown State University, Ohio, and the Columbus College of Art and Design. He completed a B.F.A. at Ohio State University in 1982 and an M.F.A. at the San Francisco Art Institute in 1986. His paintings, installations, prints, and multimedia work have been shown in California, Pennsylvania, and Ohio. LoCicero's richly layered imagery is characterized by unusual juxtapositions of everyday objects and classical motifs, which play with the viewer's perception of materials and subjects. LoCicero’s assemblage paintings combine collage with painting. The overlap and collage elements relate directly to the images he depicts, guiding him in his choice of subjects, and come from a variety of sources including the Kama Sutra, antique children’s books, letters and journals. His still life paintings resonate due to the contrast the artist sets up between the collaged surface and the painted surface, as well as the play between the actual shallow space and implied deep space. Patrick specializes in creating mixed-media collages that tell stories. Collage paintings inventively reinterpret the collage technique that developed during the Cubist Dada era, and he reinvigorates one of the most important modes of expression in the art of the 20th Century. EDUCATION 1986 M.F.A. The San Francisco Art Institute, San Francisco, CA 1982 B.F.A. The Ohio State University, Columbus, OH TEACHING 2000 to 2010 - Instructor, Drawing, Mixed Media, University of Washington Extension Program, Seattle WA 1997-present - Visiting Faculty, Painting, Drawing, Senior Advising, Cornish College of the Arts, Seattle WA 1996 - Adjunct Lecturer, Design I, 2-D Design 130, City College of New York, NY 1994 - N.E.A., Maryland State Arts Council Grant, Individual Artist Grant 1992-1994 - Adjunct Lecturer, Drawing, Printmaking, Professional Practices and Gallery Management, Modesto College, Modesto, CA 1989 - San Francisco City Location Grant, San Francisco, CA 1984-1986 - Lecturer: Drawing, Painting, Printmaking, De Young Museum School, San Francisco, CA 1985 - Instructor: Lithography, San Francisco Art Institute, San Francisco, CA 1983 - Artist-in-Residence, St. Charles School, Youngstown, OH 1982 - Tuition Scholarship, The Ohio State University, Columbus, OH 1981 - Tuition Scholarship, The Columbus College of Art and Design, Columbus, OH SOLO EXHIBITIONS 2018 - "Ephemera", Patricia Rovzar Gallery, Seattle WA "This or Maybe That", O'Reilly Hall, College of Arts and Sciences, University of Dayton 2012 - "Bird Portraits", Linda Hodges Gallery, Seattle WA "Recent Collages", Cumberland Gallery, Nashville TN 2010 - "CIRQUE", Linda Hodges Gallery, Seattle WA 2009 - "History of Collage", Linda Hodges Gallery, Seattle WA "Collaged Botanicals", Ira Wolk Gallery, St. Helena, CA 2008 - "Paper Flowers":, G2 Gallery , Scottsdale AZ "Double Versed Flowers", Madelyn Jordon Fine Art, Scarsdale NY 2006 - "The Flowered Kama Sutra", Alysia Duckler Gallery, Portland, OR 2005 - "Cigar Boxes", The Grover Thurston Gallery, Seattle, WA 2004 - "The Tourist", Alysia Duckler Gallery, Portland, OR "Holiday", "Greenwood/Chebithes Gallery, Laguna Beach ,CA 2003 - "Travels", Dolby Chadwick Gallery, San Francisco, CA "Passages", The Grover/Thurston Gallery, Seattle WA 2002 - "The Bachelor Stripped Bare", Alysia Duckler Gallery, Portland OR 2001 - "Quilts ", The Grover Thurston Gallery, Seattle, WA "Calling Cards ", The Marsha Ralls Gallery, Washington, DC 2000 - "Sideshow", Alysia Duckler Gallery, Portland, OR 1999 - "Same Language Different Words", Ira Wolk Gallery, St. Helena CA "Illusion of Memory,"Grover Thurston Gallery, Seattle WA 1997 - "Nostalgia Suite," Grover/Thurston Gallery, Seattle WA 1996 - "Symbol: Object, '' Associated American Artists, New York, NY 1995 - "The Idora Park Series," The Marsha Ralls Gallery, Washington, DC 1994 - "The Idora Park Series," Susan Cummins Gallery, Mill Valley, CA "The Fabric Paintings," The LEF Foundation, St. Helena, CA "Selective Work," The Shaklee Corporate Headquarters, San Francisco, CA 1992 - "The Stripe Paintings," Italian American Museum, San Francisco, CA "Large Scale Collages," Susan Cummins Gallery, Mill Valley, CA 1991 - "The Fabric Paintings," Owen Patrick Gallery, Philadelphia, PA 1990 - "Redeeming Dreams," Saxon Lee Gallery, Los Angeles, CA "Double Dreams," Braunstein Quay Gallery, San Francisco, CA 1989 - "Recent Work," Monsoon Restaurant, Opera Plaza, San Francisco, CA 1987 - "The Vegetable Paintings," The Janet Steinberg Gallery, San Francisco, CA SELECTED GROUP EXHIBITIONS 2017 - 25th Anniversary Exhibition, Patricia Rovzar Gallery Seattle WA 2012 - "Elastic Plastic", Yellowstone Art Museum, Billings MT "New Whimsy", Patricia Rovzar Gallery, Seattle WA 2012 - Seattle Art Fair, Seattle WA 2011 - "Transformations", Seattle Art Museum, Seattle WA "20 Years 20 Artists", The Ralls Collection , Washington DC. 2010 - "Summer Selections", Linda Hodges Gallery, Seattle, WA "Gallery Feature Artists", Cumberland Gallery, Nashville, TN "Arts Aspen", Aspen, CO "Gallery Salon", The Ralls Collection, Washington, D.C. "International Artists", United States Embassy, Tbilisi, GA 2009 - "Discoveries", Butters Gallery LTD. Portland OR 2009 - "Summer Gallery Show", Cumberland Gallery, Nashville, TN "Finds Refined", Museum Of North West Art, La Conner WA "Happenings", Alexis Hotel, Seattle WA 2006 - "Miami Art Fair", Miami, FL "Los Angeles Art Fair", Los Angeles, CA "Affordable Art Fair", New York, NY 2005 - "Gallery Artists Inaugural", Meyer/Milagros Gallery, Jackson, WY "The Red Show", Cheryl Hazan Gallery...

Category

21st Century and Contemporary Contemporary Abstract Paintings

Materials

Canvas, Mixed Media, Oil, Acrylic, Laid Paper

Patrick LoCicero
Abstract Mixed Media Collage Oil Painting Sports, Leather Baseball Mitts

$2,800

Rish and Foses 2 - expressive, colourful, abstract, oil on canvas over panel

By Mel Davis

Located in Bloomfield, ON

In this lyrical abstract work by Mel Davis organic shapes and fluid lines intersect in a playful horizontal composition. Using form and colour-bright blue, red and black contrast wit...

Category