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Léon ZackLéon Zack - Lyrical Abstract Composition - Signed Oil on Canvas1975
1975
About the Item
Léon Zack
Lyrical Abstract Composition
Signed Oil on Canvas
50 x 61 cm
Léon Zack (1892-1980)
Léon Zack was a Russian émigré who became a leading exponent of the Abstraction Lyrique movement, which was the European equivalent to Abstract Expressionism in America. A painter, sculptor, illustrator and creator of tapestries and mosaics, Léon Zack left a body of work which spans the twentieth-century. From his early, Impressionist-influenced painting to late lyrical abstraction, all his work displays a particularly Russian sensitivity which is almost mystical in tone.
Born Lev Vasil'evich Zak in Nizhni-Novgorod (Gorki), Russia, the son of a pharmacist, Zack took drawing lessons from a young age, having decided at the age of six to become a painter. He studied painting at various private schools and in 1907 was exposed for the first time to the painters of the Salon de la Federation in Moscow. At the home of the noted collector Serguei Chtchoukine he came across the Impressionists, Cezanne and Matisse – painters who undoubtedly cast influence over his early work and his subsequent decision to move to France. Whilst studying literature at Moscow University he came under the influence of Jakimchenko, who reinforced this interest in contemporary French painting. He then worked in the studios of Rerberg and Machkoff (the latter, of the ‘Jack of Diamonds’ group). Marrying in 1917, he left Russia for Rome and Florence, where he lived until 1921. In 1922 he went to Berlin to take up a commission designing the stage scenery for the Boris Romanoff’s Russian Romantic Ballet. The following year he moved to Paris, which he would make his permanent home, with the exception of the war years 1940-45 (during which he lived in Villefranche-sur-Mer, near Grenoble in an alpine village under an assumed identity).
In Paris Zack exhibited at the Salon des Indépendants, the Salon d’Automne and the Salon des Surindépendants. In 1926 he had his first solo exhibition at the Galerie d’Art Contemporain. The following year saw a one-man show at the Galerie Percier. From 1930-37 he produced work that came to be associated with the ‘neo-Humanist’ group of painters (most notably Hosiasson, Eugene Berman, Christian Berard and Pavel Tchelitchev). After 1938 his painting, whilst figurative, became increasingly expressionistic. Returning to Paris in 1945, Zack continued to exhibit widely – including a solo show at the Galerie Granoff in 1946 – and after 1947 his work turned to lyrical abstraction. Finding that subject matter was playing no useful role in his painting, Zack eliminated it to concentrate on abstract expression; the muted colours, and often blurred nebulous forms convey a sensuous, evocative mystical quality.
Zack had a number of solo shows at the Bonjean and Beaux-Arts Galleries in Paris and took part in exhibitions in Basel, Brussels, Cologne, Copenhagen, Dublin, London, Oslo and the Venice Biennale in 1964. He became an established exponent of the Abstraction Lyrique movement in Europe.
The artist’s work is now represented in numerous museums of Modern Art worldwide including the Musée National d’Art Moderne, Paris; the Tate Modern, London; the Philips Collection, Washington; and the museums of Brussels, Anvers, Luxembourg and the Vatican.
- Creator:Léon Zack (1892 - 1980, French)
- Creation Year:1975
- Dimensions:Height: 19.69 in (50 cm)Width: 24.02 in (61 cm)Depth: 0.4 in (1 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Collonge Bellerive, Geneve, CH
- Reference Number:1stDibs: LU16122596331
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By Léon Zack
Located in Collonge Bellerive, Geneve, CH
Léon Zack
1978
Lyrical Abstract Composition
Signed Oil on Canvas
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Provenance
-Galerie Visconti, París
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By Jim Shaw
Located in Collonge Bellerive, Geneve, CH
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oil on canvas mounted on wooden board
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Executed in 2006.
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Famous as a collector of American junk, including a trove of thrift store paintings once sought by art collector Charles Saatchi, Jim Shaw draws on his vast stores of pop cultural artifacts in his work. The My Mirage (1986–91) project comprises nearly 170 drawings, silkscreens, photographs, sculptures, films, and paintings based on a Shaw stand-in called Billy, who grows from childhood to psychosis to born-again Christianity. Billy exists amid a 1960s and ’70s visual overload of pulp novels, comic books, records, and psychedelic posters. The artist’s Oism project, initiated in the late 1990s, explores his fictional religion through media including video installations (recalling both Busby Berkeley musicals and 1980s aerobics videos) and found paintings in the “Oist style.” Shaw’s richly layered practice takes liberally from both art history (Art Brut, Vincent van Gogh, Salvador Dalí, Rene Magritte, Max Ernst) and America’s vernacular of coffeemakers and zombie films.
1952 born in Midland, MI, US
Lives and works in Los Angeles, CA, US
1974 BFA, University of Michigan at Ann Arbor, MI, US
1978 MFA, California Institute of the Arts, CA, US
One-person exhibitions:
2017
(Forthcoming) The Wig Museum, Marciano Art Foundation, Los Angeles, CA, US
Massimo De Carlo, Milan, IT
2016
Rather Fear God, Praz-Delavallade, Paris, FR
Rather Fear God, Praz-Delavallade & Vedovi, Brussels, BE
2015-2016
The End Is Here, New Museum, New York, NY, US
Simon Lee Gallery, London, UK
Entertaining Doubts, Mass MOCA - Museum of Contemporary Art, North Adams, MA, US
2014-2015
Jim Shaw. Oeuvres choisies : dessins – peintures – sculptures – vidéo, Galerie Guy Bärtschi, Geneva, CH
2014
The Hidden World. Jim Shaw / Didactic Art Collection, Centre Dürrenmatt, Neuchâtel, CH
I Only Wanted You To Love Me, Metro Pictures, New York, NY, US
2013-2014
The Hidden World. Jim Shaw / Didactic Art Collection, Chalet Society, Paris, FR
Simon Lee Gallery, Hong Kong, CN
2013
Blum & Poe, Los Angeles, CA, US
Peter Saul, Jim Shaw: Drawings, Mary Boone Gallery, New York, NY, US
Simon Lee Gallery, London, UK
2012-2013
The Rinse Cycle, Baltic Centre for Contemporary Art, Gateshead, UK
2012
Dreams, BFAS, Geneva, CH (in collaboration with Metro Pictures, New York)
Metro Pictures, New York, NY, US
2011
Thrilling Stories from the Book of "O", Praz-Delavallade, Paris, FR
Cakes, Men in Pain, White Rectangles, Devil in the Details, Patrick Painter Inc., Santa Monica, CA, US
2010
Left Behind, CAPC - Musée d’Art Contemporain de Bordeaux, Bordeaux, FR
Bernier/Eliades, Athens, GR
2009
Wet Dreams, Erotic Dream Drawings by Jim Shaw, Praz-Delavallade (space II), Paris, FR
The Whole: A Study in Oist Integrated Movement, Simon Lee Gallery, London, UK
2008
Extraordinary Rendition, Patrick Painter Inc., Santa Monica, CA, US
Jim Shaw: New Arrivals, Metro Pictures, New York, NY, US
2007
Dr. Goldfoot and His Bikini Bombs, Metro Pictures, New York, NY, US
2012: Montezuma’s Revenge, Praz-Delavallade, Berlin, DE
The Hole, Praz-Delavallade, Paris, FR
The Donner Party, PS1 Contemporary Art Center, Long Island, NY, US
Galleria Massimo de Carlo, Milan, IT
Distorted Faces & Portraits 1978-2007, Blondeau Fine Art Services, Geneva, CH
2006
My Mirage 1986-1991, Skarstedt Gallery, New York, NY, US
2006-2007
DO (I was in my Japenese gallery/museum in Japan...), Patrick Painter Inc., Santa Monica, CA, US
Left Behind #8, 9, 10, Patrick Painter Inc., Santa Monica, CA, US
2006
Vise Head, Patrick Painter Inc., Santa Monica, CA, US
Bernier/Eliades, Athens, GR
Emily Tsingou Gallery, London, UK
Vise Head, Patrick Painter Inc., Santa Monica, CA, US
2005
The Inky Depths/The Woman in the Wilderness, Metro Pictures, New York, NY, US
Art & Public, Geneva, CH
Praz-Delavallade, Paris, FR
The Dream That Was No More A Dream, Patrick Painter Inc., Santa Monica, CA, US
2004
O, Kunsthaus Glarus, Glarus, CH
Emily Tsingou Gallery, London, UK
2003
Kill Your Darlings, Patrick Painter Inc., Santa Monica, CA, US
Kill Your Darlings, Bernier/Eliades, Athens, GR
O, Le Magasin, Grenoble, FR
Drawings, Metro Pictures, New York, NY, US
Drawings, Studies, O-ism, Art & Public, Geneva, CH
2002
The Rite of the 360° Degree, Praz-Delavallade, Paris, FR
The Goodman Image File and Study, Swiss Institute, New York, NY, US
Oist Thrift Store Paintings, Metro Pictures, New York, NY, US
Galleria Massimo De Carlo, Milan, IT
2001
The Artist’s World, Logan Galleries, CCAC Institute, San Francisco, CA, US
Dreamt of Drawings, Emily Tsingou Gallery, London, UK
Metro Pictures, New York, NY, US
Praz-Delavallade, Paris, FR
Galleria Massimo de Carlo, Milan, IT
2000
Thrift Store Paintings, ICA, London, UK
Patrick Painter Inc., Santa Monica, CA, US
Everything Must Go (curated by Sue Spaid), MAMCO, Geneva, CH; travels to The Contemporary Arts Center, Cincinnati, OH, US
Johnen + Schottle, Köln, DE
1999
Metro Pictures, New York, NY, US
Praz-Delavallade, Paris, FR
Everything Must Go, Casino Luxembourg - Forum d'Art Contemporain, Luxembourg, LU (traveling retrospective)
1998
Drawings (curated by Peter Weiermair), Rupertinum - Musée d’art moderne et contemporain, Salzburg, AT
Eccentric Drawing (curated by Peter Weiermair), Frankfurter Kunstverein, Frankfurt, DE
1997
The Deep, Tokyo, JP
Bookbeat, Detroit, IL, US
Rosamund Felsen Gallery, Santa Monica, CA, US
Praz-Delavallade, Paris, FR
1996
Massimo de Carlo, Milan, IT
The Sleep of Reason, Metro Pictures, New York, NY, US
Dreams, Cabinet Gallery, London, UK
1995
I Dreamed I Was Performing in an Alternative Space in My Maidenform Bra, Rosamund Felsen Gallery, Santa Monica, CA, US
Dreams, Galerie Andreas Brändström, Stockholm, SE
What Exactly is a Dream and What Exactly is a Joke..., Donna Beam Fine Art Gallery, University of Nevada, Las Vegas, NV, US
1994
Dreams That Money Can Buy, Rena Bransten Gallery, San Francisco, CA, US
1993
Dreams That Money Can Buy, Metro Pictures, New York, NY, US
Dreams That Money Can Buy, Linda Cathcart Gallery, Santa Monica, CA, US
1992
Life and Death, Texas Gallery, Houston, TX, US
Metro Pictures, New York, NY, US
Horror A Vacui (with Benjamin Weissman), Linda Cathcart Gallery, Santa Monica, CA, US
Galleria Massimo de Carlo, Milan, IT
1991
Thrift Store Paintings, Metro Pictures, New York, NY, US
New Works from My Mirage, Linda Cathcart Gallery, Santa Monica, CA, US
1990
My Mirage, Linda Cathcart Gallery, Santa Monica, CA, US
My Mirage, Matrix Gallery, University Art Museum, University of California, Berkeley, CA; travels to St Louis Museum of Art, St Louis, MO; Feature Inc., New York, NY, US
Thrift Store Paintings, Brand Library, Glendale, CA, US
1989
Dennis Anderson Gallery, Los Angeles, CA, US
1986
The Nuclear Family, EZTV, Los Angeles, CA, US
1981
Life and Death, Zero Zero Club, Los Angeles, CA, US
Group exhibitions:
2017
I Love L.A., Praz-Delavallade, Los Angeles, CA, US
2016
Realisms, The State Hermitage Museum, St. Petersburg, RU
Un autre monde (((Dans notre monde))), Galerie du Jour Agnès B., Maison de la poésie, Centre Wallonie-Bruxelles, Paris, FR
Collection(s) et nouveaux ensembles monographiques, Mamco, Geneva, CH
Physical: Sex and the Body in the 1980s, LACMA, Los Angeles, CA, US
A History: Contemporary Art from the Centre Pompidou, Haus der Kunst, Munich, DE
DO IT, Hab Galerie, Nantes, FR (organised by Frac des Pays de la Loire)
On verra bien, Galerie du Jour Agnès B., Paris, FR
Nothing Compares to You (works from the collection of Martin & Rebecca Eisenberg), Riverview School, Cape Cod, MA, US
2015-2016
Drawing. The Bottom Line, S.M.A.K., Ghent, BE
2015
Free Admission, Praz-Delavallade, Paris, FR
Better Than De Kooning, Villa Merkel, Esslingen am Neckar, DE
Collecting Lines - Drawings from the Ringier Collection, Villa Flora, Winterthur, CH
Magnificent Obsessions: The Artist as Collector, Barbican Centre, London, UK
The Making of Personal Theory: Mysticism and Metaphysics in the Work of Sara Kathryn Arledge, Charles Irvin, and Jim Shaw, Armory Center for the Arts, Pasadena, CA, US
Dominos, CIRCUIT, Lausanne, CH
2014-2015
What Nerve! Alternative Figures in American Art from 1960 to the Present (curated by Dan Nadel), RISD Museum, Providence, RI, US
do it (homage), Utah Museum of Contemporary Art, Salt Lake City, UT, US; travels to Michaelis School of Fine Art, Capte Town, ZA; Garage Center for Contemporary Art, Moscow, RU
Selections from The Permanent Collection, MOCA, Los Angeles, CA, US
Onetorino: Shit and Die (organized by M. Cattelan, M. Ben Salah & M. Papini), Palazzo Cavour, Turin, IT (by invitation of Artissima)
2014
The Century of The Bed (curated by Vienna 2014), Galerie Steinek, Wien, AT
As I Run And Run, Happiness Comes Closer (curated by Jérôme Sans), Emerige, Paris, FR
The Crime Was Almost Perfect (curated by Cristina Ricupero), Witte de With, Rotterdam, NL
Nothing Twice, Tadeusz Kantor Centre - Cricoteka, Krakow, PL
Hearsay: Artists Reveal Urban Legends (curated by Wendy Sherman), California State University Fullerton Grand Central Art Center, Santa Ana, CA, US
Grey Flags (curated by Timothée Chaillou), BackSlash Gallery, Paris, FR
VEILS (curated by J. Dahl & A. Papademetropoulos), The Underground Museum, Los Angeles, CA, US
The Crime Was Almost Perfect (curated by Cristina Ricupero), PAC - Padiglione d’Arte Contemporanea, Milan, IT
My Little Boat of Sorrow, Rosamund Felsen Gallery, Santa Monica, CA, US
2013-2014
Donation Florence et Daniel Guerlain, MNAM - Centre Georges Pompidou, Paris, FR
2013
Oeuvres de la collection Philippe Cohen (curated by Ami Barak), Passage de Retz, Paris, FR
The Universal Addressability of Dumb Things (curated by Mark Leckey), The Bluecoat, London, UK
XXXL Painting (organized by the Museum Boijmans van Beuningen), Submarine Wharf, Rotterdam, NL
Nuage, Musée Réattu, Arles, FR
I'm Dreaming About A Reality, Galerie Chantal Crousel, Paris, FR
Il Palazzo Enciclopedico / The Encyclopedic Palace (curated by Massimiliano Gioni) in The 55th Venice Biennale, The Arsenale, Venezia, IT
More Young Americans (curated by Susanne Van Hagen), L'Enclos des Bernardins, Hôtel de Miramion, Paris, FR
Coulisses, Frac Aquitaine, Bordeaux, FR
Untitled. Works on Paper, Galerie Sophie Scheidecker, Paris, FR
do it, Manchester Art Gallery, Manchester, UK
2012-2013
Faking It: Manipulated Photography Before Photoshop, Metropolitan Museum of Art, New York, NY, US
LOST (in LA) (curated by Marc-Olivier Wahler, presented by FLAX), Los Angeles Municipal Art Gallery at Barnsdall Park, Los Angeles, CA, US
2012
Artists Merchandising Art (organized by René Luckhardt & Judith Rohrmoser), Wonderloch Kellerland, Berlin, DE / Los Angeles, CA, US
Poule! (curated by Michel Blancsubé), Fundación/Colección Jumex, Ecatepec, MX
Dogma (curated by Gianni Jetzer), Metro Pictures, New York, NY, US
Panegyric, Forde, Geneva, CH
For The Martian Chronicles, L&M Arts, Venice, CA, US
2011-2012
Destroy All Monsters: 1973-1976, Prism Gallery, Los Angeles, CA, US
Incongru. Quand l'art fait rire, Musée cantonnal des Beaux-Arts de Lausanne, Lausanne, CH
2011
Interchange, Exchange LA, Los Angeles, CA, US
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