Jylian Gustlin

"Fibonacci 413" Abstract mixed media painting with green. blue, yellow and red

2019

The work of Santiago Garcia explores the wondrous, colorful and always intriguing world between figuration and abstraction. Through contextualization of reality, the Uruguayan artist...

"I throw myself into the water almost every day- it grounds me, the body floats and the mind drifts. The "Swimmer series" has followed me over the years, resurfacing and evolving. Presently I'm working on wood, I'm intrigued by wood grain swirling like water and how that ground moves through the swimmer's form”. Carol graduated from the Art Center College of Design in painting. For some 20 years she split her time between her loft in downtown LA and a beach bungalow in Hawaii- satisfying a passion for culture and the ocean's pull. In LA she painted backdrops...

Abstract oil painting in blues, white and gold. At a very young age I started studying and drawing maps. The first maps I ever saw may have been the highway maps stashed in our Ford Country Squire station wagon’s glove box. By my teens I had a map and atlas collection totaling well over a thousand and spent my free time engorged in cartography. My fascination with maps led me to study cartography at UC Santa Barbara and followed with creating maps for faculty at UCLA. Imagine the effect of spending much of a lifetime intimately tracing coasts, rivers, highways and more. Inevitably the visual rhythms of geography largely created my visual sensibility, that is, my sense of what works or does not work visually. I would dare say it has even seeped into my DNA. The interplay of a lifetime of maps and my fine art painting became most apparent in the late 1980’s when I started to create map paintings. Their purpose was not to explain the geography of a place but rather to use the essence of geographic forms to re-express them in an entirely new way. Today my paintings still echo their geographic foundation. Whether it is translating the essence of the sand patterns made by the waves on Baker Beach...

Chase Langford has invented a distinctive visual language that is grounded in the natural and built environment while embarking into uncharted territory. His impactful depictions recall maps and aerial photography of sea coasts, mountains, farmland and cities through a calculated execution and highly refined draftsmanship. Just as the West Coast Abstract Expressionists (1940 to 1970) found California’s striking landscape fertile ground, so does Langford as he draws upon his geographic environs both near and far. Through his cartographic mastery, Langford contorts and synthesizes geographic elements, bringing forth paintings that are mysteriously familiar yet surprisingly unconventional. They challenge conventions of geography and landscapes, offering invigorating visions of space and place that transcend any specific locale, leading us to an exhilarating emotional experience. Bio Chase Langford born in Pontiac, Michigan, is a Los Angeles-based artist well known for his geographically inspired paintings. He studied cartography earning a BA from UC Santa Barbara in Geography then worked as a cartographer at UCLA. Starting with his Map Paintings he literally reinterpreted geography by taking selected features from maps and filled in the reconfigured shapes in a flurry of color and movement creating a fresh take on familiar geographic forms. This followed with series that moved even deeper into pure abstraction with his Coldwater, Mulholland, and Scrape series which all lead to his Morphic series, now the core focus of his painting today. His paintings have been widely shown at one-person and group exhibitions in Los Angeles, New York City, Washington DC, Montreal, Palo Alto, Las Vegas, Long Beach, Napa Valley, Seattle, and Palm Springs and included many corporate/public collections (often site specific commissions) such as Long Beach Musuem of Art, Keck School of Medicine at USC, Michael & Susan Dell Foundation, Star City...

Comes framed and ready to hang in black floater frame. Artist’s Statement: “These paintings are technically challenging, as they combine wax (encaustic), tar, oil, acrylic, powdered...

Artist’s Statement: “These paintings are technically challenging, as they combine wax (encaustic), tar, oil, acrylic, powdered graphite and other media. They are painted on fiber pan...

Comes framed and ready to hang in black floater frame. (Note: photographed in natural light which gave the painting a bluish cast; it's more white in person. The picture shot at an ...

Original painting by Paola Zarate & Mark Wilson Two best friends completed a wonder of artworks for a weekend in Silverdale, Washington. "Smile For Me" represe...