Judith Ingram

Landscape (abstract expressionist mid-century landscape)

ca .1965

Andre Elbaz (b.1934). Landscape, ca. 1980 . Oil on card panel, image measures 14 x 20 inches; 18.5 x 24.5 inches framed. Signed lower right. Excellent condition. André Elbaz (born April 26, 1934, El Jadida, Morocco) is a famous Moroccan painter and filmmaker. Elbaz studied art and theatre in Rabat and Paris from 1950 to 1961. He started painting only at the age of 21, until which age he had been interested mainly in theatre. A few years later, he managed to combine his two passions into a new approach in art-therapy, inventing together with his wife, a psychiatrist, the Pictodrame, which brought him world recognition. His first exhibition, which was very successful, took place in Casablanca in 1961 and earned him an appointment as Professor at the Beaux-Arts school in Casablanca. Years later, in 1976, he exhibited his paintings at the Tel-Aviv Museum. In parallel to his career as a painter, Elbaz is also known as a filmmaker. He produced several short films in France, Canada and the United States. One of them, La nuit n'est jamais complète (The night is never complete), won a prize at the "5th Biennale de Paris in 1967" .[citation needed] Among the themes chosen for the many films he produced, there was a short one about the Warsaw Ghetto uprising, as well as a series of drawings entitled Seuls (Alone), with texts written by both Elie Wiesel...

Sterling Strauser (1907-1995). Dorothy and Jasper, Crystal Street Station, 1970. Oil on masonite panel, 11.5 x 22.25 inches. Signed and dated lower right. Very good condition with no damage or conservation. Unframed. Framing services available. Image depicts the artist's wife, Dorothy Strauser, walking the beloved family cat, Jasper. In the background can be seen the East Stroudsburg Pa Train Depot on Crystal Street. Provenance: Estate of the artist's Granddaughter, Princeton NJ. Often called a romantic expressionist and American intimist, self-taught Pennsylvania artist Sterling Strauser (1907-1995) completed his first oil painting in 1922- inspired by frequent visits to the collection of American folk art at the Everhardt Museum in Scranton. Throughout the following seven decades of his career, Strauser’s artistic pursuit was based on his own intuition and determination to paint what he saw, rather than adhering to the conventional pictorial structures prescribed by prevailing styles at the time. Strauser rejected pretension, believing instead that art should work from life as it was lived. His oeuvre therefore serves as an extremely personal record of his observations and experiences from his lifetime painting in East Stroudsburg, Pennsylvania. Beginning early in his career, Strauser took his inspiration from American regionalists and traditional realists in the Ashcan style, as well as European movements such as Fauvism and Cubism, yet he eventually developed his own fluid realism based on subject matter beloved and familiar to him- family and friends, local landscapes and floral still lifes. Known for his distorted pictorial space, exaggerated with vivid color, heavy impasto and an intensity of emotion, Strauser was adept at altering and rearranging the details and aspects of any given form to create a new kind of beauty. "All a painting has to do, or a piece of sculpture, or whatever, is to entertain the critical eye. You have to have a fresh seeing eye… to look at things like a child, as if looking at the world for the first time (seeing) something that somebody else doesn’t see, something you want to identify with… Painting is largely a matter of evaluation. (It) doesn’t matter how much it looks like the subject matter. It just depends on how interesting you have made it so that it pleases the critical eye." STERLING STRAUSER, STERLING STRAUSER: A MODERNIST REVISTED, P. 23 Sterling exhibited his work extensively throughout the country and drew the attention of many notable fellow artists including Milton Avery, Louise Nevelson, David Burliuk, Chaim Gross and Red Grooms. Sterling was also extremely influential within the arts community of Pennsylvania through his discovery and promotion of self-taught American Folk artists such as Justin McCarthy, Jack Savitsky, Joseph Gatto...

Byron Browne (1907-1961). Provincetown Beach, 1957. Oil on canvas, 24 x 30 inches, 30 x 36 inches in vintage solid chestnut frame. Signed lower righ...

Enrique Climent (1897-1980). Casas de Ibiza, c.1960. Oil and sand on canvas, 35 x 46 inches; 44.5 x 55.5 inches (frame). Signed lower left. Excellent condition with no damage or conservation. Instituo National de Bellas Artes lebel affixed en verso. Biography: Enrique Climent ( Valencia , Spain, 1897- Mexico City , 1980) was a Spanish painter and graphic designer, present in the Spanish Pavilion of the International Exhibition of Paris in 1937 , two of whose works are conserved in the National Museum Art Center Reina Sofía , as part of the collection of the Spanish Museum of Contemporary Art (MEAC). Exiled in Mexico , country in which he died at 83 years of age. He has been associated with the driving group in Spain of the "New Art". Born in a bourgeois family of the Valencian capital, despite paternal opposition, Climent studied at the School of Fine Arts of San Carlos , and with a scholarship received in 1919, traveled to Madrid to complete them in San Fernando . In the capital of Spain he participated in the gathering of Ramón Gómez de la Serna , for whom he illustrated some greguerías , and in the avant-garde activities of the then-called first Escuela de Vallecas , Associated with the Society of Iberian Artists . He also collaborated as an illustrator of Blanco y Negro magazine, 3 and illustrated books by Elena Fortún , Azorín , Juan Manuel Díaz Caneja and Manuel Abril . 3 Before, in 1924 he had been in Paris for two years, where he came to design some stage sets for opera shows. 6 He participated in three of the exhibitions of "Los Ibéricos" (San Sebastián in 1931, Copenhagen in 1932 and Berlin in 1933), as well as in the International Exhibitions of Contemporary Spanish Art in Paris and Venice in 1936. He was one of the Spanish exiles who in 1939 landed in Veracruz , after the crossing of the Sinaia , along with other intellectuals and artists (such as José Moreno Villa , Arturo Souto...

Wonderful mid century abstract expressionist landscape of bridge over water cityscape, circa 1960. Illegible signature lower left ("Aioli"?). Conditi...

Sylvia Rutkoff (1919-2011) Sr11-1 c.1960s “The Cowboy” Oil impasto on Masonite 42x36 period frame Signed on reverse in pencil Collection acquired from family estate

Sylvia Rutkoff (1919-2011) Sr5-1 c.1960s “Crossed Arms” Acrylic on Masonite 36x42 period frame Unsigned Collection acquired from family estate

"Waterfall in the Forest" is an original acrylic painting on masonite by David Barnett, signed on the verso. The work breaks down the image of the title to its most basic colors and ...