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Jean SoyerDynamic Dark Red on White Modern Contemporary Art Abstract Oil Painting
About the Item
A powerful abstract painting by Jean Soyer featuring dynamic red, black, and white movements across canvas. The artwork measures 38.2 x 51.2 inches (97 x 130 cm) and is created using oil paint on canvas. Soyer employs his characteristic technique of using large brushes and combs to build thick textural reliefs, creating a sense of dramatic motion and emotional intensity through bold sweeping gestures of crimson against contrasting dark elements.
This striking composition exemplifies Jean Soyer's mastery of gestural abstraction, where powerful sweeps of intense red dance across the canvas in a dramatic interplay with black and white elements. The work evokes a sense of primal energy and emotional intensity, drawing viewers into its dynamic visual rhythm.
Soyer's distinctive technique of building thick textural reliefs using large brushes and combs creates a tactile dimension that enhances the painting's expressive power. The bold, confident strokes and rich impasto suggest the influence of Abstract Expressionism while maintaining Soyer's unique artistic voice.
While Soyer acknowledges Nicolas de Staël's influence in his work, this particular piece also resonates with the gestural freedom of Georges Mathieu's action painting and the energetic calligraphic quality found in Fabienne Verdier's work. The dramatic contrast and emotional intensity also bring to mind Pierre Soulages' exploration of light and dark, though Soyer employs a vibrant chromatic palette rather than Soulages' monochromatic approach.
The composition's flowing movement might suggest the turbulence of natural forces—perhaps evoking the passion of flames or the powerful surge of tidal waves—while remaining firmly rooted in abstraction. This tension between suggested imagery and pure expressionism creates a compelling visual experience that continues to reveal new dimensions with each viewing.
Soyer's masterful handling of paint transforms the canvas into a battleground of emotion and energy, demonstrating his significant contribution to contemporary abstract expressionism and his place within the lineage of great gestural painters.
- Creator:Jean Soyer (1937, French)
- Dimensions:Height: 38.19 in (97 cm)Width: 51.19 in (130 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Clermont-Ferrand, FR
- Reference Number:Seller: E921stDibs: LU1041115848962
Jean Soyer
Jean Soyer is a French painter who was born in 1937. After studying the trades of engraving, lithographing and graphic designing at the École Supérieure des arts et industries graphiques, he built a career as a publicist. Soyer is mostly influenced by Nicolas de Staël, Georges Mathieu and Fabienne Verdier.
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Naturaleza Muerta,
Mixed media painting on three assembled canvases, (triptych)
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Dimensions: 64 1/8 W: 64 1/4 in.
Provenance: The Cleveland Museum of Art (bears label verso);
Galerie Juana de Aizpuru Gallery (bears label verso).
Born in Puerto de Santa María (Cádiz). Studies at the ETSA and at the Superior School of Fine Arts of Santa Isabel of Hungary in Seville. Grant from the Juan March Foundation in 1976. Advanced studies in Architecture and Fine Arts, University of Seville. Although he was not born in Seville, Juan Suárez is a member of the group of painters from the city who, in the seventies, linked their artistic practice, based fundamentally on painting, to international tendencies. Rather than a set of intellectual ideas, José Ramón Sierra, Gerardo Delgado and Juan Suárez shared a life experience: they were all students at the Escuela Técnica Superior de Arquitectura in Seville and were all interested in art. Juan Suárez also studied at the Fine Arts Faculty. He held his first individual exhibition at Galería Juana de Aizpuru in 1970. (They were an important contemporary art gallery in Seville spain and showed Wolfgang Tillmans, Georg Dokoupil, Jordi Colomer, Albert Oehlen, Eduardo Chillida and Andres Serrano). In 1982 his work was shown in Diez Pintores Sevillanos, together with Manuel Salinas (1940) and Ignacio Tovar (1947), among others. At various points his worked has been shaped by American Abstract Expressionist painting, Latin American Geometric Abstraction and by Constructivist painting and sculpture. In 1976 he received a grant from Fundación March, and in 1980 another from CINFE at the Ministry of Culture. He was awarded the Drawing Prizes at the Nuremberg Biennial (1979) and ARTEDER 82, the Premio de Pintura from the Diputación Provincial de Sevilla, also in 1982, and the Premio de los Festivales de Navarra in 1985.
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Exhibition
2008
Primavera, verano, otoño, invierno. Galería Egam. Madrid. (solo)
2006
Dibujando las distancias/Retratos. Obras reciente 99/05”. Galería Rafael Ortiz. Sevilla. (solo)
2004
Lugares Geométricos. 1968/1980. Salas Caja San Fernando. Sevilla. (solo)
2003
Lugares Geométricos. 1968/1980. Salas Caja San Fernando. El Puerto de Santa María, Cádiz. (solo)
2003
VITA I, VOL. VI. Galería Milagros Delicado. El Puerto de Santa María, Cádiz. (solo)
2001
VITA I, VOL. IV. Galería Carmen de la Calle. Jerez de la Frontera, Cádiz. (solo)VITA I, VOL. V. Colegio de Arquitectos de Cádiz. (solo)
2001
VITA I, VOL. V. Colegio de Arquitectos de Cádiz. (solo)
1999
VITA I. VOL. III Galería Senda. Barcelona. (solo)
1995
Sobre Papel. El juego de la Pasión. Galería Juana de Aizpuru. Sevilla. (solo)
1994
A Passion Play - Los libros del reposo. Galería Magda Bellotti. Algeciras, Cádiz. (solo)
1991
Pinturas. Salas Nicanor Piñolé. Diputación. Gijón. (solo)
1990
Pinturas. Galería Juana de Aizpuru. Sevilla. (solo)
1988
Pinturas. Galería Michael Dunev. San Francisco. U.S.A. (solo)
1987
Pinturas y Esculturas. Galería Juana de Aizpuru. Madrid. (solo)
1987
Mirada, Memoria, Engaño 1980 1987. Museo Arte Contemporáneo. Sevilla. (solo)
1986
Pinturas y Esculturas. Galería Juana de Aizpuru. Sevilla. (solo)
1986
Pinturas. Galería Temple. Valencia. (solo)
1986
Muestra personal. Festivales de Navarra. Castillo de la Maya. Pamplona. (solo)
1986
Pinturas. Galería Fúcares. Almagro, Ciudad Real. (solo)
1983
Pinturas. Galería Juana de Aizpuru. Madrid. (solo)
1982
ARCO ‘82. Stand Galería Juana de Aizpuru. Madrid. (solo
1981
La Suerte de Pintar. Galería Juana de Aizpuru. Sevilla. (solo)
1979
Pinturas de Barcelona. Galería Ciento. Barcelona. (solo)
1978
191 x 63. Galería Juana de Aizpuru. Sevilla. (solo)
1977
191 x 63. Galería Juana Mordó. Madrid. (solo)
1974
Sobre el Paisaje de fondo del Tránsito de la Virgen de Mantenga. Galería Juana de Aizpuru. Sevilla. (solo)
1974
Paisajes Imaginarios. Salas de Cultura CAN. Pamplona. (solo)
1970
Apócrifos-Cajas. Galería de Arte La Pasarela. Sevilla. (solo)
EXHIBITIONS ONLY
1970
Apocrypha-Boxes. The Catwalk Art Gallery. Seville. Spain.
1974
On the background Landscape of the Transit of the Virgin of Maintenance. Juana de Aizpuru Gallery. Seville. Spain.
Imaginary Landscapes. Halls of CAN Culture. Pamplona. Spain.
1977
191 x 63. Juana Mordó Gallery. Madrid, Spain.
191 x 63. Juana de Aizpuru Gallery. Seville. Spain.
1979
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l
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