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Ginny FoxC15-1 (Minimalist Emerald Wall Sculpture on Two Panels)2015
2015
About the Item
acrylic on panel
Acrylic on 2 wood panels. 30 x 40 each. Horizontal or Vertical installation possible.
Luminous green cross hatched painting on wood panel. This piece has a sculptural element that sets it apart from traditional 2D painting. The artist applies many layers of paint and alternating graphite markings to create this effect.
Artist's Statement:
My paintings merge the detailed textures and colors found in the natural world with the linear and geometric patterns visible in industrial and architectural structures. The interplay of these elements drives the work and provides a platform for constant change and narrative. By simultaneously layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Each piece contains multiple panels that evoke a nuanced and evolving universe.
- Creator:
- Creation Year:2015
- Dimensions:Height: 30 in (76.2 cm)Width: 80 in (203.2 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Hudson, NY
- Reference Number:1stDibs: LU227716222
Ginny Fox
Artist Statement:
My paintings are a merging of textures and colors referencing both organic and fabricated materials. I am inspired equally by patterns in nature, as well as those in textiles, architecture, and a myriad of manufactured elements. After many years living in the Bronx, I recently moved back to the Upper West Side of Manhattan, where the confluence of the Hudson River, its rocky environs, and multiple architectural structures has become a renewed source of inspiration. My studio in Yonkers, N.Y. is in a turn of the century carpet mill overlooking hills and industrial complexes, another locale containing the merging of elements so integral to my work. Layers of time evident in random markings on stone; light raked across water and sky; the open weave of moss covered earth -- all inform the work, resulting in a cohesive entity. By layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Many of the paintings are comprised of multiple panels, allowing for a subtle narrative of a nuanced and evolving universe.
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