Items Similar to Tableau
Want more images or videos?
Request additional images or videos from the seller
1 of 6
gilbert Portanier Tableau1983
1983
About the Item
Sublime painting by French ceramist Gilbert Portanier, measuring 61 x 49.5 cm and dating from 1983
- Creator:gilbert Portanier (1926, French)
- Creation Year:1983
- Dimensions:Height: 24.02 in (61 cm)Width: 19.49 in (49.5 cm)Depth: 1.97 in (5 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:PARIS, FR
- Reference Number:1stDibs: LU2752215829542
About the Seller
No Reviews Yet
Vetted Professional Seller
Every seller passes strict standards for authenticity and reliability
1stDibs seller since 2024
Typical response time: 3 hours
- ShippingRetrieving quote...Shipping from: Megève, France
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllSans titre
Located in PARIS, FR
signed on bottom
Category
Late 20th Century Abstract Abstract Paintings
Materials
Oil
Sans Titre
By Albert Chubac
Located in PARIS, FR
Unique work signed lower right by Swiss artist Albert Chubac, measuring 63 x 78 x 3 cm.
Category
Mid-20th Century Abstract Abstract Paintings
Materials
Acrylic
Caribe positif
By Victor Vasarely
Located in PARIS, FR
Matt acrylic-painted wood relief
Éditions Denise René
ed no. VIII, Signed.
Presented at the exhibition “Vasarely - Le partage des Formes”, 2019 at the Centre Pompidou.
p.114 of the c...
Category
1960s Op Art Mixed Media
Materials
Wood, Acrylic
Eclipse
By Victor Vasarely
Located in PARIS, FR
Éditions Denise René
Matt acrylic-painted wood relief
Signed.
Exhibition at the Centre Pompidou, “Vasarely - le partage des formes”,
Category
1960s Op Art Mixed Media
Materials
Wood, Acrylic
$19,196
Demie - Mondaine
Located in PARIS, FR
signed on bottom
Category
1980s Abstract Abstract Paintings
Materials
Oil
Sans titre
Located in PARIS, FR
signed on bottom
Category
21st Century and Contemporary Abstract Abstract Paintings
Materials
Oil
You May Also Like
Wreath of Life, deep midnight Blue with gold leaf tree
By Frank Olt
Located in Brookville, NY
Frank Olt finds most of his creative images in the landscape. The suggestion of a late night sky with a silhouette on the Arboretum like property that he lives on. The vivid deep blues surround the golden tree with sprays of moonlight coming from the edges. A ceramic and encaustic on panel, mounted for hanging installation.
Category
2010s American Modern Mixed Media
Materials
Ceramic
'Bird Abstraction' — Mid-Century Modernism
Located in Myrtle Beach, SC
Stephen Harty, Untitled (Bird Abstraction), gouache, 1953. Signed and dated lower left. A fine, meticulously rendered, mid-century, modernist gouache painting, with fresh colors on 1...
Category
1950s American Modern Abstract Paintings
Materials
Gouache
Large Hudson River Figurative Modernist Landscape Oil Painting Edward Avedisian
By Edward Avedisian
Located in Surfside, FL
Edward Avedisian ( 1936-2007 )
Gouache or oil on paper, 3 guys around a car,
hand signed in paint lower left,
Measures 30"x 22.5"
Edward Avedisian (June 15, 1936, Lowell, Massachusetts – August 17, 2007, Philmont, New York) was an American abstract painter who came into prominence during the 1960s. His work was initially associated with Color field painting and in the late 1960s with Lyrical Abstraction and Abstract Expressionism.
He studied art at the School of the Museum of Fine Arts, Boston. By the late 1950s he moved to New York City. Between 1958 and 1963 Avedisian had six solo shows in New York. In 1958 he initially showed at the Hansa Gallery, then he had three shows at the Tibor de Nagy Gallery and in 1962 and 1963 at the Robert Elkon Gallery. He continued to show at the Robert Elkon Gallery almost every year until 1975.
During the 1960s his work was broadly visible in the contemporary art world. He joined the dynamic art scene in Greenwich Village, frequenting the Cedar Tavern on Tenth Street, associating with the critic Clement Greenberg, and joining a new generation of abstract artists, such as Darby Bannard, Kenneth Noland, Jules Olitski, and Larry Poons.
Avedisian was among the leading figures to emerge in the New York art world during the 1960s. An artist who mixed the hot colors of Pop Art with the cool, more analytical qualities of Color Field painting, he was instrumental in the exploration of new abstract methods to examine the primacy of optical experience.
One of his paintings was appeared on the cover of Artforum, in 1969, his work was included in the 1965 Op Art The Responsive Eye exhibition at the Museum of Modern Art and in four annuals at the Whitney Museum of American Art. His paintings were widely sought after by collectors and acquired by major museums in New York and elsewhere. He has been exhibited in prominent galleries, such as the Anita Shapolsky Gallery and the Berry Campbell Gallery in New York City. Edward Avedisian was known for his brightly colored, boldly composed canvases that combined Minimalism's rigor, Pop art exuberance and the saturated tones of Color Field painting.
Roberta Smith of the NYT writes of Avedesian: "Edward Avedisian helped establish the hotly colored, but emotionally cool, abstract painting that succeeded Abstract Expressionism in the early 1960s. This young luminary harnessed elements of minimalism, pop, and color field painting to create prominent works of epic proportions that energized the New York art scene of the time." In 1996 Avedisian showed his paintings from the 1960s at the Mitchell Algus Gallery, then in SoHo. His last show, dominated by recent landscapes, was in 2003 at the Algus gallery, now in Chelsea.
Selected Exhibitions:
Op Art: The Responsive Eye, at the Museum of Modern Art,
Whitney Museum’s Young America 1965
Expo 67, held in Montreal, Canada.
Six Painters (along with Darby Bannard, Dan Christensen, Ron Davis...
Category
20th Century American Modern Landscape Paintings
Materials
Oil, Gouache, Archival Paper
Things of this World, Abstract Oil Painting
By Alan Tompkins
Located in Surfside, FL
Genre: Modern
Subject: Abstract
Medium: Oil
Surface: Canvas
Country: United States
Dimensions: 18" x 24"
Dimensions w/Frame: 18.5" x 24.5"
Cubist Surrealism, reminescent of the Later Pop Art works of Roy Lichtenstein. Alan Tompkins a prolific artist, he continued to paint into his 100th year and strongly desired one thing: to be remembered for his art. “I’m not a hobbyist, I’m not an educator,” said Tompkins. “I want to be remembered as a painter.”
Tompkins produced thousands of paintings, many showing the influence of Cubism and abstract art, during a long and productive career.
Tompkins played a pivotal role in the formation of the University of Hartford. He was director of the Hartford Art School in 1957 when it merged with the original Hillyer College and the Hartt College of Music to become the University of Hartford. He served as director until 1969 and then taught art history and visual studies until his retirement in 1974. A graduate of Columbia University...
Category
1950s Modern Abstract Paintings
Materials
Canvas, Oil
UNTITLED FIGURES (LINES AND SHAPES AGAINST TEXTURAL BACKGROUND)
By Shoshana Heimann
Located in Surfside, FL
As fate would have it, sculptor, painter and printmaker Shoshana Heimann (1923-2009) did not live to see her retrospective installed at both the Hecht Museum at the University of Hai...
Category
Mid-20th Century Modern Abstract Paintings
Materials
Wood, Mixed Media, Oil
Large Archie Rand Abstract Expressionist Cartoon Oil Painting Dusseldorf
By Archie Rand
Located in Surfside, FL
"Dusseldorf, Germany" 1993, oil on canvas, hand signed and dated lower left,
Canvas (unframed):18 X 48. framed: 19.5 X 49.5
Provenance: directly from the artist. Exhibited at Phyllis Kind Gallery in NYC in 1987.
Archie Rand (American, born 1949) is an artist from Brooklyn, New York.
Rand's work as a painter and muralist is held in the collections of the San Francisco Museum of Modern Art, the Art Institute of Chicago, the Victoria and Albert Museum in London, the Bibliothèque Nationale de France in Paris, and the Tel Aviv Museum of Art.
His graphic works and books are held by the Metropolitan Museum Of Art, the Museum of Modern Art, the Whitney Museum of American Art, the Art Institute Of Chicago, The Brooklyn Museum, the Baltimore Museum of Art, the Smithsonian Institution, and The New York Public Library; and are owned by Harvard, Yale, Columbia, Brown, and Johns Hopkins universities.
Born in Brooklyn, Rand received a Bachelor of Fine Arts in cinegraphics from the Pratt Institute, having studied previously at the Art Students League of New York.
His first exhibition was in 1966, at the Tibor de Nagy Gallery in New York. He has since had over 100 solo exhibitions, and his work has been included in over 200 group exhibitions.
He is currently Presidential Professor of Art at Brooklyn College which granted him the Award for Excellence in Creative Achievement in 2016. Before joining Brooklyn College, Rand was the chair of the Department of Visual Arts at Columbia University.
The Italian Academy For Advanced Studies in America at Columbia University presented him with The Siena Prize in 1995. He was awarded a Guggenheim Foundation Foundation Fellowship in 1999 and was made a Laureate of the National Foundation for Jewish Culture, which awarded him the Achievement Medal for Contributions in the Visual Arts. In 2002 he received the Presidential Award for Excellence in Teaching from Columbia University.
In 2002 he became the artistic advisor to film director Ang Lee for his production of The Hulk, and was asked by Milestone Films to provide a commentary track for the DVD release of Henri-Georges Clouzot’s classic 1955 film The Mystery of Picasso.
Archie Rand’s earliest major works are “The Letter Paintings” (or “The Jazz Paintings”) (1968–71), a radically positioned series of technically inventive, mural-sized canvases. The Letter Paintings, by incorporating the names of mainly male and female African-American musicians, undermined prevailing aesthetic categories by conflating many contemporary movements including Conceptual Art, Color Field, Pattern and Decoration, diary entry and social commentary.
In 1974 Rand received a commission from Congregation B’nai Yosef in Brooklyn. Rand was asked to paint thematic murals on the complete 16,000-square-foot (1,500 m2) interior surfaces of the synagogue. The work took three years, and completing this commission made Rand the author of the only narratively painted synagogue in the world and the only one we know of since the 2nd Century Dura-Europos. The religious legal controversy raised by placing wall paintings in a traditionally iconoclastic space was resolved by the verdict of Rabbi Moshe Feinstein, then considered to be the world’s leading Talmudic scholar, who declared the paintings to be in conformity with the law. His subsequent turn to figuration may have been influenced by his friendship with Philip Guston, whose own work was transformed in the late 1960s. Like Guston, Rand "chafed at the limitations of purely abstract forms."
A near-cult figure who started out as a child prodigy and whose admirers range from John Ashbery to Julian Schnabel. Rand’s paintings display a vast and savvy menu of inventive and finely executed approaches. He has completed many series after the works of Paul Celan, Moyshe-Leyb Halpern, Eugenio Montale, Yehuda Amichai, Rainer Maria Rilke, Samuel Beckett/Paul Eluard and Jack Spicer. Working often with poets, he has produced books and continues to engage in publishing collaborative projects. He maintained a correspondence with the American British Jewish painter R.B. Kitaj.
In 2008, on a warehouse wall, Rand mounted the painting, “The 613”, which at 1700 square feet (17’ x 100’) is nearly twice the size of James Rosenquist’s F-111. It is one of the largest freestanding paintings ever made. Reminiscent of “The Segments” paintings it is intimidatingly enormous. Paradoxically, despite the raucous cartoony bytes that shoot colorful flashes from the manic surface, “The 613” glows warmly. Its overall effect is strangely calming and majestic.
In an article on a 2011 exhibition of Rand's "Had Gadya" series, David Kaufmann wrote:
Rand displayed his work in 15 solo exhibitions between 2008 and 2017, many of them showcasing paintings done after Scripture, or his workings with poets: Including “Had Gadya, 2005”, Borowsky Gallery, Philadelphia, PA (2011); “Gods Change, Prayers Are Here To Stay (after Yehuda Amichai), 2000", Katz Gallery, Atlanta, GA (2014); “Psalm 68, 1994”, Derfner Museum, Riverdale, NY (2014); “The Chapter Paintings”, Tribeca Gallery, NY (2015); “Men Who Turn Back (after Eugenio Montale), 1995", SRO Gallery, Brooklyn, NY (2016); “Sixty Paintings From the Bible” & “The Book of Judith, 2012”, Cleveland State University Galleries, Cleveland, OH (2016) & The American Jewish Museum, Pittsburgh, PA (2017); “Archie Rand: Early Works With Poetry: Jack Spicer, 1991 and Samuel Beckett/Paul Eluard, 1993”, St. Francis College, Brooklyn, NY (2017).
"The 613"
In 2015 Blue Rider/Penguin/Random House published The 613, allotting one color plate per page for each of the 614 units in the painting. The Wall Street Journal labeled The 613 as “dynamic…remarkable…thrilling” The New York Times selected the book as “Editors' Choice” and praised it in two separate reviews calling it “wonderfully garish” and declaring that “nothing prepared the art world for 'The 613.'
Recent Activity
In 2016 Rand showed two bodies of work that were done in Italy, “La Certosa Di Pontignano, 1995” and “Mount Etna, 2005,” at The Interchurch Center Galleries, New York. From 2016 to 2017 he served as the Curator and Juror for the Governor of Wyoming’s Capitol Arts Exhibition at The Wyoming State Museum, Cheyenne, WY.
A 2017 exhibition, “Archie Rand: Early Works With Poetry”, featured two series of work from 1991 and 1993 after poems by Jack Spicer and Samuel Beckett/Paul Eluard.
This painting was exhibited in the Phyllis Kind Gallery in NY in 1987.
(Phyllis Kind was an American art dealer active in Chicago and New York. She promoted the work of the Chicago Imagists, The Monster Roster and The Hairy Who and outsider artists. Kind opened a gallery in Chicago in 1967. Called Pro Grafica Arte, the gallery dealt in master prints and drawings. In 1975, she opened a gallery on Spring Street in New York's SoHo district. She gave some of the artists in the movement their first solo shows: Jim Nutt and Gladys Nilsson...
Category
1980s American Modern Figurative Paintings
Materials
Canvas, Oil