Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 6

Gershon Benjamin
"Begonias"

Begonias

About the Item

Ashley John is proud to offer this artwork by: Gershon Benjamin (1899 - 1985) Gershon Benjamin is a painter of portraits, landscapes, still lives, and the urban scene. He had a prolific career for over seven decades. Influenced by many European modernist, Benjamin used form and color to capture his emotional responses to the subjects by extracting the vast array of visual stimuli that he experienced into interesting reductive images. He viewed his art as a way of expressing delicate emotions as he sought to capture the universal truth of his subjects. Benjamin evolved a distinctive style by achieving a subtle balance between realism and abstraction. His works combined a lyrical chromaticism with simplified designs and two-dimensional shapes. Benjamin was content to simply be able to paint, supported by a day job in the Art Department of the New York Sun. Because of this perspective, he remained little known to the contemporary art audiences until the early 1980s, when a series of exhibitions at Drew University and the New Jersey Institute of Technology brought his works into the public’s attention. Nowadays, Benjamin is represented in many private and public collections including Berkeley Heights Public Library; Drew University; Griffiths Art Center, St. Lawrence University; the Pennsylvania Academy of the Fine Arts and Ulrich Museum of Art.
  • Creator:
    Gershon Benjamin (1899, American)
  • Creation Year:
    Begonias
  • Dimensions:
    Height: 38 in (96.52 cm)Width: 33 in (83.82 cm)Depth: 3 in (7.62 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    Signed Lower Left.
  • Gallery Location:
    Lambertville, NJ
  • Reference Number:
    1stDibs: LU1573850751

More From This Seller

View All
"Gladioli in Clay Pot"
By Gershon Benjamin
Located in Lambertville, NJ
Ashley John is proud to offer this artwork by: Gershon Benjamin (1899 - 1985) Gershon Benjamin is a painter of portraits, landscapes, still lives, and the urban scene. He had a pro...
Category

20th Century Abstract Abstract Paintings

Materials

Canvas, Oil

"Homage to Cezanne II"
By Gershon Benjamin
Located in Lambertville, NJ
Ashley John is proud to offer this artwork by: Gershon Benjamin (1899 - 1985) Gershon Benjamin is a painter of portraits, landscapes, still lives, and the urban scene. He had a pro...
Category

20th Century Abstract Abstract Paintings

Materials

Paper, Pastel

"Shrimp"
By Bror Julius Olsson Nordfeldt
Located in Lambertville, NJ
Signed Lower Right Bror Julius Olsson “B.J.O.” Nordfeldt (1878 - 1955) Bror Julius Olsson was born in Tullstrop, Sweden in 1878. He immigrated to the United States in 1891, later adopting his mother’s maiden name of Nordfeldt. Beginning his art studies at the Art Institute of Chicago where he was chosen to assist fellow artist, Albert Herter, with a large mural project for the McCormick Harvester Company. In 1900, he was sent to Paris by McCormick to help set up the completed mural at the Paris Exposition. While there, he studied briefly at the Academie Julian before traveling to England to study woodblock printmaking under F. Morley Fletcher. Returning to Chicago in 1903, Nordfeldt would spend the next ten years painting mainly figurative works in an academic style similar to that of the Old Masters. By the mid-teens he had developed a bold dramatic modernist style and divided his time between New York and Provincetown, Massachusetts. There, he invented the “Provincetown Print...
Category

1940s American Modern Still-life Paintings

Materials

Canvas, Oil

"Figure Composition"
By Vaclav Vytlacil
Located in Lambertville, NJ
Signed Lower Right Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn. He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant. During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League. His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work. He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...
Category

1940s Abstract Abstract Paintings

Materials

Board, Oil

"Circus Act"
By Vaclav Vytlacil
Located in Lambertville, NJ
Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of ...
Category

20th Century Abstract Abstract Paintings

Materials

Board, Oil

"Positano Coast"
By Vaclav Vytlacil
Located in Lambertville, NJ
Vaclav Vytlacil (Vas-lav Vit-la-chil) was born in New York City in 1892 to Czech parents, but was raised in Chicago. He was an artist since boyhood, becoming the youngest student to ...
Category

20th Century Abstract Landscape Paintings

Materials

Board, Oil

You May Also Like

'Abstract in Coral and Jade', Painters Eleven, Ontario, Canadian Modernist Oil
By Hortense Mattice Gordon
Located in Santa Cruz, CA
Signed lower left, 'Hortense M. Gordon' for Hortense Crompton Mattice Gordon (Canadian, 1886-1961) and dated 1949. Previously with: Dominion Gallery of Montreal (stamp, verso). Photo courtesy of Art Gallery of Hamilton, Ontario, Canada. Hamilton artist Hortense Crompton Mattice Gordon was one of Canada’s earliest non-representational painters, embracing abstraction in the 1930s. She was also an active member of Canada's first English-speaking abstract group, Painters Eleven. A scholarship recipient, Hortense Mattice first attended the Hamilton Art School and, subsequently, moved to Chatham, Ontario. Initially focusing on porcelain painting, Mattice quickly began building a portfolio of oils and, from 1908, was exhibiting both her porcelain and landscapes at what is now the Chatham Cultural Centre (1908) and the Art Gallery of Ontario (1909). During this time, Mattice frequently traveled to the United States and, in 1915, visited the National Gallery of Art in Washington, DC, where she would have seen early works by important modernists including Picasso and Matisse. She started her teaching career in Chatham but, having received a job offer from the artist John Sloan Gordon, returned to Hamilton to teach at the Hamilton Art School in 1918. The two artists married in 1920. In 1922, Gordon and her husband took a study trip to France and, inspired by the fervent of Modernist ideas in Paris, expanded her own approaches to art, developing an increasingly soft, loose paint handling style. It was not until the 1930’s, after a few more trips to France and her discovery of Piet Mondrian’s work, that elements of abstraction began to appear in Gordon’s work. After the death of her husband in 1940, Gordon attended the Cranbrook Academy of Art and studied with Hans Hoffmann (1941-1945) whose influence and friendship pushed her to explore non-objective painting. After her training with Hofmann and in Cranbrook, Gordon began to exhibit regularly and with success in both Canada and the United States including at the Riverside Museum (New York, 1947), Creative Gallery (New York, 1952), in Ann Arbor (Michigan, 1952), Phillips Gallery (Detroit, 1952), the Flint Institute of Arts (Michigan, 1952), Mount Allison University (New Brunswick, 1952), the Galerie Agnes Lefort in Montréal and Art Gallery of Hamilton (retrospective, 1960). She was a member of the Contemporary Artists of Hamilton (honorary president in 1948), the Ontario Society of Artists, the Hamilton Women...
Category

1940s Abstract Abstract Paintings

Materials

Oil, Board

Abstract still life. Oil on cardboard, 85x74 cm
Located in Riga, LV
Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingrad School of Art, Saratov Art School, graduated from the Depar...
Category

1980s Abstract Expressionist Still-life Paintings

Materials

Oil, Cardboard

Black Jar and Roses, Libbi Gooch, Semi-Abstract Painting, Contemporary Artwork
By Libbi Gooch
Located in Deddington, GB
Libbi Gooch Black Jar and Roses Original Abstract Still Life Painting Oil on Board Canvas Size: 80 cm x 80 cm x .5 cm Framed Size: 93 cm x 93 cm x 1.8 cm Sold Framed Free Shipping Pl...
Category

21st Century and Contemporary Abstract Impressionist Still-life Paintings

Materials

Oil, Board

Rosie Copeland, Lilies and Rose Buds, Original Semi Abstract Floral Painting
By Rosie Copeland
Located in Deddington, GB
Lilies and Rose bud by Rosie Copeland [2019] Original Oil on board Image size: H:37 cm x W:24 cm Complete Size of Unframed Work: H:2 cm x W:37 cm x D:24cm Framed Size: H:55.5 cm x W:...
Category

21st Century and Contemporary Abstract Impressionist Still-life Paintings

Materials

Oil, Board

Folksong. 2001, oil on cardboard, 92, 5 x 57, 5 cm
Located in Riga, LV
Folksong 2001, oil on cardboard, 92,5x57,5 cm Jekabs Arturs Springis (1907– 2004) Painter, Latvia 1924 – 1927 – he learned at Aizpute Secondary School 1927 – 1930 – learning at ...
Category

Early 2000s Abstract Expressionist Abstract Paintings

Materials

Oil, Cardboard

Still life with pears. Oil on cardboard, 50 x 60 cm
Located in Riga, LV
Still life with pears. Oil on cardboard, 50 x 60 cm Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingrad Schoo...
Category

1980s Abstract Abstract Paintings

Materials

Oil, Cardboard

Recently Viewed

View All